Chinese Song/ Yuan white glaze export jar, very much in good condition

This is the Yuan dynasty celadon brush washer with peony pattern. It is nice rare piece in good condition.....for it's age

A shipwreck Sung Longquan celadon jarlet, with lotus petal at lower portion. Jar in good condition no damage, no crack, no chip, no restoration, some crazing/ crackled on glaze surface. Matish glaze caused by sea water corossion ...please ask for more photos

A Five Dynasties to Northern Sung Yue yao celadon saucer, it is in good condition no crack, no restoration except some glaze degradation as shown and one very tiny 2mm chip on the reverse rim. Indeed a nice collection piece in any chinese or japanese art collection. Please enquire....

An early Qing saucer, it is in good condition no chip. no crack, no restoration except some glaze degradation and wear on rim. It is scholar table object de art, nice collection piece in any chinese or japanese art collection. Please enquire....

A Five Dynasties to Northern Sung dynasty black/brown glaze brushwasher. Brush washer is in good condition with no chip, no repair except glaze degradation caused by river water. It is scholar table object de art, nice collection piece in any chinese or japanese art collection. Please enquire....

This is the sung dynasty twin fish celadon brush washer saucer, it has the typical crackle of Quan type glaze feel/colour and base but i eered the possibility of it being Quan Yao washer but rather the Longquan yao's. It is nice rare piece but has chip of the foot rim.....Matish feel on glaze caused by sea water corossion

This is the sung dynasty twin fish celadon brush washer saucer, it has the typical crackle of Quan type glaze feel/colour but i erred that it is Quan yao washer. It is nice rare piece but small repaired rim on the reverse with gold leafs.....

A Northern Sung dynasty or earlier green glaze yue yao celadon brushwasher. Brush washer is in good condition with no chip, no repair except with a very small hairline crack. It is scholar table object de art, nice collection piece in any chinese or japanese art collection. Please enquire....

A shipwreck Ming Longquan celadon brush washer, it is in good condition with no chip, no crack or restoration except glaze degradation cause by sea water. It is an scholar table object, consider quite rare in Mainland china, a nice collection piece ...please enquire

A properly dressed Chinese woman would wear a pair of leggings that would cover her foot bindings from her lower leg to the top of her lotus shoes. The leggings would be tied into place with a hand woven sash made specifically for that purpose. These lotus shoe accessories are now rare and very hard to find.

This pair of silk sashes were were woven with a floral pattern using 2 colors of brightly contrasting threads. The long warp end threads are braided into tassels...

A nicely enameled early 19th century Imari charger measuring 18".

Condition: Fine, no chips, hairlines or repairs.

Over a jet black ground, a single butterfly flutters among clusters of chrysanthemums on this unsigned 3.625" silver wired vase. The upper rim is of brass, the bottom copper.

Condition: Minimal pitting, no hairlines or repairs.

This old Chinese silk hat would have been owned and worn by a gentleman of some financial means. The gold fretted trim was expensive and used on both mens and woman's clothing of the during late Qing dynasty. There is some blue trim fabric lost as shown in the pictures. The hat is lined with red cotton fabric and has writing in 2 of the 6 sections.

This is an antique ceramic Ge yao(classical chinese crackle ware ) bracelet found in Borneo, condition not perfect with that obvious one hairline crack (one round) as shown but not broken into half yet, other area intact and fine glaze. it has three spur marks because of the Sung style firing techniques, diameter of the hole is 8.5 cm

This is an Chinese Sung Dynasty white glaze double circles container covered powder box from pre-13th century , found in Indo Archipelago. Condition good as u can see except hairlines on top small chips on the side as shown no repairs, no major cracks, its' glaze intact, size 8.7cm for the diameter, please ask for more info before buying.....thanks

This is a gilt bronze figurine of the smilling immortal of happiness and longevity in Chinese tradition which was sew to the the headgear or clothings of old people as ornamental decorative during 19th century, size 3.8 cm Shipping worldwide at USD12 using SAL registered airmail. Can combine up to 5 items of same size/type each time Thank you for looking

Carved 19th Century Soapstone teapot. Dark brown color . 14 cm Wide X 7,5 cm High.good condition, it's just has a chips at the lid.

This is a classical form Song dynasty small moulded longquan or celadon dish with appliqué twin fish in the centre and an everted flatten flatten mouth rim. The exterior is moulded with an overlapping upright lotus petal radiating from the foot. The dish is glazed with an uneven light green colour with glaze crazing.

There is no crack, repair or restoration...

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This lovely late 19th C Ko Kutani bijin is holding two opened fans with a flower on her head. Exquisite features and detailing, this already highly collectible Ko Kutani figure is even more special because the flower also serves as a candle holder. In very good condition, she measures 11" or 27.9 cm high.

Wonderful pair of Kutani ware porcelain rabbits, one is white and one is light brown, both with areas of gold in which each hair has been painted, pink eyes and inside of ears, the light brown rabbit has it's mouth open and displays a row of tiny teeth and a red tongue, great detail and attention to modeling , Meiji Period (1868-1912). Size: 5 1/2" high x 7 1/2" wide x 6 1/2" deep.

Ming Dynasty Shipwreck Blue & White Watow Plate found in Indo Archipelago, from 16th/17th century period, of Birds and Flora design, glaze still intact except some corrosion of sea water but still smooth, no repair or no crack, please feel free to ask for more photos....thanks

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions...

This is a beautiful bronze dagger from the Dong Son culture in early Southeast Asia. It dates to the Han period (ca 200 bc). The very fine quillons that are often missing on pieces of this type are present and intact, making this a truly rare and high quality find. It measures 31.5 cm in length and weighs 371 grams. It appears to have a repair to the very tip, which is not uncommon for these daggers.

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with meditative facial expression, gilded and decorated with inlay of colorful glass pieces on the headband and the borders of the robe. The buddha's robe is elegant with gold sheet and delicately carved as layers of pleat.

Age: Burma, Mandalay period, circa 19th Century
Measurement: Height 49.9 C.M...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting a half-length portrait of an actor portraying a samurai. This is one of a number of half-length portraits of actors designed by Kunisada in 1852. Signed at the right "Toyokuni ga" (in a red cartouche with yellow snow) with the seal of the publisher Yamazakiya Seishichi below. Fresh color and nice impression quality with fine delineation of the hair and lacquer highlights...

Laos wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Laos, 19th Century
Measurement: Height 66.7 C.M. / Width 26.8 C.M.
Condition: Nice condition overall (a tiny chip on the top of the head and crack on the base). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A very rare 17th century model of an actor, 14" in height. Over a blue underglaze, it is enameled in black, iron-red, green and blue, the red and white robe nicely decorated in a pattern of thistles

Provenance: Christie's Lot 341, March 1987

Condition: Minor wear and a few rough spots. Detailed photographs will be provided upon request to one seriously interested in the piece. detailed photograph will be A slight rough spot

Enameled on this unsigned 3.75" silver bodied vase are a pair of snowy egrets, bamboo and a single butterfly.

Condition: There is a stable discoloration behind the bamboo, illustrated in the second photograph, also a hairline shown in the second photograph.

n the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the “Dragon’s Embrace.” Around 1994 local fishermen began finding pottery in their nets. Thus what has become known as the "Hoi An Hoard" was discovered. This blue and white porcelain bowl is from that famous find. It was also part of the original Butterfields auction of Hoi An pieces...

This is a large, hammered bronze offering vessel from the Yunnan Province in China. It likely dates to the Song Dynasty (906-1279 AD). For a nearly identical example see “Offering Vessels of Yunnan” by Michael C. Teller, TK Asian Antiquities 2004, p. 53...

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

An early 19th century Imari charger or shallow bowl measuring 18" x 2.5"

The piece is signed on the bottom and is in excellent condition.

This is Ming dynasty, Wanli period deep polychrome large swatow bowl. It stands on a short foot rim with a recess base with a double red circle in the centre. From the foot rim, it everted slightly and upwards, and then towards a mildly everted mouth rim.

The flattened centre of the bowl depicts the drawing of the “Hai Ma” shown crossing the seas with bellows of waves. On the outer circle, it is a combination of a series of sea waves and four large waves. Incidentally, the positio...

This tall bamboo incense holder is elaborately carved with a bird attacking a snake. The birds wings are out-stretched and spread around the container and the bird is being cheered on by a much smaller rooster. The carving is deep and detailed.

The holder is 12 inches tall and 4 inches in diameter and has a deep mahogany brown patina.

Specially made for the Thai market, decorated with stylized floral design on leafy scrolls background, with metal bands on the rims of the bowl and cover.

Age: Chinese, Qing Dynasty, circa 18th century
Measurement: Diameter 25.7 C.M. / Height 25 C.M.
Condition: Very good condition, with no crack or repair. Please see enlargement photographs for details. ...

Of cylindrical form, decorated with lively garden scene of the noble ladies and children, with metal bands on the rims of the cover and the pot.

Age: Chinese, Qing Dynasty, circa 19th century
Measurement: Diameter 20.9 C.M. (excluding the spout)
Height 25 C.M. (measured at the cover)
(including the handle 33 C.M.)
...

Each of elegant form with curvy mouth and side handle straps from the Neolithic Siwa culture in the present day Gansu province.

Age: Chinese, Neolithic period, circa 1,350 B.C.
Measurement:
No. 1: Diameter 16 C.M. / Height 20 C.M.
No. 2: Diameter 15.5 C.M. / Height 17.5 C.M.
No. 3: Diameter 13 C.M. / Height 15 C.M.
Condition: Nice condition overall, with some chips to the rims, some surface chips and some surface wear to the bodies. Please refer to the enlarged ...

Japanese Edo period woodblock print from a small series featuring bust portraits of actors portraying two opposite charactors in old and current plays set against calligraphy by Toyokuni III (also known as Kunisada) collaborating with Torii Kiyomitsu II (1788-1868) dated 1852. The lower right corner bears the signature cartouches of both artists, censor and date seals, and the seal of the publisher Joshuya Juzo. The paper measures 14 3/4"V x 9 7/8"H. Very good impression quality with lacquer hi...

Chinese tomb pottery figure of a horse, T'ang Dynasty, wonderfully dynamic figure made of red clay with red slip pigment. Size: 19 1/2" high x 17" long x 6" wide.

This antique Korean serving tray would have been used for serving tea or individual meals. The signature characters on the bottom are followed by the symbol for "student", presumably the tray was carved by an apprentice. The bottom also has rough darken areas for a more secure gripping surface and shallow attached feet which also have rough bottoms.

The tray has a delicately upturned lip, a deep rich red brown color. It is approx 13" x 9.5 inches. No cracks or chips but the surface does h...

Large Pink Famille Rose Vase with Lion Ears & Figures, Late 19th Century or Early 20th Century

It is 24.75 inches (63 cm) tall by 9.25 inches (23.5 cm) wide. It weighs 18 lb.

It has been repaired at one ear and has rubbing of paint, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% ...

Wood Carved Netsuke Shoki & Oni Signed, 19th Century

It is 2.75 inches (7 cm) tall by 1 inch (2.5 cm) wide.

It is in good condition with no repairs, cracks, or chips, except rubbing of paint (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us ...

This is a northern Song dynasty green glazed bowl. It stands on a foot rim with a recess base exposing the light buff colour stoneware and then extending upwards with a C-shaped rounded body with a rounded rim like a lip. On the cavetto, it is incised with four bud of swirling flowers with lightly combed designed in between and the centre of the bowl.

The bowl is in good condition with the exception of minute abrasion and glaze fritting. There is no repair or restoration or any chip.

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting actors portraying a scene from the kabuki theater. Published by Yamazakiya Seishichi in 1855. Each panel bears the signature "Toyokuni ga" in a red cartouche with yellow snow, a publisher's seal, date seal, and censor's seal (see enlargement 5). Each panel measures about 14 1/2"V x 9 3/4" - 10"H. Very good overall condition with margins. The triptych is not backed and the baren marks and image are cle...

The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.

Extremely rare 19th Century Siamese wooden boat paddle, black and red lacquer paint patina with finely painted Golden Dragons and motif decor on both sides, good condition with some minor retouching due to age, Size 48" x 9"

An attractive pair of porcelain joss stick holders, enamelled 'on biscuit', depicting two 'buddhistic' guardian lions. These items were made, circa 1800, during the reign of the Jiaqing emperor (1796 - 1820) for export and for the domestic market. One has a small piece of decoration missing above the right ear and has enamel loss to the right eye brow. No further damages and no restoration. 9 inches (23cm) High.

18/19世纪外销狮纹素三彩...

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains. There is an ink spot on the b...

This is an old white jade hairpin used by Ethnic Chinese of China, the silverwork is made by Silversmith there with 3 shop seal mark at the back, is of 80 years of age or can be much older. Please ask for more photos and info about it. Thank you for looking....

A very rare well-potted and painted 8.25" Ko-Imari model of a standing boy reaching into an urn. The boy's face is painted with black hair and features a gilt head band. Both his robe and the urn are painted in blue, orange and iron red.

Condition: Excellent, with no chips, hairlines or repairs.

An exquisitely detailed 5" silver wired scenic cabinet vase decorated with four panels, each representing a different bird - a white egret in a stream, a sparrow and bamboo, a hawk perched on a pine tree, and a finch on a flowering branch. Highly polished, the workmanship is exceptional. The throat and base are gilded, the rims silver. It is marked on the bottom rim within a reserve "SILVER". Condition: Excellent, with no chips, hairlines or repairs.

Japanese woodblock print depicting an actor portraying a seated samurai. The image is signed at the left side "Ichiyusai Kuniyoshi ga" (1797-1861). The red Yoshi Kiri seal is beneath the signature. The print was published by Ibaya Senzaburo between 1847-1848. The paper measures 14 1/2"V x 9 7/8"H. It is most likely a panel from a triptych. Very good overall condition with excellent color. The print is not backed. No tape or tape stains. There are a few tiny pin holes and a very small loss t...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared. Floating in the background are three blue decorative flow...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting an actor portraying a samurai sitting on a veranda overlooking a garden with a beauty in the center panel. Published by Joshuya Kinzo prior to 1842. Each panel bears the signature "Gototei Kunisada ga", a publisher's seal, and the kiwame censor's seal used from 1790-1842 (see enlargement 5). Each panel measures about 14 1/2"V x 9 1/2"H. Very good overall condition. The triptych is not backed and the b...

A Sawankhalok jarlet, decorated with pair of handles, celadon glaze.good Conditions.its just has fireing foult at the handle.11,5cm height