Pichhwai, temple painting, of Radha and Krishna in the Garden, Kishangarh Style, this Hindu scene of the God Krishna and his beautiful consort, the Goddess Radha takes place in a lush garden. The sacred mountain rises up behind them and as the two figures embrace at the opening to a cave.

At the top of the mountain sits a white palace and the sky is filled with 6 bird-shaped celestial chariots toward the it...

A Blue Glaze Snuff Bottle with Moulded Flower decoration,Qing Period.Good conditions. Size: H:7,5cm W:4,7cm

Celadon Glaze Snuff Bottle Decorated wit Chinese Simbol,Qing Period.Good condition, it just has minor chip at the base. Size: H:7,3cm W:5cm

A Blue Color Porcelain Snuff Bottle with moulded Dragon and Fish Decorations.Qing Period.good condition it just has minor friting at the rim. Size : H:7,4cm W:5,5cm

A Blue and White Porcelain Double Gourd shaped Snuff Bottle with flower decorations.Erly Qing period.found from hatcher cargo shipwreck. Good conditions.it just has verry minor friting at the rim.Size :5,7cm height

A Blue color Porcelain Double Gourd shaped Snuff Bottle with flower carved decorations.Erly Qing period. Good conditions.it just has verry minor friting at the rim.Size :6cm height

A bride of the Yi Chinese Ethnic Minority in Yunnan Province, would have worn the "cock" hat for her wedding day. The hat is made using layers of cotton fabric with a stiffiner between the layers to maintain the shape. Using colorful cotton thread, hat was extravagantly hand embroidered. A few traditional silver ornaments including the bubble, flower and butterfly were added.

Now, it is the very lucky Yi girl who can use her great grandmother's bridal hat for her own wedding...

Beautiful art work of Tosa Mitsutoki* embroidered with a theme from the Noh play "Takasago" on an antique fukusa, a Japanese gift cover. The signature, seal and other characters are embroidered. To find a signature on a fukusa from this period (late Edo) is very rare; in fact, I have never seen one. The characters (at the bottom left side) read "e-dokoro azukari" which is the title for the head of the Imperial Painting Bureau...

These early Qing dynasty cups were carved from coconut shell, and lined with metal which was originally coated with silver. The Chinese believed that silver would tarnish when in contact with poison. Many wealthy Chinese liked to use silver lined cups and chopsticks tipped with silver fittings was an assurance against poisoning...

A beautiful and very functional pair of black lacquer wooden cabinets with detailed court scenes. The cabinets can be stacked as pictured or positioned separately and perhaps placed under windows. As separately standing pieces, they can be used for extra seating with the simple addition of a few throw pillows or cushions. They can also be positioned back to back to serve as a large coffee table. The cabinets’ interiors are painted red and there is a red flower painted on each side...

This antique pair of wooden spoons were hand carved and delicately shaped. The handles are deeply arched and the ends are painted with a gilded paint. They were heavily covered with a clear lacquer finish.

Very rare Chinese pottery crouching court man with amber glaze.

Age: China, Tang Dynasty, A.D. 618 - 907
Measurement: Height 12 C.M. / Width 6.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

This very well carved brush holder is an early 20th century product. On one side, it depicts six children playing with fire crackers during New Year; on the other side there is a big red character “Fu,” good luck. There are mountain and river scenes on the bottom inside and outside. It is almost 5” high, 4” wide and 3 ½” thick. It is in great condition aside from some old cracks.

A beautiful Satsuma vase by Kinkozan, the foremost artist of the 'Golden Age' of Satsuma during the Meiji Period. In ovoid form with gorgeous relief butterfly and flower designs and a central band with floral rosettes on black. Kinkozan mark on base. Height: 12.5 inches, 31.5 cm; Circumference: 25 inches, 63.5 cm.

During the Qing Dynasty, hair combs like this were commonly used. The structure is bone and the tines are of wood. A few tines have gone missing with age and use. The comb is about 5 inches x 2 inches.

This early 19th century Japanese Imari vase is 10 ½ inches high and 4 ½ inches on the widest part. The top of the vase had been cut and polished. Two peony blossoms were painted over the lower part. Three small circles on the upper were painted pine, plum blossom and bamboo. It has a green “Fuku – Happiness” mark on the bottom. Aside from some faded color due to its age, it is in great condition.

This mid. 19th century Japanese Imari (Aka-e) vase is almost 10 ½” high and 4 ¾” on widest part. There are two sections; one depicts a painted phoenix, butterfly and maple tree, the other depicts a geisha holding an umbrella standing in front of iris and hanging flowers. The rest of the vase is decorated with floral and textile designs. It is in perfect condition.

This late19th Century Japanese Imari (Aka-e) vase is 7 ½” high and 3 ¾” at its widest part. It depicts cherry blossoms and orchids in two sections, fruit (peach or persimmon) and some unknown flowers are painted on the rest of body. There are three small butterflies painted on the rim. Aside from a few blisters and smudged color due to firing, it is in excellent condition.