An antique Japanese Kotansu (personal storage chest) made of Kirinoki (Paulownia) wood. Hand forged iron hardware with Warabite style handles and corner drawer front reinforcements. 5 drawers for storage and organization with 2 side handles for carrying this chest from room to room. Constructed using straight dovetail joinery and hardened wooden nails. Perfect side chest or bedside night stand.
Age: Meiji Period (1880-1890)
Dimensions: 22 1/2" Wide by 22 1/2" High by 12" Deep
Outstanding Ohi Chawan from the early stage of the Meiji Era (1868-1912) with a rarely seen octopus and coral sculpture on it. The outer earthy amber glaze harmonises wonderfully with the colourful interior landscape of the bowl. A firework of colours running into each other. What an impressive demonstration of the artistry of this 19th century artist...
Tenmokujawan, a tea bowl which is mended with kintsugi with seigaiha (wave pattern) makie. Tenmokujawan is a pottery tea bowl which is fired with Tenmoku glaze (iron glaze). It is made in Seto in Aichi prefecture, one of places where copies of Chinese potteries were manufactured. 17th or 18th century. Diameter:11.8cm, H:5.8cm
A fine Japanese lacquer tray dating Taisho era, pre 1920. In excellent condition with only having some light wear to the bottom from sliding on tables or what not over the years. Measures: Length 8" x Width 6.75"
Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is the inside design with a Japanese Koi image which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface...
Important and extremely rare Mid Edo Period Narumi Oribe Mizusashi (fresh water container) in perfect antique condition with no cracks or repairs and with its original lid. It is almost impossible to find such an old and valuable Oribe Mizusashi - so take your chance. It comes with a very good Japanese wooden box.
Narumi Oribe ware is comprised of white and red (reddish brown) clays. The white clays are glazed with green glaze...
Amazing boro which used to be noragi (work wear). It is made of many fragments of vegetable indigo dye and hand^spun cotton cloth. It is from cold areas such as Tohoku or Japan Sea Side where cotton could not be cultivated and cotton cloth for kimono was expensive so that people bought fragments which were brought from warm areas such as Shikoku , Kandsai or Chubu districts. The second half of the 19th century. Measurement: Approx. 160cm x 150cm
We are proud to offer you a really rare antique piece of art and one of a kind: wonderful Echizen Chawan from the Momoyama Era (安土桃山時代 Azuchi Momoyama jidai; 1573–1603) without any crack, damage or repair.
There is no similar item on the antique market.
Echizen ware (called Echizen yaki in Japanese) is a type of pottery produced in the town of Echizen, Fukui prefecture...
Frog on a water lily and a lotus root at the base. The whole is in bronze with a dark brown patina.
In the Japanese bestiary, the frog has a special place, carrying positive values. Both the frog and the toad, called kaeru, come back every year, no matter how far away they are from the pond where they were born. The word Kaeru is a synonym for "coming home". It is the protective animal for travelers and the symbol of hospitality...
Inrô with four lacquer compartments representing eagles: eight on one side, seven on the other, one on the upper side called ten; sometimes posed on a rocky promontory in takamaki-e and kirigane lacquer, sometimes in flight near the sea. Bamboo branches. Bottom in fundame and hiramaki-e lacquer. Interior in nashi-ji lacquer.
The eagle motif is relatively rare in Japanese iconography. Most of its representations are found on older lacquerware.
Ojime in red lacquer...
Golden patinated bronze representing a lying crane with its baby bird on its back.
The Japanese crane is also known as tanshozuru (丹頂鶴) which mean “red crowned crane”. It is known to be standing for longevity since the tale told this animal to be 100 years old...
Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background.
The interior is in nashi-ji lacquer.
Wooden netsuke representing Daikoku, carrying in his right hand his wooden mallet and in his left hand his bag.
Daikoku, deity of wealth and trade, is part of the Seven Gods of Happiness...
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...
Revered Chinese scholar and tea master, Lù Yǔ is known as the “Sage of Tea” and is credited with advancing the practice of tea through the writing of his life’s work,The Classic of Tea. Here we see a masterful rendition of this historic figure done by one of the most iconic Kyoto painters—and founder of the Maruyama school—Maruyama Ōkyo...
Peacock in cast bronze and partially gilded shakudo in 2 shades of gold. Japanese work in the style of Miyao around 1900. No signature. Hardwood and boxwood plinth.Good condition, no welding and original patina. Very slight wear, insignificant for a century-old object.
The body of the peacock is raven wing black which suggests that it is in shakudo which represented a significant additional cost, the shakudo alloy being obtained by adding gold to copper.
Total height about 16cm.
An antique Japanese single section Sendai Tansu made entirely of Kirinoki (Paulownia) wood...
An antique Japanese Kotansu made entirely of Kirinoki (Paulownia) wood. Made in a rare design to look like a miniature Kimono tansu. All original iron hardware including the Warabite style handles. Complete with front drawer corners. Straight dovetail joinery with hardened wooden nail construction. An unusual and unique personal storage chest.
Age: Meiji Period (1880-1890)
Dimensions: 25 1/4" Wide by 14 1/4" High by 13 1/8" Deep.
11th generation Raku Kichizaemon Keinyu (1817-1902) White Raku Sake Bottle Tokkuri.
The mark of the potter is stamped at the bottom. Keinyu used this mark after his retirement.
The red clay was used which was glazed and fired. It is a rare work that depicts the standing cranes of parents and child. He often used crane decoration in his later years such as Fukurokuju tea bowl exhibited in Kyoto in autumn 2020. (Autumn Special Exhibition. Teabowls by Successive Generations of the ...