Blue and white bowl decorated with floral scroll on the exterior, glazed base. Period : 17th Century Diameter = 13 cm. Condition : a tiny fritting to the rim, no chips, hairlines or restorations.

White glaze covering to foot rim , unglazed base. Diameter = 23 cm, Height=7,5 cm. Period : 14 th-15 th Century. Excellent condition, no chips, cracks, hairlines and free from restoration.

Bowl in under glaze blue on a rust brown porcelain body. Decorated in double blue lines under a semi transparent white glaze. Condition: Very good condition.Two glaze ships at the rim exists. No further damage or restoration. Measurement: 13.4 cm = 5.3 in

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A Tang dynasty yue yao jar with two lugs, rounded side with six lobed and unglazed base. Jar is in good condition with glazed degradation, chip to foot rim, no cracks, no hairlines and free from restoration. Size: 8 cm diameter, 9 cm height.

Decorated with shou character in the center and abstract decoration on the outside. W=10 cm. Early Ming 1368-1398. Condition : a tiny fritting and imperfection of glaze, no cracks, hairline or restoration.

Yuan bowl in under glaze blue with a flower and leaf motif. Condition: good condition. rim frittering and one hairline. Measurement: diameter 13 cm = 5.1 in hight 5.2 cm = 2 in

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return of any object within 30 days of the shipping date. No shipping cost on this item!

From our Indian Subcontinent Collection, an exceptional Kashmiri kashkul or beggar's bowl, 19th century, modeled after the boat-shaped beggar's bowls used by Persian Sufi mystics. This fantastic vessel is composed of a metallic body, most likely copper alloy, that has been lacquered and then exquisitely painted with floral motifs in rich but subtle shades of blue, red, yellow, taupe, black, and with gilt highlights...

A pair of 19th century signed Japanese porcelain Imari bowls with covers. Each of rounded form decorated under glaze with blue, iron red enamels, panels of stylized bamboo and leaves on red ground and gilded.
MEASUREMENTS: 5 1/8 inches (13cm) in diameter. Height: 3 ½ inches (9cm).
CONDITION: in good condition except for one hairline crack in the interior of one bowl. No repairs or restoration...

Ming bowl in good blue color. Double happiness is Chinese ornamental design commonly used as a decoration at porcelain. The "shuāngxǐ" motif often appears on decorative items associated with Chinese New Year celebrations and weddings. Condition: Good condition. Rim glaze frittering and two minor hairlines connected. Measurement: diameter 16 cm = 6.3 in. hight 6.7 cm = 2.6 in

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Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies...

A miniature vessel in the shape of a Japanese water bucket. Earthenware finely decorated in enamels and gold with a flowering tree. Base signed below the Kinkozan Kyoto paper label next to an old price label. Condition: fine. Dimension: 6.4 cm high, weight: 28 g.

A miniature vessel in the shape of a Japanese water bucket. Earthenware finely decorated in enamels and gold with iris flowers. Base signed below the Kinkozan Kyoto paper label next to an old price label. Condition: fine. Dimension: 6.5 cm high, weight: 32 g.

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century)...

From our Chinese Polychrome Collection, a very rare and seldom seen Peranakan Chai Hup or ceremonial vegetable box, 19th century, used for food offerings to Tiangong, the God of Heaven, during traditional Baba Weddings.

The terms "Peranakan" or "Baba Nyonya" or "Straits Chinese" are often used interchangeably to describe the descendants of Ming Dynasty Chinese immigrants who settled along the Malay Peninsula, which encompasses parts of Malaysia, Indonesia, and Singapore...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece...

Fantastic Meiji Period c.1885 earthenware storage jar from Shigaraki, one of Japan's pottery and cermics centers In Edo (17th, 18th) and Meiji Period 1868-1912. Wood fired in a 'nobori gama' climbing kiln, the natural ash glazes produce startling textures and patterns. The Shigaraki clays have 'choseki' or white stone which means long life. This tea leaf storage jar has a beautiful green glaze down the entire jar. Ask for a shipping quote. (H:30cm; diam.:23cm)

This is a tall and handsome classical pouch ewer from the Liao dynasty(907-1125). It is of museum quality standing on a splay foot rim with recessed base rising upwards to a slander bulging side body with a long vertical spout with straight mouth rim and a rounded pinched handle. The whole pouch ewer is coated with dark amber glaze on a white colour slip stopping short of the splay foot rim showing the reddish colour stoneware. The stoneware pouch ewer simulates a leather form of the pouch...

From our Shipwreck Porcelain Collection, a fine and large blue and white Ca Mau Shipwreck dish ex-Sotheby's, Yongzheng Period 1723-1735, datable more specifically to circa 1725. The scene depicts Europeans (most likely Dutch traders) on what was once mistakenly thought to be Deshima Island in Nagasaki Harbor Japan, but which recent scholarship now concludes is either a scene of Holland in the Netherlands, or Gothenborg in Sweden. We personally agree with the academic viewpoint that the scene dep...