Japanese antique woodblock print by Utamaro (1753-1806) of a young nobleman on horseback holding a hunting falcon. Surrounding his horse are three beautiful female attendants and a young boy holding another falcon. In the background, Mt Fuji rises from the mist.

Utamaro is most famous for his bijin-ga (pictures of beauties). He was taught by Sekien and heavily influence by Kiyonaga. Utamaro is considered one of the great masters of Japanese woodblock printing...

Authentic Ancient 90-140 A.D. Roman Italian buff red Terracotta Oil lamp Loeschcke Type 8, with ring handle. Shallow plain concave discus: a single filling hole at center, and a groove and raised circle around edge. Slightly sloping shoulder and Incised base ring.

For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below...

Ancient Holy Land. circa.50 B.C to 50 A.D. Time of Jesus and King Herod the Great Terracotta Oil lamp with round conical body and a large central filling hole with a raised ring border and Three Flame nozzles.

CONDITION: Unbroken, with some chips on outer edge and inner ring. Nice patina, showing the age and usage, sooty nozzles from original use, some spots with old wax deposits on the surface.

MEASUREMENTS: Diameter: 8. cm (3 15 inches) Height: 3 cm (1.18 inches)...

Ancient Roman red terracotta ware from the 2nd-3rd centuries A.D. "Terra sigillata," an offering bowl of typical rounded form, with averted rim, incised with circular lines, resting on a low ring base. This type of red terracotta ware was made throughout the Roman Empire between the 1st and 5th centuries A.D.

"Terra sigillata" is a fine type of Roman ceramic, coveted for its smooth, red slipped finish that emerged around 40 B.C...

Japanese antique woodblock print by Utagawa Toyokuni I (1769-1825) of a woman and boy. The lady holds a bamboo branch festooned with decorations possibly for the Tanabata Festival. In the upper left is a blossoming branch hung with paper strips of writing (tanzaku). During Tanabata this writing would be wishes.
Toyokuni I started work in the studio of Toyoharu at the age of 14. He was heavily influenced by the print artist, Utamaro...

This ancient Roman artifact is a large, vibrant red terracotta bowl known as "Terra sigillata" that dates back to the 2nd-3rd centuries AD. The bowl's walls are thin and convex, while its base is flat and shaped like a wide disk. This unique piece of pottery provides an intriguing glimpse into the artistic and functional skills of the ancient Romans and is a testament to the enduring legacy of their civilization...

Ancient Roman red terracotta ware from the 2nd-3rd centuries A.D. "Terra sigillata," an offering bowl of typical rounded form, with averted rim, incised with circular lines, resting on a low ring base. This type of red terracotta ware was made throughout the Roman Empire between the 1st and 5th centuries A.D.

"Terra sigillata" is a fine type of Roman ceramic, coveted for its smooth, red slipped finish that emerged around 40 B.C...

Ancient Neolithic, circa. 5500 - 2750 BC. Eastern European, Cucuteni – Trypillia – Tripolye, culture hand sculptured clay ceramic figurine of a Mother Goddess.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture...

Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture Mother Goddess Ceramic Figurine...

Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture Mother Goddess Ceramic Figurine.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.

These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.

To learn more about Cucute...

Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture sculptured ceramic figurine of a seated Mother Goddess.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.

These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.

To ...

Ancient 2nd - 3rd century A.D. Gandhara finely sculpted in grey schist stone figure of a seated Buddha.

The haloed Buddha Shakyamuni seated in in meditation posture dhyanasana with his hands folded in his lap and his feet covered by the pleated robe, the folds of the sanghati flowing over both shoulders, revealing the anatomy of his torso, and covering his legs, the wavy hair tied in a bun over the ushnisha, seated on a throne carved with going downwards stylized geometrical pattern.

P...

Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches. Late 19th to early 20th century. W:38.5cm, L:70cm

Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...

These polylobed wooden cups covered with a thick layer of sculpted cinnabar red lacquer were to be used as planters. The interiors and undersides are lacquered in black. It is very likely that the interiors were lined with gilded copper or tin containers, in order to protect the lacquer from permanent humidity, the black lacquered backgrounds suffered from this humidity.A fractured place reveals a piece of textile. Some scholars affirm that the use of textile to reinforce the lacquers would no...

A skeleton sits among the dried grasses, alone and forgotten, perhaps reflecting on his life in this earie painting by Buddhist priest Higuchi Ryuon dated Meiji 6 (1873). Ink on paper, it is 41.5 x 179.5 cm (16-1/4 x 70-1/2 inches) and is in fine condition; completely remounted in a border of two subtle shades of black with colorful piping and features black lacquered rollers with mother of pearl flakes. It comes in a kiri-wood box.
Higuchi Ryuon (1800－1885) was a priest of the Jodo s...

A set of three spouted nesting bowls decorated in the traditional Mugiwara pattern of alternating stripes of russet red, pale blue and orange emanating like rays from the center. The larger bowl is 9.5 cm (just under 4 inches) diameter, 5.5 cm (2 inches) tall. The smallest is roughly 7.5 diameter, 4.5 cm tall and all 3 are in excellent condition, enclosed in an old kiri-wood box.
This traditional pattern is called ``Mugiwarade'' because its vertical stripes resemble ears of wheat. It has ...

A set of 8 small dishes dating from the later 19th century known as Mame-zara (bean plates) covered in cream colored crackled glaze decorated in the traditional Mugiwarade pattern of alternating stripes of russet red, pale blue and orange emanating like rays from the center. Each plate is roughly 8.5 diameter and all are in excellent condition, enclosed in a modern, black-lacquered wooden box.
This traditional pattern is called ``Mugiwarade'' because its vertical stripes resemble ears o...

A Dojin licking Dango-treats dances in erratic dashes of soft wet lines and swift dark strokes of flying white on this vertical presentation by Edo period eccentric Doi Goga. Ink on paper it is 43 x 184.5 cm (17 x 72-1/2 inches) and has been completely remounted in dark silk with bone rollers. The creature clutches the raku-in stamp in his upper hand, the other stamps seem to follow his feet like footsteps. It comes enclosed in an age darkened wooden box. Known as the “Mad monk” Goga had...

A nice and substantial Late Gothic type of chest key, European, probably German, c. 1550-1590 AD.

The key with enforced bit with slots, decorated hollow stem with fluted collar and an oval bow.

Size: 108 mm.

Ex. Important old Danish collection of keys.

A lovely key for a treasury chest or money trunk, late 15th./16th. century.

A large and solidly built key with an elaborately carved hollow stem and the oval bow decorated in the center in gothic manor. A rare key!

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A numb...

A nice thick key for a strong-box or treasury chest, c. mid 16th. century.

The key with a large, enforced bit with elaborately carved slots. The stem and the bow of the typical late Gothic design. With much old copper from a coppering in the time of use.

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery pa...

The largest key in the collection for the type and period, and fitting a large family chest or trunk in oak, mid 16th. century.

Very attractive key with a Gothic design and heavy reenforced bit. Remnants of old coppering to the details.

Size: 152 mm. long.

A very solidly built key for a large strong-box or treasury chest, c. mid 16th. century.

The key with a large, enforced bit with elaborately carved slots. The stem decorated with an octagonal collar and the bow typical late Gothic design.

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even...

Large and beautiful Late Gothic type of door or gate key, European, probably German, c. 1550 AD.

The key with enforced bit with slots, decorated hollow stem and a beautiful oval decorated bow. Much remnants of original copper metal on the stem and later silvering / tinned.

Size: 130 mm. solidly built.

Ex. Important old Danish collection of keys.

A group of 4 very rare early miniature keys for locks in small chests or jewelry boxes, c. 15th.-18th. century.

The group includes a very attractive iron key with a bronze handle / bow and hollow stem, decorated in the gothic manor, probably 15th.-16th. century (40 mm.). Pair of very nice and rare miniature keys with gothic bows and hollow stems, finely cleaned and maintained, probably 15th.-16th. century (29-32 mm.), lastly a miniature key with Gothic bow and long solid stem and fine...

SOOTY BUDDHA WITH HALF FACE

Wood. Late Edo period, 19th century, Japan. Aesthetically well‐proportioned. H 19 x 5 x 5 cm (7.48 x 1.96 x 1.96in). Condition is as is as seen.


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A Chinese cloisonne enamel and gilt bronze water-pot, Qianlong mark and period. 6.5cms. Small bruise to one side. From a Sussex, UK, collection.

Large Burmese brown glazed pottery jar with three loop handles around the neck and naturally running glaze on the body.

Age: Burma, 18th Century
Size: Height 52 C.M. / Width 45 C.M.
Condition: Nice glaze and condition overall (some expected degradation due to its age, and a firing fault on the body). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included.

Age: Laos, 19th Century
Size of gong only: Diameter 35.5 C.M. / Thickness 9 C.M.
Height including stand: 52.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping f...

A pair of Sukhothai pottery brown glazed jars with naturally running glaze on the body, natural shell and barnacle from shipwreck.

Age: Thailand, Sukhothai Period, 14th-16th Century
Size: Height 37 - 38 C.M. / Width 33.5 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese pottery standing cow with original pigments remaining.

Age: China, Tang Dynasty, A.D. 618 - 907
Size: Length 16 C.M. / Width 6.7 C.M. / Height 11.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us fo...

Khmer pottery Jar.

Age: Cambodia, Pre-Angkor Period, 6th - 7th Century
Size: Height 28.4 C.M. / Width 35 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Boxwood netsuke depicting a Karashishi with his mouth wide open, accompanied by a perforated ball, protected with his front paws, a symbol indicating a male shishi, representative of the Yang principle and male energy. Signed Minkoku. Period: Edo 19th century Dimensions: 3.3 x 3.5 x 2.7 cm. Conservation status: Excellent condition

Ivory netsuke depicting a large open lotus flower with a frog and a crab looking at each other. The patina is light on the front and more yellowish underneath. Period: Meiji end of 19th century. Dimensions: 2.4 x 4.5 x 3.9 cm. Conservation status: Excellent condition

Boxwood shunga netsuke with skillfully carved natural himotoshi depicting two mushrooms. A touch of genius is found in the depiction of the smallest mushroom, which is placed upside down above the larger one's head. From this small cavity emerges a delicate caterpillar carved from blond horn. Engraved signature Masatomo 正友. Period: Edo 19th century Dimensions: 2.4 x 4.2 x 3.6 cm. State of conservation: Excellent condition - There are natural openings in the wood.

Six-panel byobu 屏風 screen painted on silk with floral motifs with numerous chrysanthemums. The ocher silk provides a warm backdrop for the delicate floral motifs that adorn the screen. The chrysanthemums, with their elegant shapes and shades of white, yellow and pink, are painted with precision, creating a visual effect that captures the essence of nature's beauty. Period: Meiji end of 19th century. Dimensions: 172 x 375 x 2 cm. State of conservation: Excellent condition – There ...

Tapestry, silk embroidery, depicting four tigers along the banks of a watercourse surrounded by rich vegetation. The four tigers are depicted in various poses and attitudes. The watercourse is represented with delicate embroidery that suggests the movement of the water. The back to protect the silk embroidery is decorated with a delicate floral motif. Period: Meiji end of 19th century. Dimensions: 195 x 145 cm. Conservation status: Excellent condition – There are some slight wears on ...

Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold leaf and fine silk applications. The main scene shows a pair of black carts with vases and a selection of flowers, such as wisteria, iris, peony and chrysanthemum, with distinct colors in various shades. Period: Meiji end of 19th century. Dimensions: 118 x 364 x 2 cm. State of conservation: Excellent condition - There is slight wear compatible with time.

Boro noragi (work wear) made of many cotton fragments, which are hand spun and vegetable indigo dye. It is from Shonai region in Yamagata prefecture in Tohoku district and called Shonai-sashiko. Late 19th to early 20th century. W:89cm, L:81cm

A ghost rises from the darkness pulling on her hair, a wry grin as she looks sideways at the viewer on this antique painting by Moriwaki Unkei. Ink on paper completely cleaned and remounted in vine patterned blue silk with dark wood rollers. There are old age stains on the paper, which appear much stronger in the photos than in life. It is 40 x 200 cm (15-3/4 x 78-3/4 inches) and in excellent condition.
Moriwaki Unkei (1858-1946) was born in Tanakura-cho, Kawaetsu-han (Fukushima prefectur...

Long verses fall like rain upon the sinister figure of an Oni (type of devil) dressed in the habit of a priest who glares as he walks through the village, banging out a warning to all evil-doers. Around his neck hangs a bell which he clangs loudly with the hammer held high in one hand. The stern figure carries in the other hand a booklet titled Hogacho. A Hogacho is a record of the name and quantity of persons who donated (hoga) for projects such as the construction and repair of temples or shr...

Interesting Late renaissance iron helmet of the 'cabasset' type, probably German, c. 1580-1600.

Size: 26 cm. wide and 20 cm. tall.

Condition: Intact of very good metal with some polishing. Brown traces of superficial rust on other parts. Black painted in the interiour to avoid rust.

Ex. Old private collection.

Brocade lined signed Japanese lidded basket circa 1910-1920 by Suzuki Gengensai (1891-1950). In beautiful condition (the silk brocade lining has deteriorated). Signed on the underside. Works by this artist are in the Metropolitan Museum of Art and the San Francisco Asian Art Museum. Please ask for additional photos.

Jizai okimono of an articulated bronze praying mantis.

The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.

Japan – Meiji era (1868-1912)
Height: 3.15 in / 8.5 cm – width: 3.94 in / 10.5 cm – depth: 4.72 in / 12.5 cm

Rectangular kobako box in takamaki-e and kirigane gold lacquer circled with pewter depicting a lake landscape. Inside and back of the box in nashi-ji lacquer.

Japan – Edo period (1612-1868)
Height: 0.8 in (2.6 cm) – width: 2.4 in (6.7 cm )– depth: 3.1 in (8 cm)

Terracotta vase, of elaborate form, with a polychrome decoration, painted around the body, representing eight birds. Indus Valley Civilisation, Harappan Culture, 3300-1700 B.C. Height: 6.7 cm, outside diameter: 12.1 cm. A few chips, some soil encrustation, otherwise good condition. Provenance: Paris auction sale 1969.

Takamaki-e and kirigane lacquer kobako box depicting two samurai entering an enclosure. Four guards block their access. The side is decorated with cherry blossoms in maki-e lacquer on a fundame background. Interior in nashi-ji lacquer.

Japan - Edo period (1612-1868)
Height: 0.4 in / 1.5 cm - Width: 1.97 in / 5.3 cm - Depth: 1.97 in / 5.3 cm

Jizai okimono of an articulated wooden lobster. This one is a Japanese spiny lobster (ise-ebi in Japanese), a lobster species of Pacific Ocean that grows up to around 12 in (30 cm). It is a popular item in high-class Japanese cuisine.

Wooden jizai okimono are quite rare. They are mostly made of metal (iron, copper, silver, shakudô, etc.).

Signature below the tail of Shôroku's lobster (笑緑). Left antennule missing.

Japan, Shôroku (笑緑) - Meiji ...

Jizai okimono of an articulated crab in bronze with dark brown patina.

Japan – Meiji era (1868-1912)
Height: 2 in / 5 cm – width: 7 in / 18 cm – depth: 3.9 in / 10.5 cm

Amazing massive ushabti of the finest style of the Late period, Egypt, 26th - 30th Dynasty, approx. 664 - 332 BC.

Shown mummiform, this exceptional large and beautiful Ushabti, still untranslated, probably represents an important nobleman. As quite rarely seen, the othervise greenish faience, came out as almost black in the kiln, so it looks almost like basalt, very attractive!

Size: 21,5 cm. tall.

Condition: Finely preserved and intact but with a repaired ha...

A lovely Sino-Tibetan or Himalayan figure of Vaisravana, Guardian of The North and One of The Four Lokapala Heavenly Kings, c. 19th. century.

This figure was made of a fine alloy of solid silver thus extremely rare and would have been very expensive when made.

The sturdily cast God of Wealth wearing jewelry on his bare chest and loose trouses, the ribbons flowing about the body, seated atop a ferocious snow lion in lalitasana of Royal Ease, the left hand cradling a mongoo...

Ivory netsuke depicting four painter's seals, linked together, of which the most important has a karashishi as a handle, a symbolic figure representing protection and courage. Period: Edo 19th century Dimensions: 2.2 x 3.5 x 3.5 cm. Conservation status: Excellent condition

Ivory netsuke with amber patina depicting a seated child playing with a turtle while a cat climbs onto his shoulder. Signed Komin 虎眠 within a rectangular reserve under the base. Period: Meiji end of 19th century. Dimensions: 3 x 3.5 x 3.5 cm. Conservation status: Excellent condition

Oval ivory netsuke manju depicting the profile of Daruma, also known as Bodhidharma, a spiritual figure of great importance in Japanese Zen Buddhism. Period: Edo 19th century Dimensions: 4.5 x 3.5 x 1.2 cm. Conservation status: Excellent condition

Ryoshibako document box in black and gold lacquer decorated in takamaki-e and hiramaki-e. In the center of the panel stands an imposing castle, immersed in a natural landscape dominated by Matsu pines. Nashiji lacquer forms a cloud-like texture adding a touch of depth. The nashiji lacquering also follows on the sides and inside. The box is complete with its internal tray. Period: Edo, early 19th century. Dimensions: 15 x 40 x 30 cm. State of conservation: Excellent condition – Som...

Ivory okimono of exceptional quality depicting a fisherman standing on a rock, with the rough sea crashing around him. The scene captures a moment of triumph for the fisherman, who raises his fishing rod with a freshly caught fish still attached to the hook. Signed Munemasa with engraving under the red lacquer dowel base next to an old Christie's label. Period: Meiji end of 19th century. Dimensions: 21.4 x 7 x 5.5 cm. (Maximum height 32 cm.) Conservation status: Excellent conditio...

Ivory netsuke depicting a monk intent on decisively cutting an Oni horn using a large knife. The act itself suggests a struggle between good and evil. Shōkusai signature with engraving under the base. Period: Edo 19th century Dimensions: 4.5 x 2.9 x 1.9 cm. Conservation status: Excellent condition

A marine ivory okimono with elephant ivory parts depicting a daily life scene of a seated craftsman while he repairs a small wheel. The wheel can move in a circular direction giving the sculpture a unique characteristic. He holds a hammer with other tools typical of his profession and wears a tobacco holder complete with netsuke. Signed Seiwa with engraving on a red lacquer insert under the base. Period: Meiji end of 19th century. Dimensions: 8.3 x 5.5 x 5 cm. Conservation status:...

Pair of bronze vases adorned with inlays, decorated with two Onagadori roosters, known for their elegant length of tail. The roosters are represented perched on a plum branch. Signed by Yoshimasa for Nogawa company. Period: Meiji end of 19th century. Dimensions: 17 x 7 x 7 cm. State of conservation: Excellent condition – With wooden bases and tomobako (storage box)