Meiji period, Japanese Kutani porcelain teapot and the sugar bowl with covers, finely hand painted in gold, red, black and green with beautiful various images of butterflies in foliate scrolls. Booth Pieces hand signed on the bottom by the artist in Japanese characters.
MEASUREMENTS: Height of the tea pot: 20,5cm (8in) Width: handle to spout: 21cm (8 ½ in) Height of sugar bowl: 14,5 cm (8in) Width: handle to handle 16cm (6 ¼ in)...

Japanese choba tansu (merchant's chest), original dark brown translucent lacquer finish, made of sugi (cryptomeria), iron hardware, one shelf on interior of slider compartment, Meiji Period (1868-1912). Size: 43" high x 37 1/4" wide x 15 1/4" deep.

Wonderful old Japanese Imari boat, incense burner (koro) or a nice dish for ... sashimi with soy sauce and wasabi in one side, circa Meiji period (1868-1912).

8 1/4" long x 4 1/2" wide x 3 1/2" tall

Beautiful Japanese antique Imari charger, circa Meiji period (1868-1912).
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep

Beautiful and dramatic antique Japanese isho tansu (clothing chest) from the Nihonmatsu area, 2-sections, made with keyaki wood front and sugi wood frame, safe box with key, lovely original deep red/orange translucent lacquer finish, iron hardware, Meiji Period (1868-1912). Size: 47 1/2" high x 45 1/4" wide x 18 1/2" deep.

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 9.25 x 3 inches, 23.5 x 8 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools...

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 8.25 x 3.5 inches, 21 x 9 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools...

A rare oval und convex shaped Japanese iron sword guard with two amaryu in gold nunome. Condition: good. Dimensions: 6,9 cm high x 6,1 cm wide.

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them...

Antique Japanese samurai doll, a flag-bearer sitting on a chair, 15 inches tall to the top of his head. This is a popular retainer doll paired with a general doll for the Japanese Boy’s Day. All the retainer dolls are usually not handsome; some look quite funny contrary to the handsome general dolls. You can even see a size difference for some in the set; there will be a big handsome general doll and a small retainer doll with a funny face to enhance the difference...

Japanese tobacco pouch and kiseruzutsu pipe case in carved red and black lacquer (tsuishu, tsuikoku) with Chinese sages in a rocky landscape. The pouch is delicately hand embroidered in brown tones with the finest silk thread depicting flowers (morning glories?) and leaves with vines. The pocket inside is made out of a Sarasa fabric (treasured cotton fabric by tea masters from Edo period - they were originally brought from India during 16 - 17 centuries ) which is lined with a soft leather...

Old Japanese Arita vase painted with peonies, plums and chrysanthemum flowers with leaves, tree and rocks in under-glazed blue. Mint condition, circa Meiji period (1868-1912). 9 1/4" in diameter x 12 1/4"H

Antique Japanese samurai doll of the epic hero Yoshitsune Minamoto. Seated with one foot forward, wonderful suit of armor, fantastic face with glass eyes and wonderful heroic expression, long hair gathered in the back. Size: 25" high

Japanese futon cover with design of crane and turtle, design of Shouchikubai (the Three Friends: pine, plum, and bamboo) in the background, colorful paste resist on cotton, 2 panels, tabs added at top, signed. Size: 62 1/2” high x 52 1/2” wide Condition: one nice repair, very good condition

Gorgeous and dramatic antique Japanese Satsuma ware lidded container, stands on 3 legs, decorated with three lively fu-dogs, body is decorated with designs of noblemen on one side and children playing on the other, minor repair to one leg, Meiji Period (c. 1880's). Size: 17 1/2" high x 13" wide.

Rare and massive 4-colour (white, blue, black and red) hand painted porcelain Hibachi, top condition, Pine branch tips and Crane motif. This piece has smaller key fret designs encircling the top and the bottom as well as very elegant and decorative diaper patterns. Pre 1920, Japan, size: H. 24cm x 30cm diameter

A small eggshell-thin dish with a decoration of two birds and two fan-shaped panels - one with a landscape, the other with a poem (?), all in a variety of colours, 19th c. Wing of one bird has been painted as to conceal a glaze bubble, an indication of age. Overglaze red marks: Hirado san, Mikawachi. Diameter "5 ½/ 13 cm. Condition: fine.

Japanese fukusa, a silk satin gift cover depicting the Seven Sages of the Bamboo Grove. The development of the Japanese fukusa is closely associated with their custom of gift giving. Japan has been a farming country until recently and crops were directly affected by nature (draft, floods, etc). The rituals were held within their own communities and fresh crops were offered to god. To irrigate and lay the roads, they needed the better their work relationship...

Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan...

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition. It is not as shiny as it looks in photos. The lining is an old, red (light red color, not orange as it appears in some photos) crepe silk with padding on the rims...

Very large antique Japanese bronze temple water dispenser with handles and spout in the form of peach tree branches, Meiji Period (1868-1912). Size: 29" high x 21" wide.

Charming eggshell thin hand-painted scenic porcelain in excellent condition..makers mark on bottom of both cup and saucer

This is an exceptionally beautiful antique Japanese doll. The face of the doll is small but delicate. It has the look of a Noh mask with painted skinny eyes and a nose that is extra high. This indicates that the doll was intended to be a beautiful woman. The color on her lips is almost all faded leaving a green dot on her lower lip. The green lip color (mixture of red and black) that I first thought as a sign of a spooky Obake creature was actually a fashion trend during the Genroku era...

The size of Bowl: 6" Dia x 1 3/4" High. Nice Japanese Ko Imari sometsuke Bowl. The bowl is made from nice quality porcelain which was molded in the design of Shippo at the rim area. It has sometsuke decoration of Yoraku and landscape design in the center. Back has leaf design. The condition of bowl is excellent, no chip, no crack and no hairline. One little Kamahi line at the edge 3 o'clock but it is in the glazing. One gosu blue spot at the edge, 7 o'clock. One minor Kamahi(original kilin) spot...

Japanese early 20th century period bronze USUBATA. This USUBATA is wonderfully designed with rabbits and a utensil to pound rice cakes with. The rabbits, one on each side form unique handles for the USUBATA flower container. Unsigned. It measures 11 1/2" tall, 11 1/2" in diameter at the top and 6" in diameter at the bottom.

Beautiful antique Japanese bronze vases with raised design of dragons on one side and phoenixes on the other, each vase inscribed, label states that these vases were presented by Members of Congress of Fukuoka Prefecture, Meiji Period (1868-1912). Size: 11 1/2" high x 6" wide.

Japanese woodblock print by Yoshitoshi, from "100 Aspects of the Moon" series.

Japanese early 20th century bronze Ikebana flower container. The container has a pair of dragons done in high relief on the front and back. The entire piece sits on 4 legs. The container is signed by the artist on the bottom. The piece measures 16 1/2" long, 14" wide and 6" tall.

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling. Whoever d...

This is an antique fukusa, Japanese gift cover with cranes. A pair of crane is a symbol of longevity and harmony. The embroideries on this fukusa are particularly beautiful. One small hole in the front (smaller than the one in the back) did not show in the photos.

24 inches x 26 1/2 inches
Sioze silk front and back.
Circa: Early Taisho period (1912-1926)
Occasion: Wedding or related

At the time of gift giving, the fukusa gift cover was used only with limited pe...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

This is a large doll, probably dated from Meiji to Taisho period, modeling a maiden from the Genroku era (1688-1703). Genroku culture which was the beginning of uprising power of the merchants in the Osaka area was glamorous and quite a contrast to the stiff culture of the samurai. Partially green lipstick that is shown on this doll became fashionable at the time. Her hair style is called Taka (high) Shimada or Bunkin Taka-Shimada.

The doll looks older than shown in some of the photos; h...

Rare pair of shrine guardians in the shape of foxes, both sitting on a two tiered elevation. The right one holds a moving jewel in its mouth, the left one a stick. Middle brown, dense wood with a beautiful patina where hands touched the backs and heads of the foxes and the bases. Red staining on inside of ears, inside the mouths, in nostrils. Crystal eyes. Bases made of the same wood. Bases inscribed: Hono, Osaka, shinshachu (in faith of mankind); Hokkinin (sponsors), Osaka, Minami Horie, jogo:...

These are very unique Japanese zuishin dolls from the late Edo period (1603-1868). The dolls are commonly called Daijin minister dolls but they are actually figures of the Toneri, the imperial guardsmen and escorts from the Heian period (794-1185). The clothing of the dolls is rich and elaborate just like Kabuki actors on stage. At first, we thought these may be Takeda ningyo (Takeda theater dolls) from the same period (older Takeda dolls - late Edo to early Meiji) but the embroideries on t...

Two stacks of each 5 flat boxes or trays for storing kozuka, fuchi-kashira or other small and flat objects, the tops both covered with a lid. Both stacks stand on a rectangular bottom plate, tied with a braided silk rope. Shitan (sandal wood). Meiji period, around 1900.
Bottom plate: 9 7/8 x 8 5/8 in. (25 x 21.8 cm). Each tray 8 3/8 x 4 ¾ x 1 1/16 in. (21.4 x 12.1 2.8 cm).
Bottom plate with split, traces of re-gluing at the trays, braid virtually worn down, minor warping of the sides ...

A superb quality set of court musician dolls for Japanese Girl’s Day, Hina Matsuri.
The Hina festival takes place every March 3rd in Japan and it is a day of celebration for the well-being of every girl in the family. In earlier days, people were more susceptible to natural disasters or diseases, so in order to keep evil spirits away, this day was spent giving offerings to God. This custom was adopted from the 7th century Chinese ceremony that originally took place on the beach. The Ja...

Japanese Takeda doll, Benkei. We originaly thought this doll was Benkei but somehow he was changed into to Samurai Kiyomasa (16 to 17th century samurai general). We should be correcting or leave him as is with a tiger. Circa Meiji period (1868-1912). 15 inches tall, 14 1/2 inches across platform.

Japanese silk and gold embroidery depicting two cockerels and peonies. The peonies are a symbol of wealth. This imagery can also be interpreted as a father and son motif of passing on knowledge with a moral compass symbolism.The gold thread is 24-karat gold hand-hammered onto the thread.

Meiji period Circa 1860's.

67-1/2" high, 44-3/4" wide

Japanese Meiji Period large bronze vase. The vase is a stylized chrysanthemum blossom, with the leaves at the base and the long petals reaching up and forming the main portion of the large vase. Unsigned. The vase measures 23 1/8" tall and 10" in diameter at the widest.

Elegantly modeled Satsuma teapot of Cherry Blossom Viewing, Scene encircling body of teapot with diamond shaped top border in a dark green. Very good condition with some wear to gilt and signature. Signed"____ZAN". 5 inches high. Taisho Period.

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx. 66 inches wide (5.5 ft, 1.68 meters) and 166 inches long (13.8 ft, 4.2 meters) without counting the loops on a side and top!

Many Japanese custom start with the purification ceremony; beginning the year with New Year's ceremony followed by the Setsubun in February, which takes place be...

Japanese isho tansu (clothing chest) from the Yamagata area, made of kuri (chestnut) wood and sugi (cryptomeria) wood with lovely original deep red and black lacquer finish, iron hardware with ivy leaf lock plates, hirute handles, safe box with two small interior drawers, Edo/Meiji Periods (circa mid 1800's). H 35-1/2", W 39-1/4", D 17-1/2"

Rare Mid Edo Period choba, merchant's chest, from the Sakata area, made of kiri (paulownia) wood with original patina (not refinished), nice iron hardware, interior (behind sliding panels) contains set of five drawers (three on the right, 2 on the left) and one hidden drawer. Incredibly rare Large oversized iron handles flanking each side of the chest.

Edo (1603 - 1868)

H 35-3/4", W 38", D 16-3/4".

Possibly made from an old kimono, this sweet drawstring purse charming painted and appliqued scenes of trees, rocks and flowers going around the body of the purse. The bottom shows a country gentleman sitting on a rock under a tree enjoying the mountain view. overall condition is very good, however the fabric sleeve for the drawstring is deteriorated. Purse measures 7" across bottom

Rare Japanese antique box. Body of box has treebark finish. The top has 2 very fine lacquerware pieces depicting cranes and irises. The keyhole escheon is floral shaped and is incised. Sorry, no key, condition is very good. 10.5 x 3.5 x 2.5

Antique Japanese Satsuma ware bowl in the shape of a money pouch, decorated with motif of procession of children pulling flower cart, ceramic with gold and polychrome overglaze, Meiji Period. Size: 5 1/2" high x 6" wide (diameter).

Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. A ray of light comes from Amida’s urna. All three figures are standing on lotus thrones, floating on white clouds. They a...

Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. Rays of light surround Amida’s head. All three figures are standing on one green and one pink lotus, floating on white cl...

Japanese woodblock print depicting an actor portraying a samurai by Kuniteru II (1829-1874), published by Daikokuya Heikichi (Shojudo) in 1867. The paper measures about 14 5/8"V x 10 1/4"H. The print is in very good overall condition with good impression quality and color. There are lacquer highlights in the black areas and mica at the top. There is an ample margin on the left and top. The paper is fine, the print is not backed, and the image is clearly visible on the reverse. There is no ta...

Shrine with inside the figure of the bodhisattva Jizo. He sits on a lotus base, positioned on a rock, his left leg hanging down, the foot resting on a small lotus base. In his left hand he holds a sacred jewel, in the right he formerly held his staff. The rock is placed onto a six tiered hexagonal, elaborately decorated base. Inscription on back of case in ochre colored lacquer, indicating that inside is a sculpture of Jizo, that an offering of 6 to (108 liters ??) was made, that the name of the...

Shrine with the exquisite carving of the eleven headed Kannon, holding the vase with the flower in the left hand, a rosary in the right. Dark wood. The garment, finely carved with pleats and scarves, decorated in gold with flowers and geometric designs. On the crown 8 of the 11 heads (three missing), with individual faces. The accessories on the chest and the crown in gilded metal. Kannon is standing on a nine tiered base (six tiers hexagonal, three tiers, the lotus, are round). Excellent piece....

Finely carved wooden figure of Gyochu Kishimojin, the hands folded together in prayer, standing on an upside down lotus leaf, positioned on a rocky base. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. The base and the lotus gilded over lacquer. Inscribed on back: Kishibojin, opening of the eyes, Nichiren. Inscribed in black ink on bottom of lotus leaf: Hirono Naomasa. Japan, Edo period, 18th century.
Height without base 7 ¼ in. (18.3 cm).
Le...

Plain wooden sculpture of the founder of the Nichiren sect. He is sitting, holding both his hands with the palms up. He is positioned on a rectangular elevation, decorated with water whirls and gilded over lacquer on the sides. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. On the back in black ink inscription reading "Nichiren". On the bottom inscription in black ink, partly covered by paper. Japan, Edo period, 19th century.
Height 4 11/16 in. (12...

Plain wooden sculpture of the deity Shichimen Daimyojin. She is sitting on the top of mount Shichimen, crossing her left leg over the right, holding a jewel in her left hand. She is positioned on a rectangular elevation, painted green on top and gilded over lacquer on the sides. Behind her a jewel decorated nimbus. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. Crown of gilded metal. On the back in black ink inscription reading ‘Nichiren’. On the bo...

Fairly large shrine with three carved figures: Shichimen Daimyojin, Kishimojin and the patriarch of the Nichiren sect, Nichiren. All are positioned on a rectangular base. Although all three can be connected with the Nichiren sect, the formation is a rather unusual one, leading to the assumption that the pieces were carved to the specific order of someone, for a very specific reason. The crest on the outside of the zushi (tachibana branch in well) hints in the same direction. It may very well hav...

Wooden figure of an unidentified patriarch of one of the many Buddhist sects, sitting on a double base. He sits in the classic posture with the soles of his feet laid together. From underneath his left sleeve pops out a ryui scepter. His widely spread-out red garment is decorated with flower designs in gold, as are the sides of the upper part of the base he is sitting on. His head is covered with a black cloth with traces of flower decoration in gold. Although to date unidentified, the garment a...

Very refined zushi with the sculpture of the bodhisattva Jizo. He stands on a lotus throne on rocks, holding a jewel in his left hand, his right hand missing. Behind his head a halo with very fine decoration in relief of clouds and jewels. Light wood with polychrome and gorgeous gold decoration, especially on the garment. Japan, Edo period, 19th century.
Height 6 in. (15.3 cm).
Right hand missing, otherwise excellent condition. Case: some dents and chips, basically in very good condi...

Small shrine with the sculpture of Kishimojin, the hands folded in prayer. Plain wood with nice patina, the pupils painted black. On the back inscription in black ink. On the right door of the case inscription in black ink: Angyo Kishimosonjin, the name of the temple and the donor. The inscription on the back of the sculpture is partly the same, indicating that sculpture and case came together. Japan, early 19th century.
Height case: 7 in. (17.9 cm).
Case with some obvious traces of u...

Small framed painting of hawk perching on a rock underneath a flowering plum tree branch. The hawk beholds the beholder with one eye, holding its head and body at an angle. Unsigned. Kano style. Black ink on paper in brocade mounting. 18th century. Scroll ends cut off and framed.
Frame: 40 ¼ x 15 ¾ in. (105.8 x 40.2 cm). Painted area: 30 5/8 x 11 ½ in. (78.5 x 29.4 cm).
Toned, some cracks (former folds due to rolling), slightly rubbed at places, few missing areas. It is what it is...

Japanese Edo Period carved wooden mini KANNON and attendants. The carved and painted KANNON, attendants (8) and hillside are beautifully done with great detail and expression. The hillside measures 9 1/2" tall, 9" wide and 7" deep. There are suppose to be 12 attendants but only 8 remain.