A classic bun-shaped Koro incense burner by Miyagawa Chozo pierced with Incense-clock-patterns enclosed in the rare original signed wooden box. It is 8.8 cm diameter, 7.5cm tall and is in excellent condition. The box contains a hand written note in old Japanese describing the origins of Makuzu-ware.
Miyagawa Chozo (1797-1860), also known as Chobei was born a direct descendant of Chokansai and would be the father to Miyagawa (Makuzu) Kozan I (1842-1916)...

A very early archaic bronze figure of seated Kore, Italic bronzeage, Etruscan, c. 7th. century BC.

A lovely figure with fine details of Kores archaic features, the elaborate gown and the wonderful expression. She wears a spiked diadem holding her long hair.
Very unusual depiction of Kore half seated, where the usual depiction is a motionless standing image.

Size: c. 69 mm. for the figure alone and 120 mm. incl. the vintage stepped podium.

Ex...

Table screen composed of four cloisonné panels worked in the ginbari technique with translucent enamels on a red background decorated with polychrome irises. The red background provides a contrast for the polychrome irises, which represent the rebirth and beauty of nature. On the back of the screen the swallows are engraved on silver metal. Origin: Japan Period: Taisho-Showa 1920 ca. Dimensions: 18 x 33 x 0.3 cm. State of conservation: Very good

A finely preserved small inscribed foundation cylinder, Neo-Babylonian Empire, c. 8th-6th. century BC.

The barrel shaped piece fully inscribed in Babylonian cuneiform. Untranslated but such cylinders usually has been attributed to Nebucadnezzar II, 604-562 B.C. They were stuck into buidings walls and is often long texts with praises to the builder and the gods, usually a king, just like foundation bricks.

Size: 60 mm. long and c. 25-26 mm...

Rice bag made of hand-spun and vegetable indigo dye cotton fragments which are kasuri, katazome (stencil-resist dye) stripes etc. It was used when people dedicated rice or other grains to temples or shrines. It has beautiful fine katazome cotton cloth for lining. In good condition but string in the hem is damaged and cord for binding is lost. 19th to early 20th century. W:37cm, H:27.5cm

Two Kome-bukuro (rice bag) made of cotton fragments which are hand-spun and vegetable indigo dye. They are stripes, kasuri and fine katazome (stencil-resist dye). Both have writing with sumi, Echizenya, the shop's name and "Hane" which is located in Shimane prefecture facing to the Japan Sea. Kome-bukuro was used when people dedicated rice or grains to temples or shrines. Both are in excellent condition, bags and strings. 19th to early 20th century. Large one:31cm x 27cm, Small one:23cm x 27cm

Unusual grey pottery jar from the syncretic Buddhist Dali Kingdom circa 982CE–1253CE, which was located in present day Yunnan. The Dali State was not fully absorbed into the Chinese Empire until the Ming Dynasty, although it did accept Mongol control and were by and large allowed to manage their own affairs as long as they contributed soldiers. This jar has mysterious animal appliqued faces well as Buddhist images set against peepul tree leaves (Bodhi Tree)...

A rare late Edo Period (19th cent) Shishi Lion Foo Dog Statue made of iron rich Bizen clay, wood fired in an Anagama kiln.

Shishi (or Jishi) is translated as "lion” but it can also refer to a deer or dog with magical properties and the power to repel evil spirits...

Large fragment of a Greek red figure Crater, c. 4th. cent. BC.

Figural decoration with part of a female.

Size: c. 15 cm. long and 8 cm. wide.

Ex. Old private Collection, comes with COA from Clive Sawyer 'Antiquities and Ancient Coins'

Chinese Qing dynasty Yongzheng to Qianlong period deep dish decorated in underglaze blue on a white porcelain ground with a long scaled four-clawed dragon at the center front extending over the rim from the reverse to chase a flaming pearl among clouds...

The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal. Thick, solid lacquer, beautiful gilding. Avalokitesvara wears all her jewelry. Complete set with its glory and its original base...

Chinese Qing dynasty Kangxi marked baluster form cabinet vase densely decorated in underglaze blue on a white porcelain ground with four vertical rectangular landscape panels surrounded by a background of flowers floating on water. Geometric bands at the top rim. Slightly flared base and unglazed stepped foot. A robust and well executed six-character kaishu Kangxi period mark in a double ring is on the glazed base. 6 3/4" high. Possibly of the period and no later than circa 1900...

A beautiful rendering of a Lohan Monk, Ming Dynasty or slightly earlier, 13th.-15th. century AD.

An excarvated head carved in very hard and dense black stone, in the round with oversized ears and pronounced arched eyebrows and downcast eyes. The head superbly polished, still with traces of the ancient carving methods and a deeply encrusted or embedded earthern patina.

The head is mounted on a modern and very attractive black marple base.

Size: 23 cm...

No two faces are the same on this incredible Toyoraku ceramic stacking box covered in gold and silver Maki-e lacquer dating from the 19th century. Inside is typical Oribe style green over crackled cream colored glaze with floral designs in iron. Outside lightning strikes in silver separate the multitude of intense lattice designs in fine gold lines on black lacquer. Stacked they are 15 x 13 x 17 cm, each vessel 15 x 13 x 4.5cm tall, and in excellent condition.
The Toyoraku tradition be...

Interesting cylinder seal, probably in faience, engraved with symethric patterns, Mesopotamia, Jemdet Nasr, 3300-2900 BC.

Size: 30 mm. tall and 10 mm. wide.

Condition: Very fine.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections. Gustav Oberländer specialized in early stam...

A rare type dated in newer research to the Neolithic period of Eastern Anatolia / Northern Mesopotamia, 7th.-6th. mill. BC.

Drop or leaf shaped amuletic seal with tiny gritt patterns and loop at the top.

Size: 24 mm. long and 11 mm. wide.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from ...

Interesting early scaraboid stamp seal, shaped as a stylized Egyptian Scarab, North-Eastern Anatolia / Western Mesopotamia, c. 3rd. mill. BC.

Size: 18 x 16 mm.

Condition: Nice very fine, lovely deep relief.

Comes with the original collection Id-card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections. Gustav Oberlän...

Interesting seal or gaming token perhaps with an elaborate carving of a Sun symbol, probably 1st. millenium BC.

Rare piece carved in either a very durable bone or steatite (?), beautiful patina.

Size: 18 mm. in diameter.

Condition: Extremely fine.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections. Gustav Oberländer specialized...