Antique Japanese pilgrim's coat hand woven of asa (Japanese hemp) fiber. Hand painted with sumi ink calligraphy.

Size: 41" high x 47" wide

Mid Edo Period (1603 - 1868)

This wonderful Edo period antique Japanese tobacco box is made of wood and covered with lacquer which is now seriously aged. In the middle of the lid is small sculptured detail. The box has the original cord and horn tip toggle, and still contains tobacco. Circa 1860's this box is 4.5" x 2.5" x 3" high. It is truly a piece of old ethnographic folk art from Japan's Edo period.

Japanese nobori banner, hand painted (dyed) with samurai Yoshinaka (Kiso no) and Tomoe Gozen, a woman warrior. Dimensions: 15 3/4" wide and 147 1/2" long. Hand woven soft cotton with hand spun yarn. Early 1900s. Excellent condition but please expect some minor stains because of the age. It may hang better without the side handles on the wall.

Yoshinaka is a member of the Minamoto family (Genji) from the late Heian period (794-1185)...

Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...

Old Japanese Biidoro (vidro, Portuguese) kanzashi made out of glass. Glass making was introduced to the Japanese by the Portuguese in the16th century and there has been glass manufacturers in Japan ever since that date. It was particularly popular in Japan during the 19th century. The style of this kanzashi is called tama (ball) kanzashi. The ball is 3/4" (in diameter) natural coral. It is rare to find a glass Kanzashi in this condition. The kanzashi is 7 7/8" long. Meiji period (1868-1912)...

Reddish brown shrine with three very fine sculptures: Benzaiten in the middle, to her right Daikoku, and Bishamon to her left. Benten is seated on a lotus, depicted in her 8-armed appearance, holding a jewel, her other attributes are lost. On her head a crown with jewels and the snake-shaped Ugajin. Bishamonten stands on a demon and holds a pagoda, his staff now lost. Daikoku stands on two rice bales and holds a hammer and a bag. All of them on separate rock shaped bases...

This homemade Japanese tool was used in rural areas for cutting the groove in the tree to release and collect the sap which was harvested for the lacquerware. The wood handle is smooth to touch and has years of patina. The cutting blade is heavily aged but is in good condition. The tool is about 9" long and at least 150 years old.

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops...

The nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish (at the time that they were made) to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was...

Beautiful old wooden Japanese serving tray with irises carved into the border. Meiji Period. 12" x 22"

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era...

Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.

*The Elements of Japanese Desgn by John W. Dower

Japanese Kanzashi hairpin, maki-e on hand carved wood. A dadaiko (large drum used for court music) and maku (outdoor fence made out of cloth) under the maple trees. They are pictorial subjects from chapter 7 of The Tale Of Genji, Momiji no Ga (An Autumn Excursion)...

Antique Japanese inro, makie designs of phoenix (ho-o bird) on black lacquer. These large inro are sometimes referred to as sumo wrestler's inro, written "Kahei nuri". The last letter (kao like) is probably "nuri" which means painted or coated with. To roughly quote the Wrangham Index of Inro Artists – according to Soken Kisho, Kahei was a mysterious makie artist that lived in Kyoto during the 18th century. He was prominent enough to have his work called Kahei–nuri, after his name. ...

A large dish used for raw fish or shellfish (mukozuke) for the tea ceremony in which guests are served. It measures at 11.75” square x 2” high. This dish is designed in the traditional Japanese ascetic of simple brush strokes and relaxed design; such a dish was not intended for export and does not conform to the Western ascetic of gaudy and over crowded design. A true testament of genuine Japanese tradition. The plate dates to the late Meiji to early Tashio period (1900-20).

A beautiful example of a sweet meat or pastry dish used in the Japanese tea ceremony; the rich and heavy handed design adds color and depth, yet it is restrained for a pleasant afternoon cup of tea with a light snack. You can almost envision the ceremony with the open sliding doors overlooking the garden as you are being served. This dish measures 10.25” square x 1.75” deep.

A one of a kind, very large early example of this Musha-Ningyo (Boys' Day Figure). This legendary figure first appeared for Boys Day in the late 19th Century. He is the Japanese equivalent to Hercules. He is always shown with a ruddy complexion, as seen in Japanese woodblock prints, scrolls and screens. He is a magnificent sculpture, Iki and Gosho in style. He holds an Axe and wears a sumptuous embroidery brocade featuring a mythical Turtle. 19th Century (circa 1880). 29 inches (74cm) height. ...

Late 18th Century Gonin-Bayashi, Five Japanese Musicians displayed on a Hina stand. This set was made as an addition to those Ningyo already displayed on a tiered stand. They imitate a Noh orchestra. This set has very finely carved faces, covered with burnished Gofun. Because of their size and age, these are highly desired by collectors. Average height of figures is 4 inches (10 cm).

These very well carved and polished crabs are a late Meiji period product. They are about 4” wide, 2 ½” high and 1 ½” thick. Aside from some small old repair and hair line cracks due to their age, they are in great condition.

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...

One of the best examples of Japanese bronzes we have seen in an increasingly sparse market, this beautiful piece is worth a second look. Deep, rich Meiji Period (c.1867-1912) bronze with carp swimming over waves in raised relief on one side; geese frolicing among grasses, also in raised relief on the other side. Handles come out of baku's (bad dream eaters) mouths. Absolutely stunning. c.1890. (10½" x 5½") (27cm x 14cm). EMS Shipping/Insurance to USA or Western Europe $90.

This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"

Japanese wood zuishin figures probably from early 1900s. They are figures of the Toneri, the imperial guardsmen from the Heian period (794-1185). Later in the Kamakura period, they became the gate keepers of the Shinto shrines. Zuishin are sometimes called sa(left)-daijin and ya(arrows)-daijin (arrow-minister). The first character 'dai' means large or great and the second character means 'god'. There are zuishin dolls in Japanese Hina doll - the Minister of the Right and the Left - the ...

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc.

Little was known about Takeda do...

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Very Rare Early Edo Period (early 17th Century) Japanese Lion Mask for the Gion Festival. It would have been part of a two man costume, one man holding the mask and the other at the back covered by fabric to perform the traditional Lion Dance. To find this mask from such an early period is really quite an important find for the serious mingei collector. 12 inches (30.5 cm)h x 10.5 inches (27 cm)w x 11 inches (28 cm)d. From a widely renowned and published collection that has been exhibited at t...

Large Japanese Early Meiji Period (circa 1880) Okimono of a Kirin, one of the most magnificent and admired creatures in Japanese mythology. The Kirin is a Japanese unicorn, an animal-god who punishes the wicked with its single horn. It protects the just and grants them good luck. Seeing a kirin is considered an omen of extreme good luck - if one is a virtuous person. This spectacular carving is a masterpiece. It truly captures this fantastical creature in every detail. 13.25 inches (33.5cm) ta...

Late Edo Period (1850 -1868) Kyoto Bronze Vessel with an Encircling Dragon beautifully casted in high relief. Rich patina, wonderful shape, and a stunning design. Dragons are a Japanese symbol of strength and valor. 10 inches (25.5cm) tall x 10 inches (25.5cm) across. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Exceptionally beautiful Japanese lacquer box with a small doll, mame (pea sized) Ichimatsu nigyo (doll) inside - she actually is 4 ½” tall. This must have been some girl's (or woman’s) treasure box years ago. It may have been a gift from her mother or grandmother. The lacquer box is decorated with auspicious designs; a long tailed turtle emerging from a stream, pine, bamboo and rocks on the bank with a crane flying above. The combination of pines, bamboos and plums (painted in inside) ...

Samurai Yoritomo (Minamonoto) Japanese Doll, first Kamakura Shogun dressed in Suoh, high ranking Samurai's attire in Kamakura Period. The doll was possibly made by Maruhei in Kyoto. Circa Taisho period, 1920-1930. Damages in the black cloth hat.

The measurements: 14 inches to the tip of his hair and 13 inches across the sleeves at the bottom when the doll is displayed. The bow is a new addition.

Edo Period (circa 1750) Large Japanese Wood Sculpture of a Shrine Horse, a gift from an upper-class family to a shrine. Images of Horses are highly prized in Japan. It is commissioned and presented to protect a newborn male child. Rising up on its back legs, set to gallop, it strikes an animated, exciting, and beautiful pose that sets it apart from the usual static poses that these horses have. The curves of the sculpture are masterfully rendered to convey the sense of action and spirit in this...

Early Meiji Period (circa 1880) Japanese Empress Hina Ningyô (Girls Day Doll) She really has quite a regal presence. She wears wears the many layered Kimono of Royalty, featuring elaborate embroidery. She has a beautifully carved face, covered with Gofun (Oyster Shell Lacquer). Her fantastic crown is something special. 11.5 inches (29 cm) high and 12 inches (30.5 cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Early Meiji Period (circa 1880) Japanese Isho Ningyô of Sugawara no Michizane dressed in court attire. After his death, he was deified as Tenjin, the God of Literature and Knowledge. He gives an impressive appearance, elegant and commanding. His face bears an imperial expression. 28 inches, 71 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Edo Period (circa 1820) Japanese Musha Ningyo of Ushiwaka- maru, a brave boy who grew up to be the great warrior Minamoto Yoshitsune. This is a wonderful, rare early example with ail of his original accessories. He is wearing sumptuous brocades and lacquered armor and has a wonderful bearing and just a great face. 13.25 inches, (33.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Edo Period (circa 1800) Japanese Musha Ningyô (Boys Day Doll) in court attire. This early example is wearing a court hat and court robes of sumptuous brocades. He is holding a fan and sword at his side. It is of very high quality and likely made for a Daimyo family. 11.5 inches, 29 cm tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late 19th Century Japanese Kazari-Uma (Battle Horse). This deluxe extraordinary example is attributed to Marurei, one of the most important Ningyô artists. He now has Japanese National Treasure status. This handsomely adorned military horse is displayed on a Boys Day stand. The body hair is done by a technique called Ke-Ue-Saiku "fine work of fur planting" in which silk hairs are pasted on. It has gorgeous silk and lacquer trappings. It is positioned on a fine lacquered stand. This wonder...

Japanese Hai Hai Gosho Ningyô. This extremely rare form of Japanese Doll is one of the most sought after of Gosho (Palace Doll). They were presented to royalty and upper class at the birth of a baby, and placed in the baby's chamber to protect from bad spirits. This is a very large example of this type of Gosho. It is covered with many layers of Gofun (Oyster Shell Lacquer) over papier mache. The hair is made entirely of silk. This most adorable baby is wearing a brocade bib and sits on a cus...

Rare Large Edo Period (circa 1830-1860) Japanese Gosho Ningyo Depicting a Sumo Wrestler, clothed in exceptional finely embroidered textile with a floral design and Shishi (guardian of Buddha) on chirimen silk crepe. This large scale, wood-carved Ningyô has a beautifully rendered expressive face lacquered with Gofun (Oyster Shell). The pose is most striking, as well. Really an extraordinary find for the Ningyô enthusiast. 18 inches, 46 cm. From a widely renowned and published collection that ha...

Large Meiji Period (circa 1900) Japanese Arita Porcelain Charger. Blue and white with gold accents, featuring an elegant stylized landscape and using sticking glazes to create a wonderful work of art. 16 inches, 41cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

A Splendid Meiji Period Kyo Satsuma Vase with overglaze enamel decoration by the very well known potter, Taizan Yohei IX, and one of the Meiji Period's foremost painters, Kono Bairei. cf. Meiji Ceramics by Giesela Jahn, page 157, figure 81. Taizan was a renowned Kyoto potter who exhibited and won prizes at a number of international events, including the 1893 Chicago World Expo. This is a very good example from a great potter of the Meiji Period, with auspicious symbols of Sparrows, Foliage, and ...

Large Japanese temple cloth woven with cotton and strips of paper, great for a wall decoration. The dimensions are 107" x 47" (271.8cm x 119.4cm). Many things in Japan were made from paper, just like soy sauce was added in almost all cooking. Textiles were no exception. Some monks in Japan still make their own paper for their clothes. There are few beautiful samurai haori jackets made out of paper that still exist today in textile museums (which we have only seen in photos). The paper m...

Antique musician dolls for the Japanese Hina Matsuri Festival (Girl’s Day) which is held every March third. Displayed with the ladies-in-waiting, ministers and servants dolls, they are the entertainers of the Imperial Court.

The dolls are from early 1900s, the late Meiji period to early Showa period. The body is made out of straw, old glass eyes and their faces (wood or wood powder) are covered with layers of gofun (white surface coating made out of ground oyster shell and animal glue)...

Japanese pair of heavy pure silver vases decorated with incised chrysanthemums, copper overlay on leaves, raised chrysanthemum mon on neck of each vase with gold overlay, Meiji Period (1868-1912), signed: Migen Yoshihiku Koku. Size: 12" high each.

This is a striking Japanese Imari porcelain hexagonal plate boldly decorated with an underglaze cobalt blue large scale design reminiscent of a textile pattern, having a broad scalloped border rim, wavy potting on top of plate, very heavy, greige ground color, the base having a single spur mark, measuring 10 in x 11 3/4 in; Original condition, several rim chips.

This kura (saddle) was used in the rituals which took place on the first day of rice planting. The day is called hana-taue (daue), "the flower-rice planting" and it has been practiced in the southern part of Japan. The links to today’s hana-taue is listed at the end. You can hear where the Dengaku (oldest form of Japanese music) came from in the video.

One side of the saddle is decorated with Shishi (lions) and peonies with a crest of “kiri no mon” (crest of Japanese empress ...

Antique aizome (traditional Japanese indigo dye) cloth taken from a Japanese bed comforter, thick cotton, circa Meiji Period (1868-1912). Excellent tapestry material. The condition is excellent; it was in new condition when we purchased. This was just washed (twice by mistake) prior to when the photos were taken. There are minor holes (shown in photo) concentrated on the top right side. Because of the size (62 1/2L x 58"W), the photos were taken from the bottom and sides.

Ca. late 1800s

Earthenware pair with mirror-image decorated overall with figures of Buddhist Arhats (enlightened followers of the Buddha). The Arhats are depicted in various enamel colors wearing brocade robes picked out in gold enamel. A dragon writhes among them, painted in slightly raised enamel and stylized rocks surround the vases beneath the Arhats’ feet. The Satsuma crest is seen in gold enamel on the shoulder of each vase. The bases are inscribed with the artist’s name: Hakuzan...

Ca. early 1800s

This unusual vessel consists of a tall footed bowl of conical form and a ring-shaped stand encircled by carved ocean waves. The bowl is carved with characteristic Hirado key and triangular fretwork and is heavily potted for the necessary stability of its function to hold the tall branches of a flower arrangement. The interior of the bowl is set with a cylindrical collar 2 ¾ in. in diameter in which a pronged flower holder can be placed to support stems and branches of the ...

Japanese antique Zuishin dolls (Ningyo). This set of dolls are often called Daijin minister dolls but they are actually the imperial guardsmen and escorts for the Heian court (794-1185). A beautiful quality set in the perfect size to decorate Hina Goten (Imperial Palace). Meiji Period (1868-1912). Approx. 5” tall, 4 ½” in width.

Enamel on copper, ca. late 1800s.

Although this item could have been used as a sauce pot, it was probably intended for replenishing water for grinding ink on a calligrapher’s ink stone The interior and base are both enameled.

Good condition, no dents or losses however there is some characteristic pitting to the enamel.

Height: 3 ¾ in.

Ink and pigments on paper with gilding, ca. early 1600s

Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen. Probably produced in a Kyoto fan workshop by one of a number of Nara ehon picture book painters that migrated to Kyoto from Nara.

Condition is good considering age and original use as a fan, some surface wear to pigments, slight smudging, losses to gilding, light creases and wrinkles, old backing from door or screen mounting remains

Ink and pigments on paper with gilding, ca. early 1600s

Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen. Probably produced in a Kyoto fan workshop by one of a number of Nara ehon picture book painters that migrated to Kyoto from Nara.

Condition is good considering age and original use as a fan, some surface wear to pigments, slight smudging, losses to gilding, light creases and wrinkles, old backing from door or screen mounting remains

Japanese Takeda Samurai doll from late Edo to early Meiji, 1800s. Takeda dolls were made to model Kabuki actors and puppet dolls from the late Edo period (1603-1868). The doll is possibly Benkei, a faithful retainer to Yoshitsune (Minamoto).

Many stories were written based on Benkei and Yoshitsune (Minamoto, Genji family). They first met on the bridge of Gojyo in Kyoto when Benkei challenged Yoshitsune. He had been challenging strangers to sword fights so that he could get their swo...

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, very good impression and color, margins somewhat trimmed, light soiling, slight creasing in margins and wear to two corners, dated in Arabic numerals for export

Overall size: 9 ½ x 14 ½ in.

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, good impression and color, margins somewhat trimmed, minor wear, very slight wrinkles, dated in Arabic numerals for export

Overall size: 9 ½ x 14 in.

Album leaf depicting an antique textile fragment, issued ca. late 1800s

The artist skillfully illustrates the fabric dyeing techniques of stencil printing and tie-dyeing (shibori) using the woodblock print medium

Very good impression and color, centerfold, some thinning of paper on margins

Overall size: 9 ¾ x 14 in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Produced by the Tokyo Nai Fuda Club, Very good impression and color, good condition, light center crease, light glue residue on verso

Overall size: 6 ¾ x 8 ¼ in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Very good impression and color, light staining in margins, light staining on verso

Overall size: 6 ½ x 8 ½ in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Five individual “fuda” pasted side by side on a backing

Very good impression, good condition

Overall size: 6 ¼ x 10 in.

Various designs for textiles, issued late 1800s

Good impression and color, center fold, wrinkle to lower right corner, minor stain on center of upper margin, not backed

Album leaf: 9 ½ x 14 in.