Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition...

Two trouser cuff fragments of Persian women with different nakshe embroidery. The linen ground entirely embroidered in polychrome silks with diagonal bands of flowers. Backed and bordered with linen. Condition: faded, old mends. Dimension: 49 cm x 33.5 cm and 45 cm x 34.5 cm.

A wonderful signed Kibori (single chop carving) Okimono of a Stag by the renowned Ika Goyo, beautifully painted in delicate tones, with removable antlers carved of horn. Original box is included. 7 x 7 x 7 inches, 18 x 18 x 18 cm.

Width: 12 cm (4.8 in)
Total Height on Stand: 6.8 cm (2.7 in)

Fine Chinese famille rose fluted bowl decorated with floral garlands and insects resting on its original stand showing the same decoration; internally the bowl depicts a Koi swimming amongst weed; the bowl’s base shows a hand-painted Tongzhi mark; minor flake on the bowl base rim; good condition

Mid 1800s

This vase, of a pale amethyst tone, was hand-blown with slightly fluted vertical segments from top to bottom. It is decorated in colored enamels that are lightly raised and enhanced by gold enamel, now somewhat worn. It is in good condition.

Height: 7 ½ in., Width: 5 ¼ in.

Large Repousse Gilded Bronze Standing Louhan, 19th Century

He is 18 inches (46 cm) tall, and 7 inches (18 cm) wide. He weighs 8.5 lb.

He is in good condition with no dents, repairs, cracks, or chips, except loss of gold and missing 2 nails near the bottom so his base is loose (as seen in the photos).

Large format photos available upon request.

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Large Chinese Qing dynasty porcelain bowl decorated on the exterior wall with stylized forms thinly washed in deep blue-gray over a celadon-gray crackled ground. The interior is unglazed at the center where another bowl was stacked in the kiln. This bowl was probably produced by a Fujian kiln for export to Southeast Asia. 9 3/8” diameter x 3 3/8” high. 19th century. Very good overall condition with some stable old cracks that appear to be original production flaws...

Five sewn together lengths of bright blue silk embroidered with metal lamella. From Georges Redard's study collection (please visit http://www.iranicaonline.org/articles/redard-georges), mainly comprising Persian textiles. Condition: some splits and undone seams, partial staining and fading. Please look at photos carefully, being part of condition report. Dimension: c. 30 cm x 210 cm.

An antique Japanese Sado Island Kasane Tansu made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware (including Warabite handles) and wiped Urushi lacquer finish. The metalsmith showcased his talent adding Chrysanthemum corners to each drawer front and Mum backplates to each handle. As if that were not enough, the tansu maker added iron plating to the front frame showcasing the individual drawers...

Antique hand knotted Persian wool rug made in the yomud style. It has deep burgundy colors with blue, white, orange and red accents in the pattern. One corner has a braided slipped knot made of the fringe. Late 19th early 20th (Circa 1900). It measures 12'6" by 7'2".

This vamps of this lovely pair of Chinese Lotus shoes, aka bound feet shoes, are embroidered all around with butterflies and flowers. The soles are covered with fabric and leather...the heels are covered with leather which is nailed into place to call attention to the wearers movements when walking. Very condition ... one small rip in fabric at the back of one heel. Measures barely 4 inches.

This antique Japanese Edo Period c.1840 red bronze utsubata flower vase is actually a Japanese proverb, "Hyotan Kara Koma". Literally, 'a horse from a gourd' meaning "the unexpected can be wonderful". The base of the vase is a wisteria wrapped gourd with an old man climbing on it. It was made so his head can move. On the underside of the top vase is a horse in raised thick bronze. Gourds are regarded as a lucky charm in Japan. Beautiful patina. c.1840. (10" x 11") (26cm x 28cm)...

An antique Japanese Fukushima Kasane (chest on chest) Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original Urushi lacquer front with a wiped lacquer technique for the balance of the piece. Hand forged iron hardware including the Warabite handles and the lock plates featuring auspicious good luck symbols like the treasure bag, the Gunbai paddle, and the lucky mallet...

Antique Japanese Bizen ware ceramic figure of Daikoku, the god of wealth and one of the Seven Lucky Gods (Shichi-fuku-jin). Daikoku is seen here seated on top of three large bags of rice. With his right hand he holds his wish-granting mallet over his head. With his left hand he holds a bag of precious things. Bizen ware pottery is made of the reddish brown clay with high iron content that is found in the area around the village of Imbe in Bizen province...

A beautiful Persian tribal small chanteh (bag) for personal use. Hand woven of wool for incredible durability. This bag has a very tight intricate knotting with a central design of diagonal bands of blue, white and rust colors. Inside each band is a diagonal row of what appear closest to a simple wheel of fortune motif except that each symbol only has two hooked arms and is spinning in the opposite direction of a wheel of fortune motif...

Japanese female mask in the style of a Noh mask. This face may have been considered beautyiful many years back, but now it carries a heavy-duty insult to any ladies if they were to be called Otafuku-chan or Okame-san in Japanese. Otafuku-kaze is the mumps and there are popular snack beans called Otafuku-mame, shaped exactly like this face.

Otafuku simply means “much happiness”. Also known as Okame or Uzume, this face has been the symbol of good wishes for health and happiness. Mu...

Chinese porcelain letter holder.

Age: China, Qing Dynasty, 19th Century
Size: Height 21.2 C.M./ Width 20.7 C.M.
Condition: Nice glaze and condition overall. Please refer to the enlarged photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Width: 12.2 cm (4.9 in)
Height: 6.2 cm (2.4 in)

Chinese famille rose bowl with a rare colourway showing polychrome decoration over café au late ground; depicts insects, lotus flowers and other florals; internally showing underglaze blue lotus scrolls; four character Guangxu marks on the base; minor base rim frit; good condition