Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Very small, black lacquered shrine (gilded on the inside) with inside the wooden figure of the Bodhisattva Marishi-ten in three-headed form (left head is a boar's head), sitting on a lotus base carried on the backs of seven boars. In his hands he holds a branch of the asoka tree, a sword, bow and arrows. The carving is slightly abstracted, but nevertheless full of detail...

Early 19th century marine (walrus tusk) netsuke of a standing oni, its foot on rockery, leaning on a huge war club and eating a rice cake, and a puppy at his feet looking wiistfully at the same cake. Wonderful strong early carving, wonderful face, excellent depiction of its muscular arms and legs. Grainy texture of walrus tusk core can be seen at the bottom and on the back of the carving. himotoshi is formed by natural openings in the carving. Height 2.47 inches.

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens...

Japanese Meiji to Showa period oval form ikebana basket (hanakago) hand-woven from reddish bamboo with natural gnarled wood branches incorporated. Four strips rise from each side of the shoulder and are twisted together to form the high loop handle. Round mouth and base. 18” high with handle (9 1/4" high excluding handle); about 10” diameter. Late 19th to early 20th century. Very good overall condition with minor wear. From a Scottsdale, Arizona estate.

A shop sign carved from a block of knotted wood in the shape of a tea leaf jar engraved on both sides with the character Cha (Tea) originally gilded which still reflects light from the correct angle. A large knot making up one shoulder has split apart in the center, while the outside edge remains intact. A perfect example of the Japanese aesthetic of wabisabi. It is 32 x 3 x 32.5 cm (roughly 13 x 1 x 13 inches)...

Pair Japanese most stunning large earthenware Satsuma Vases , signed "Kinkosan" in gold, Ca...

This is a beautiful rare Japanese Cloisonne tray. If it were not signed, many would attribute this fine piece to the workshop of Namikawa Sosuke. The workmanship on this piece exceeds that of many other cloisonne trays to be seen with roosters or chickens. The tray measure just under 11 by 11 inches. Condition is very good but there is a slight indent on the rim with a minor bit of crazing at this spot on the reverse side. To view see the last 2 images.

This Japanese ceremonial Tenmoku style chawan (tea bowl) is a late Meiji period product. It is 5 ½” in diameter at the top, the foot is 1 ½” in diameter and 2” high. It has a very dark brown with white textured spots on the exterior. The base is not glazed and there is a swirl mark in the center. The interior of the chawan is richly colored black, dark brown, light brown and grayish blue. It is in excellent condition.

A terracotta figure of the Three Wise Monkeys - Mizaru who is covering his eyes, Kikazaru who is covering his ears and Iwazaru who is covering his mouth. All three embody the proverb "see no evil, hear no evil, speak no evil". The figure is combed terracotta with blue, black and brown paint. The robes of the monkeys are painted with Japanese symbols on the back. Provenance: A Pvt. San Franciso Collection

Date: Meiji (1868 - 1912)

Dimensions: 8.5" X 5.5" X3.5"

Namban chest in lacquer with inlayed mother-of-pearl in a floral pattern. The metalwork is in engraved copper.

The word "Namban" comes from namban-jinou "southern barbarians", used by the Japanese to refer to the Europeans, especially the Portuguese. Namban art came about between 1500 and 1600. The Portuguese reached Japan in 1543 and forged a very intricate commercial relationship.
Initially, the Japanese weren't overly fond of the Portuguese...

A shaped Arita blue & white porcelain dish in the form of Mt. Fuji, circa 1680 - 1700.

A similar but smaller example is illustrated in The Complete Catalogue of the Shibata Collection, item 2276.

Approximately 16.5 cm wide...

Early 20th C Japanese glazed porcelain figure of a puppy, most likely an akita. The puppy is wearing a ruffled collar with bells. If you hold this piece under a bright light, you can see some surface crazing that occurred after firing during the cooling process, which attests to its age. In excellent condition, it measures 5.5" high, 3.5" wide, 4.5" deep.

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 19 C.M. / Width 10.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is a breathtaking work of art, a cherubic figure forms the finial of this later Edo period ceramic incense burner. Atop the lid strides a youth in purple robes wearing a lotus leaf as a hat and blowing a flue, a staff lays at his feet. About the square box of the ash pot are exquisite-colored designs lined with gold like precious jewels dangling from the edge. Two beast heads protrude from the sides and the entire is elevated on a square foot...

A Japanese large bronze sculpture depicting a perched falcon with light and pleasant patina. Eyes, beak and legs in black enamel and gilted. Kōmin 高民 signature under the tail within an oval silver reserve. Provenienza: Giappone Periodo: Meiji 1880 c.a Dimensioni: 51 x 30 x 20 cm. Stato di conservazione: Ottimo

Late 19th C Japanese copper cloisonné vase with superb decoration depicting, on a glossy black ground, a group of 3 cranes on one side and a pair of cranes on the opposing side. Has an open bottom. Vase measures 6.5" high.

Japanese Blue and White Ewer with a loop handle. Decorated in the Chinese Transitional style with figures on a terrace. Arita C1670/80. Height 8 1/4" (20.8cm). Condition; some glaze crazing mainly to foot.