An antique Japanese Byosho Bako (peddler's chest) made of Hinoki (Cypress) wood. All original hand forged iron hardware. Two loop rings where a carrying rope was once attached allowing the merchant to carry this chest on his back. The hinged door opens to 5 drawers used for the storage of wares for sale. A few small ink stains on the upper surface attests to the merchant using the top as a writing surface when writing sales...
Ao-Oribe Chawan of Early Edo Period
Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a pattern squares and triangles. This is a typical late Momoyama design...
Another Hagi Chawan of the Koraizaemon family in our collection: wonderful Hagi tea bowl made by the 9th generation Saka Koraizaemon (1849-1921) during the Meiji Period. Fine and aesthetic Kintsugi gold restauration. It comes with its originally signed and sealed wood box and signed and sealed authentication documents.
Size: 3,1'' height x 5 '' in diameter.
Shipping included...
This is samurai's battle surcoat in Edo period.
It is a family crest of the deer horn and the character in the cotton of the indigo dye. There is a motif of Maru also in surroundings of the skirt. It is very a battle surcoat of Chatami. There are discoloration in the plain wood cotton and the white ground of the collar.There is no damage. It is very good. It is a very valuable excellent article. In this item, the family crest (mark of the deer horn) in the part of the back is tsutsugsaki...
Antique Japanese pair of beautiful sake containers, carved wood with lacquer finish, design in gold lacquer of pine branches and scrolling vine motif on very dark brown (almost black) ground, high handles, both identical, Meiji Period.
Size: 13 1/2" high x 7" diameter x 10" wide with spout
Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants.
Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm
Antique Japanese light orange chirimen silk kimono, with beautiful floral and linear designs woven in the fabric. It is heavily embroidered with bright and beautiful flowers of many kinds, colorful leaves, twisting striped ribbons in thick gold and silver thread, and shibori accents.The upper interior is lined in white silk. Early 20th century
Size: 66" height, 51" width
Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect...
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-like aesthetic...
This child with a pleasant face happily rides his toy horse, the horse looking just as pleased. The entirety is a porcelain sake server from the Saga region on the southern Island of Kyushu, home to Imari, Hirado and other porcelain ware. A bung of black persimmon wood has been added as a lid in the shape of a Chinese hat. It is 21 x 12 x 21 cm (8 x 4-3/4 x 8 inches) and in overall fine, original condition, dating from the 19th century.
Antique Japanese single section isho tansu (clothing chest) made of kiri (paulownia) wood. Iron hardware includes warabite shaped drawer pulls and round lock plates. There are two large exterior drawers. In the bottom right hand corner is a safe box with hinged door and two small interior drawers.
Meiji Period (1868-1912)
Dimensions: 20" high x 37" wide x 16 1/4" deep.
We like to offer a rare antique Tako-Tsubo Akashi Vase, made 120 years ago during the Japanese Meiji Period (1868-1912). This vase is designed to imitate a 'TAKO-TSUBO', an traditional octopus trap. Sculptures of two octopuses are incorporated into the vase.
Akashi ware (明石焼) is pottery and porcelain mainly made in Akashi City, Hyogo Prefecture. Somewhere between 1615–24, the official kiln of Ogasawara Tadamasa, the lord of the Akashi Castle, was established...
Cylinder shaped (hanzutsu) tea bowl made of light, fine unrefined Mino clay. Style (trimmed mouth, very controlled glaze) make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of brush strokes has been applied in iron oxide (oni ita) representing grass and fences.
Just the foot ring and its immediate surrounding was left unglazed...
Rugged, heavy, startlingly strong and breathtakingly beautiful, Iga ware has a special place in the heart of every collector of tea ceremony items. For many, it is the epitome of Japanese ceramics. From the combination of the potters' hands and the clay itself — at its best, Iga appears to be born rather than made. With Iga ware, nothing is hidden. You sense, see the and feel the clay; from the motion and actions of the potter to the random and somewhat accidental build up of transparent as...
A well-cast bronze figure of a squatting horned demon (oni), dating to the late Edo period. Arms outstretched, as if to grab something (or someone?). Strong, expressive facial features. Measures 4-1/2" in height. Affixed to a custom base, which adds another inch or so, for a total height of just under 6". Traces of pigment.
This is a beautiful four sided Japanese cloisonne vase. The work is subtle and the workmanship of very high quality. The artists that come to mind when looking at this piece are Kawade and Souske. The vase is not signed. The rims are silver. The vase stands 7 1/4 inches tall and it is in excellent condition.
Japanese lacquer tray with raised gold cranes on top a hill under a large meandering pine tree along with smaller trees and grasses on a large expanse of nashiji lacquer with gold maki-e edges. The underside is performed in a darker sprinkled lacquer and has some chipping to the bottom outer edges, although the face of the tray is good with only some light surface wear. Measures 21.25" long, 15.25" wide, and 2.25" high. Dates circa 1900.
Very old wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with bronze decorations on the two sides, standing on a lotus, her left hand holding a vase, her right hand in abhaya mudra. The goddess face reflects a profound meditation. Remnants of the original gilding. Fine age patina. Japan, early Edo period. Height: 25.2 cm. Good condition.
This is beautiful silk(habutae) katsugi-Kimono with the family coat of arms of the Meiji era(1868-1912). This katsugi-kimono is a formal dress. It will be to decorate your room with very Japanese-style peaceful scenery. It is made with good-quality silk of the habutae silk. It has thin stain and damage. It is size: However, it does not stand out 146cm x 124cm (57.5" x 48.8")
Fine Japanese Arita Bottle Vase decorated with 'banded hedge' scattered among flowering plum and bamboo. C1700/20
Height 9.0" (22.3cm). Condition; excellent with glaze frit to foot.
This peach-shaped kogo (incense box) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is said to represent long-life for mortals and immortality for the gods in asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties.
Suwa Sozan the first (1852—1922) was born in an area...
A pottery tradition that harkens from the Mino region of Japan, Shino-yaki dates from the Azuchi Momoyama period. It came into fashion when first commissioned by renowned Muromachi cha-jin (tea masters) Shino Soushin. This is thought to be the first type of pottery in Japan to feature drawn paintings on the ceramic surface.
This attractive e-Shino bowl (“e” meaning picture) bears an abstract motif on a background of white feldspar. The exquisite shape, glaze, and painting of the...
A very unusual Arita barber’s bowl dating to the second quarter of the 18th century. The oval body is moulded and features butterflies and peonies on a ribbed ground. This form is very likely to have been based on Dutch Delft pottery or perhaps a silver example.
The interior is decorated in a rather striking manner with a band of underglaze blue fishes amongst breaking waves. The reverse is decorated with prunus sprigs, and two holes to the foot-rim to allow suspension.
It is now tho...
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then acts as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.
Typical of Mino pieces of the time, this Oribe chawan is made of coarse, unrefined clay. The brilliant green color is the result of copper...
Antique Japanese small Kiri tansu from the Sakata region, with red lacquer top and sides and black lacquer front. Motifs of bamboo, pine, kiri leaves, and other floral imagery can be seen in the iron plates of each drawer. The bottom right corner houses an ornate lockbox with two small drawers inside. Meiji period (1868-1912)
Size: 33.25" L x 16" W x 21.5" H
Antique Japanese Kuro Raku tea bowl made by Sen Sosa VI, Kakukakusai Genso (1678-1730) who was the 6th Iemoto of Omotesenke school.
Kakukakusai Genso, the son of Soei Hisada, was adopted by the 5th generation Zuiryusai Ryokyu, and inherited the Iemoto title of Grand Master of Omotesenke tea ceremony school.
He served Tokugawa Yoshimune (1684-1751) who was the eighth shogun of the Tokugawa shogunate of Japan, ruling from 1716 until his abdication in 1745.
His three children ...
Special offer: Heavily distorted shoe shaped (kutsugata) tea bowl with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.
A 'window' on the side has been left unglazed and is decorated with a square divided into two white and two black section accompanied on each side by two circles with the same patterns. This is a ty...
Japanese isho tansu, or clothing chest of drawers, constructed with Persimmon wood front drawers and a Sugi (cedar) frame and interior. The tansu holds four long drawers with metal pulls and round keyholes with floral plating. The sides of the piece are built with handles to carry and transport the tansu. Original condition with kanji inscription on backside of chest.
Taisho period (1912-1925)
An antique Japanese Kotansu (personal storage chest) made of Kiri (Paulownia) wood. All original patina and bronze hardware including the Warabite style handles and the Chrysanthemum incised lock plates. A configuration of 3 large drawers and 2 smaller side by side drawers provides for organization and storage. Constructed using straight dovetail joinery and hardened wooden nails. It would work well as a side chest or a bedside nightstand.
Age: Late Meiji/Taisho (1910-1920)
Dime...
An antique Japanese Isho Tansu (kimono storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware and Oxblood red Urushi lacquer finish. Drawer lock plates have an unusual stylized insect-like incised design with fine stimple work accents and handles in the Warabite style. True dovetail joinery and hardened wooden nails were used in the making of this chest.
Age: Late Meiji (1900-1910)
Dimensions: 35 1/4" Wide by 40 1/2" High by 16 5/8" Deep
A beautifully sculpted incense burner in the shape of a nesting crane dating from the 19th to opening of the 20th century, Late Edo to Meiji period). It comes enclosed in an age darkened kiri-wood collectors box. It is 12.5 x 24 x 16 cm (5 x 9-1/2 x 6 inches). Although not altogether clear there appears to be a possible old repair to the back of the head.
Antique Japanese fan painting of a grasshopper with an array of leaves and berries in the background. Edged in gold and laid down, signature of Tani Buncho (1763-1840), an extremely influential artist during his time.
Size: 10.25" tall, 22.25" wide
This antique Iga vase is a true beauty, made of wonderful native Iga clay.
The vase was made between 1800 - 1850 during the later Edo Period and is in great antique condition. No chips or repairs. It comes with an old wooden box and an old cloth bag (which has a small torn part).
Iga ware's origins are believed to date to the second half of the 7th century and 8th century A.D. It has been a popular pottery style since the Tsutsui-Momoyama period of Japan, when it was used ...
Red Raku Chawan made by Ennosai Tetchu Soshitsu (1872-1924), 13th generation head of the Urasenke tea school.
Ennosai's mark is carved at the bottom.
Intentionally imperfect, the bowl is very solid and fits perfectly into the palm of the hands giving strong presence and the sense of space.
Ennosai Tetchu Soshitsu became the head of Urasenke at the age of twelve.
He devoted himself to preserving and restoring the school's cultural traditions (which were on the ver...
Antique Japanese ojime (toggle bead) in the form of Bodhi Darma (Daruma), shakudo (an alloy of gold and copper) with a red face , carved with incredible detail, wonderful expression, Meiji Period.
Size: 11/16 of an inch high.
Antique solitary Awara-yaki chawan by great artist Kuze Tensei 久世天声 (1878 - 1933) around 1915 (Meiji Period).
He studied art under Yamada Kei while working as a teacher at Ishikawa Technical Senior High School. In 1914, he moved to Awara Onsen in Fukui Prefecture (a classic hot spring town) where he set up a studio and kiln and created Awara-yaki using clay from the area to produce Kyo-ware style ceramics, which often won prizes in exhibitions.
The Kuze name is ...
