An amazing and rare Daki Ningyo of the Imperial class, with a specatularly carved face, wearing the finest silk textiles of brocades, featuring a highly prized shibori collar, wearing tobi socks and a wonderful hat, all original. Height: 30 inches, 76 cm.

An antique Japanese Ko Tansu (personal storage chest) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original hand made iron fittings including the Warabite handles and finish. The front has a natural Kirinoki wood finish while the case was finished in a wiped Urushi lacquer technique. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Meiji Period (1868-1880)

Dimensions: 23 3/4" Wide x 20" High x 13" Deep

Very unusual figure of the Kigyo Kishimojin, standing with a baby in her arms, holding up a pomegranate in her right hand. In this form she represents the protector of children.
Almost abstracted wooden figure with dark patina...

An exceptionally rare and beautiful ANTIQUE JAPANESE POLYCHROME TEXTILE SILK ROLL depicting Phoenix, Drum, Waves and Flowers. Good condition overall. Size: L. 13 feet x W. 27". Provenance: ex-Collection of famed H. MEDILL SARKISIAN, Denver, Colorado.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Produced by the Tokyo Nai Fuda Club, Very good impression and color, good condition, light center crease, light glue residue on verso

Overall size: 6 ¾ x 8 ¼ in.

Unusual Japanese ikebana basket. This gourd form basket is constructed with hand-woven bamboo and Wisteria branch feet and exterior body.

Meiji period (1868-1912)

Dimensions: 23" L x 11" W x 18" H

18th century Japanese sword iron tsuba with pierced design of four roundels with crosses among scrolling vines. Crosses may be namban (Christian) symbols or the mon (samurai family crest) of the Shimazu clan of Satsuma province. Excellent early piece with numerous perforations requiring enormous amount of work, precise detailing, gilding, wear and patina consistent with age. Height 3.06 inches, width 2.71 inches.

Antique Japanese jizai-kagi in the form of a whale. In a Japanese home, water in a kettle or pot is heated over an irori (sunken hearth). The jizai hook hangs from a strong ceiling beam. From this, a long device is suspended with a hook on the end that can be adjusted up or down by moving the jizai-kagi. Often these are carved in the form of a fish. This unusual jizai-kagi is carved of kayaki (zelkova elm) wood with traces of black lacquer and patina from hearth smoke...

A Hirado ware porcelain figure of a kirin (in Chinese, qilin). The mythical creature is part lion with the body of a dragon and the hooves of a deer. It represents good fortune, protection, prosperity, longevity and fertility. The recumbent kirin figure is executed with masterful attention to detail and form.

Meiji Period (1868 - 1912)

Dimensions: 5 1/2" x 1 3/4" x 3 1/2"

A dish of square form with slightly upturned corners decorated with a central motif of a Shochikubai mon. Here an interwoven symmetrical arrangement of the three elements of the Three Friends of Winter, rather than the more common ring format. This style of shochiku-mon appears to date from the Kyoho to the Horeki era. The remainder of the dish decorated with stylised dragons set against a ground of lightening and auspicious clouds and cash...

Antique Japanese large bronze suiban, or shallow dish for the display of viewing stones and small plants. The legs have been wonderfully casted to resemble gnarled vines, or perhaps a Buddha's hand citron fruit. One side of the suiban displays a raised dragon flying through incised winds. The other side shows two lounging tigers...

Japanese woodblock print by Yoshitoshi, from "100 Aspects of the Moon" series.

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

19th century kagamibuta (mirror lid) netsuke with Shibayama inlay depicting Daikoku’s mallet surrounded by 9 tama (Precious Gems). The bowl is dark rosewood, the top is boxwood with carved loop on the back for the cord, materials used for inlay are black horn, silver, jadeite, pink coral and 3 different kinds of mother of pearl. The inlay is in perfect shape, no losses or repairs. Plain back, two parts fit nicely, beautiful mellow patina...

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches...

This carved antler netsuke of a young boy holding a puppy is a late 19th century product. It is 2" high, 1 1/8" wide and a little less than 1" thick. The contrast of the smiling boy and the less than happy puppy provides a great over all impression for the piece. It is not signed. It is in great condition.

Early Meiji Period (circa 1880) Japanese Empress Hina Ningyô (Girls Day Doll) She really has quite a regal presence. She wears wears the many layered Kimono of Royalty, featuring elaborate embroidery. She has a beautifully carved face, covered with Gofun (Oyster Shell Lacquer). Her fantastic crown is something special. 11.5 inches (29 cm) high and 12 inches (30.5 cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

I will recommend this kimono to your antique collection. Japanese antique natural indigo dye silk yuzen Hand drawn dyed & embroidery kimono of the Edo period of Pheasant's couple and flowers pattern. Indigo dye me in the Edo period Silk kimono is very rare. That embroidery is very precise and beautiful, made with advanced technology. There is discoloration on the back, but there is no damage, it is a good condition. The lining of the kimono is red silk in the Edo period. There...