Art deco free flowing Japanese bold style 'wagumi' bamboo flower basket. Not signed but definitely a masterpiece. Ca. 1930. Bamboo inset with lined copper. H:42cm; W:29cm. Great condition. Ask for shipping quote.

A Chinese Silk Double Gourd Purse. Finely embroidered in gold and silver thread with confronting Dragons pursuing a Flaming Pearl. Chinese L Qing. Length of purse; 6″ (15.2 cm. Condition; excellent, some very slight discolouration to metal thread.

An exquisite Edo period incense burner, the fine red clay covered in running bamboo glaze from the kilns of Takatori on the southern Island of Kyushu wrapped in a silk pouch and enclosed in a period Kiri-wood box. The lid is solid silver pierced with roiling fronds. It is 7.5 cm diameter, 7 cm tall excluding the silver lid, and in excellent condition.
Takatori-yaki, is a traditional style of Japanese pottery that originated in the early 17th century...

Early to mid 19c light greyish/celadon jade medallion in circular form having a central Kylin surrounded by symbols. Superbly carved and pierced with the finest details with a worked edge having the back indented and smoothly finished. This medallion was probably removed from a cloisonne or bronze wine ewer or censor. This piece is of the finest caliber, showing a wonderful hand polish all the way through and in perfect condition. Size 2-1/4" Diameter and nice thickness...

This is a truly one-of-a-kind masterpiece of exquisite beauty that rewards long and repeated viewing. We have never seen a silver Joseon Dynasty lady's dagger (eunjangdo) with engraving entirely in a floral motif like this. The details are stunningly rendered along every millimeter of this fine work of art. Beyond the beauty of the luxurious surface, there is a deeper and thoughtful design that incorporates symbolism from ancient history...

Simple, elegant, and functional, this Meiji period kyūsu (teapot) was crafted with precision and care by one of the periods most accomplished ceramicists. Showcasing refined beauty and delicate craftsmanship for which Japanese porcelain is renowned, its smooth and lustrous white glaze exudes an air of purity and simplicity...

A Chinese bronze slender pear-shaped vase unusually cast in high relief with two guei dragons, each with long double-ended tail, one reaching the base, the other the rim. 31 cms, late Ming dynasty, 16th/17th century. A couple of shallow knocks to the underside. Otherwise good condition.

This is lovely Japanese cloisonné enamel vase stand 7in height is in very good condition with No damage It has nice read color enamel with chrysanthemum flower from 1930§ If you have any question please email me any time Shipping cost will provide with your shipping address Thank you

This is beautiful Japanese cloisonné enamel vase stand 7 1/2 in height Is in very good condition with No damage The vase has read color enamel with cherry blossom work from 1930s If you have any question please email me anytime Shipping cost will provide with your shipping addresses Thank you

This beautiful bronze zen temple gong was made by one of Japan's great bronze craftsman who lived from The Meiji Period (1868) through the Showa Period. Famous for the gold shachihoko bronze fish on the roof of Nagoya Castle. This gong is dated Taisho 3 (Ca.1915). The writing has the date, the maker's name and all the donors' names. Excellent condition. H:56cm; diameter 30cm.

A Karatsu ware tea bowl with silver mending (gin-tsugi) which is mending technique, broken pieces are put together with urushi and then silver powder is applied. It has simple painting which is called E-karatsu. Karatsu ware has been produced in the east part of Saga and the north part of Nagasaki prefectures in Kyushu since late 16th century. This one is made of four fragments of Karatsu-yaki (yobi-tsugi). Probably 17th century. Diameter:13cm, H:4 to 5cm

Antique Japanese ceramic figure of the famous monk, Bodhidharma. Well known for his intense demeanor, Bodhidharma (Daruma) stands with fly wisk in hand, his signature red monk's robes draped around him. Daruma figures represent perseverance and are believed to bring good fortune. This figure is decorated with polychromatic glazes and painted details.

Dimensions: 17 1/2" high x 7" wide x 5 1/2" deep

This is a Japanese antique Edo Period tsutsugaki fireman sashiko coat textile. It is an item with the long and thickness that is very firm. Sashiko-cloth is sewn on the back and collar to represent affiliation and status. His position is sub-chief. It has a taste of the Edo period's long-term use.A bold rain dragon design. It is said that the dragon summons rain and extinguishes great fires. There are light stains ,fading and scuffs from age, but they are not noticeable...

Momoyama period (1568-1600) Ko Karatsu Sake Cup with beautiful greenish glaze...

Early Ming Dynasty (14-15cc) Longquan Celadon Stem Cup
Skillfully repaired with gold.
Supplied with Japanese wooden box...

Luxurious and heavy Korean Amamori (leaking rain) Incense Burner Kōro from Edo period.

The irregular shape and the base resemble Japanese Wabi Sabi tea bowls which tells that this piece was made specifically for Japanese market.

Amamori means the surface stained with spots that look like rain leaks on a wall creating beautiful complex scenery.

Size
Height 9.6 cm
Width 7.7 cm
Weight 1046 g


Condition
Scratches due to age, kiln scra...

Late Edo to Meiji period (19c) Kuro Oribe Chawan
The body covered with black dull glaze and geometrical Oribe style scenery, with unglazed foot ring and surrounding area.

Size
Height 8.3cm
Width 12-13cm


Condition
Good considering the age.
There is tiny gold repair of the rim.
There are scratches of the glaze due to age.

Supplied with the wooden box with appraisal label Kuro Oribe Chawan

Oribe ware is a form of Japanes...

Magnificent Ki Seto Water Jar made in the Mid to Late Edo period
Supplied with the old wooden lid.


Size
Height 16cm
Width 17cm
Weight 800g


Condition
Good considering the age.
There are minor cracks but it is no problem to use.

Ki Seto ware, also known as Yellow Seto ware, is a type of Japanese pottery that originated in the Seto region during the medieval period...

A pair of covered ceremonial Sake-Tsubo called Heiji decorated with the three auspicious winter plants, Sho-chiku-bai (Pine, bamboo and plum) by Ito Tozan II enclosed in the original wooden box Plum pine and bamboo rise up in a riot of color on the thinly crackled pale glaze covering the surface. Inside the box is dated Showa 11 (1936) 8th month, 9th day. Each is roughly 22 cm (9 inches) tall and in excellent condition, each uniquely stamped on the base with the artist seal...

Chinese Ming Dynasty Blue & White Porcelain Dish with Fish (Ex. Grahame Clarke collection)

This porcelain dish was made during the 15th century. It has rounded sides and a "hole-bottom" base. It is decorated inside with, although rather indistinct, a "red biscuit" fish amongst water weeds that are in underglaze blue.

Diameter 11.5 cm. There are some crackles to the glaze and the glaze to the underside has an "orange peel" effect with some kiln grit embedded within the glaze...

A Chinese, blue and white glazed, inkstone decorated with lion-dogs, playing with a brocaded ball. A nicely painted piece for the Scholar's desk, and dating to the late Ming dynasty; C16th to early C17th. Traces of kiln grit are attached to the inner foot, and the base bears an apocryphal four-character Zhengde reign mark. Diameter, 10.7 cm Condition; good, with age relate wear.

A Southern Chinese or Vietnamese bowl, covered all-over with a pale celadon glaze. This bowl dates to the C14-15th; or before. Quite delicately potted; gently rising from it's low, unglazed, foot to a slightly everted rim. Diameter; 13.5 cm. Condition; In presentable condition wih nice glaze qulaity, there are a couple of small nibble to the underside of the rim, and also the the foot. More photos are available upon request.

This child with a pleasant face happily rides his toy horse, the horse looking just as pleased. The entirety is a porcelain sake server from the Saga region on the southern Island of Kyushu, home to Imari, Hirado and other porcelain ware. A bung of black persimmon wood has been added as a lid in the shape of a Chinese hat. It is 21 x 12 x 21 cm (8 x 4-3/4 x 8 inches) and in overall fine, original condition, dating from the 19th century.

Traditional brush and ink Chinese painting of birds done in the style of Jin Cheng 金城. This homage was done in the 20th century and is very attractively mounted a silk scroll...

A light raku chawan displaying a mitsuba-aoi family crest pressed into the side which has been shattered and repaired with black lacquer mellowed slightly brown, then broken again and repaired with gold. An amazing amount of work to save the fragments. The bowl is 12.5 cm (5 inches) diameter6.5 cm (2-1/2 inches) tall and comes enclosed in an old Kiri-wood collectors’ box.
Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered prec...

Early 19c Chinese scholar’s carved rosewood double dragon brush rest. The dragons have wonderful facial features with turned up snouts. There is a round knob on the top between the two facing dragons to turn it easily. The bodies, feet and curling tails are wonderful. Workmanship and quality is superb, showing early original patina to the surfaces. The color is a rich reddish brown with all the shiny areas right where they should be from handling. We can always find double dragon brush...

A Chinese Celadon Glazed Pear Shaped Vase. Circa, 12th-14th Century, Song-Yuan Dynasty. Found in the Philippines. Featuring a rounded body rising from a short straight foot, tapering inwards to its shoulders onto a long straight neck, slightly flaring to its mouth. The vase is covered overall in an olive green celadon glaze, except for the base. Measurements: height (5.9"inches or 15.5cm). Condition: in perfect condition. No repairs. UV light checked. Photos by: The Oriental Room�...

17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region

Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx. 1624-1671).
While most of the Kihara Karatsu tea bowls are excavated pieces, and it is rare to find a bowl in such good condition.

Size
Height 7.2cm
Width 12cm
Weight 289g

Condition
Very good c...

This is my Chinese tea pot open work stand 3 3/4 in height 3 1/4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

This is my Chinese tea pot collection stand 3 5/8 in height 4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

This is my Chinese tea pot collection stand 4 in height 4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

Boro futonji made of mostly hand-spun cotton and vegetable indigo dye in one side, and stripes in the other side. Late 19th to early 20th century. 94cm x 152cm

Height: 12.8 cm (5.2 in)
Width: 11 cm (4.4 in)
Depth: 3.9 cm (1.7 in)

Fine Japanese Satsuma moon vase; exquisite detailed decoration throughout; each side shows three open-fan vignettes depicting individuals involved in outdoor pursuits; bordering decoration is highlighted by tiny chrysanthemum mons and the finest of diaper work; truly magnificent decoration; signed Hododa; good condition

Large Afghan ceramic charger, of hollow form, decorated with splashed green and brown lines crossing on a light beige background. The charger is typical of art style of the Bamiyan period during the Bactrian civilisation era. Diameter: 26.5 cm. Height: 8.9 cm. Small hairline, otherwise very good condition. NOTE: Old French collection, collected in situ in 1970.

A serene vision of enlightenment, calming and compassionate, can be seen in the later Edo period Buddhist carving of Amitabha. He stands on a lotus base, with a flame like mandala rising up behind him in the shape of a jewel, the entire gilded in pure gold worn soft with age and care. The figure alone is 39 cm (15-1/2 inches) tall. With the base and mandala, it is 65.5 cm (just under 26 inches) tall. It is in excellent condition. I believe that some restoration has been performed on the deli...

Rhyton, of conical shape, decorated at its base with the bust of a ram. Geometric design incised all over the body of the object. Bronze, with fine reddish-green age patina and traces of soil encrustations. Bactrian Civilisation, ca. 4th century B.C. Height: 15.3 cm. The piece is nicely mounted on a custom stand. Very good condition.

A Very Fine Korean Bronze Candle Holder/Butterfly, Fish.Character-19th C. Korea, Joseon dynasty, 19th C. This set of the candle holder sets of slender elegant designs in a molded symmetrical double happiness H-shape connecting to the stand. It is composed of two parts; a big butterfly shape reflector and supporting bamboo stem shaped slender post (each bamboo stem joints moving) with a half dome base molded with fishes and waves in pond as a half global pedestal. It is in very find conditio...

A large Japanese bronze flower vase, Edo period, 17th century. 30 cms. Provenence: The collection of the late Simon Digby, Oriental scholar, 1932-2010. A very similar vase, but with different handles, is illustrated by Michael Goedhuis, Chinese and Japanese Bronzes, 1989, pl.92.

Kake-Fukusa, a gift cover made of tapestry weave silk with carp and stream design. It is used to cover a gift on the auspicious event. The family crest (kamon) is Umebachi-mon. Four tassels are metal yarn. Generally, in good condition, but has light stains in blue ground and white waves. Meiji period (1868~1912) 63xm x 63cm

Kake-fukusa which is used to cover a gift on the occasion of auspicious events. It is made of tapestry weave silk with auspicious omen motifs, pine tree, plum tree with bloom and bamboo. Generally, in good condition except for a rift of the black yarn in the pine tree circle and some stains in the blue ground, and also three holes in the red silk lining in the back. Meiji period (1868~1912) 67cm x 72cm

Height: 3.4 cm (1.3 in)
Width: 3.9 cm (1.5 in)
Depth: 3.5 cm (1.3 in)

Fine Japanese carved netsuke of a father and child, the child holding a dragon fly; excellent carving throughout; natural material; the stained scrim-work particularly detailed; the extraordinary base work includes an oval panel with the signature, Gyokusai; good condition

Height: 3.9 cm (1.5 in)
Width: 2.3 cm (0.9 in)
Depth: 3.7 cm (1.4 in)

Quality Japanese netsuke of a seated monkey eating a peach and grasping another in his feet; natural material; excellent hair work and stained scrimmed clothing; signed on a polished reserve, Masanao; good condition

This is an authentic Neolithic Hongshan jade object, described in the literature as "hoof-shaped." Current scholarly opinion is that it was used to hold the individual's hair, based on where these objects have been found in excavated tombs. The piece measures 4-1/2" in height and is 2" in diameter. As with most published examples, it has two holes near the base which would have allowed the insertion of a "pin" to hold the hair in place. The stone is a mottled green with both lighter and darker i...

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay. Embracing the flawed and broken aspects of an object through kintsugi is a way to appreciate the passag...

A fine pottery koro in typical milky white glaze supported by three figures in russet red by Okuda Mokuhaku dating from the mid 19th century. It is 13 cm (5 inches) diameter, 11.2 cm (4-1/4 inches) tall. There is a chip in the rim, otherwise is in excellent condition. It is stamped on the base AKahadayama followed by a circular seal reading Mokuhaku. t comes in a simple wooden box.
Akahada Pottery, starting around 1585, was created by several kilns in the area of Yamato-Koriyama, Nara...

Kake-fukusa, a gift cover, used on the occasion of auspicious events. It is made of tapestry weave silk with two performers motif, one is wearing Daikoku costume with a gavel. Two men look Kado-tsuke, strolling musicians or performers who play dancing and music in front of houses and get some money. In good condition but damage in the black Eboshi (hat) of the man with a fan. Meiji period (1868~1912) 62cm x 67cm

A looping handle sweeps above this fabulous bowl decorated with burgeoning gourds by Takahashi Dohachi VI enclosed in the original signed wooden box. It is 21 x 18 x 15 cm (8 x 7 x 6 inches) and is in excellent condition.
Takahashi Dohachi VI (1881-1941) was born the second son of the 4th generation Dohachi in Kyoto. He was too young to succeed the family name upon his fathers early demise, and a a potter named Ogawa Yunosuke steered the helm as the 5th Dohachi until he too passed away i...

We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we see a beautiful work that appears to be at least 200 years old and likely much older. On the side can be seen the typical “hasami no ato” (tongs mark) and along the base on both the inside and the outside are impressed lines, formed during the firing process, that I have seen only a few times before and only on very old ...

Chinese Famille Rose Mandarin Palette Tea Bowl and Saucer. Decorated with a scene of a standing lady holding a fan next to another seated and with a child on a terrace. The tea bowl with two cartouches, one with the lady and child the other with the standing figure. Qianlong C1775. Diameter of the saucer; 5 1/2″ (14.0 cm). Condition; perfect.

A Rare/Fine Korean One of 오방오제위도 (五方五帝位圖) Buddhism Paintings-18th C. This Painting inscribed 동방대호지군-東方大皡之君), Korea, Joseon dynasty, 17th / 18th century. “The painitng is one of 5 (동방대호지군(東方大皡之君),남방연제지군(南方炎帝之君), 서방보필소호지군(西方少皡之君),북방전욱지군(北方？頊之君),중방황제지군(中方黃帝之君).서방소호지군(西方少皡之君) Buddhism paintings”. ...

A Very Rare/Fine Korean White Porcelain Dome-Shape(무릎연적) Water Dropper-19th C. : Korea, Joseon dynasty, 19th century. A quite large sized beehive porcelain water dropper set on a ring foot with a cylindrical spout, covered overall by an even light blue tinged clear and high sheen white glaze. It’s in very fine condition without any damages at all, It measures 10 cm high x 11 cm d. ***Provenance: a collection of Koo, NY (Ji Young Koo, New York). *** a similar sold Christie’s ...

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore. They are ...

Antique Japanese scroll painting of Kannon also known as Guanyin. The Goddess of Mercy sits on a rock overhanging a still body of water. She is silhouetted by the full moon. Painted in sumi-e ink on paper. There is a seal in the lower right hand side.

Age: Edo Period (1603-1867)

Dimensions: Total size of scroll: 70 1/2" high x 15 3/4" wide (18" wide including rollers). Size of art: 37 1/2" high x 11 1/2" wide

Found in the Philippines. Featuring a circular body, resting on a short straight foot and is decorated with a carved central floral spray, adorned with combed lines. The box is covered overall in a pale green celadon glaze, except for its base, which is left fully unglazed and partially burnt to red. Measurements: diameter (3.9"inches) across. Condition: in perfect condition. No repairs, UV light checked. Photos by: The Oriental Room®️ Feel free to contact me at theorientalr...

The large characters in the center of this scroll "南無妙法蓮華経" are pronounced as "Namu Myōho Renge Kyō” in English — a phrase associated with Nichiren Buddhism that is often recited as a mantra, expressing devotion to the Lotus Sutra. This sutra is one of the main tenants of Nichiren and is thought by devotees to be the ultimate law and truth of the universe. Commissioned in 1690, this scroll commemorates the reconstruction of the main hall of Ryuhon-ji Temple, estab...

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', a...

Small porcelain dish from Japan. Decor of birds in flight in a landscape with trees and flowers painted in enamels and gilding. The porcelain is exceedingly thin similar to eggshell porcelain. Three Chinese characters are enamelled in red below, probably Kutani's mark. The designs are neat and of the best quality. Very fragile but good condition. D:138mm.

A hawk rests on an elaborate perch, the feathers fluffed up, each uniquely carved on this rare okimono from the Mushiake kilns of Okayama prefecture. It comes in an ancient kiri-wood box. The notation on the side of the box states it was received in late Meiji 27 (1894) from the former Head of the Okayama fief Ikeda Mochimasa. The name of the recipient has been redacted, as is often the case when things change hands in Japan. It is 24 x 7.4 x 29 cm (9 x 3 x 11-1/2 inches). A ringlet on one side...

An exceptionally large and attractive Linga / Lingam, depicting the head of Shiva, Gupta period, Madhya Pradesh, 4th.-5th. century AD.

The face of the Hindu god Shiva emerges from this linga, the emblem through which he is most commonly worshiped. Most lingas are non-figural, their abstracted phallic shape alluding to Shiva’s transcendent power and generative energy. Here, Shiva is also represented in anthropomorphic form, manifesting himself to devotees. Shiva’s third eye, placed...

A parcel-gilt silver cricket box and its cover. The body of the box is decorated with embossed flowers in cartouches, and its base is pierced with an intricate lattice design. The lid is also decorated with embossed concentric decorations, at the center with flowers in an octogonal frame, and around the rim with large fowers of various forms. China, early 19th cetury, maybe earlier. Diameter: 7.7 cm. Height: 4.4 cm. Very good condition. NOTE: similar boxes were sold at auction at Christie's in ...