A collaboration piece between the famed poet/ nun of the late Edo period Rengetsu and her younger protege Tessai, this scroll depicts a frightened cricket making his way to the top of a stalk of grass on a windy day. Set in the fall season, the viewer can imagine a message of frailty, loneliness, and possibly the feeling of trepidation that accompanies the turning of the seasons towards the colder months...
An antique pair of Japanese Fusuma doors made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Natural Urushi lacquer frame and hand painted design of Bamboo trees on one side and Pine trees with Bamboo on the opposite side.
Bamboo symbolized tenacity and perseverance while the Pine tree represented a long life making these doors auspicious and full of good luck.
Age: Meiji Period (1880-1890)
Dimensions: Each 35 1/2" Wide by 71 1/2" High.
A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu. This item was made in Japan in the 19th Century during either the late Edo or the Meiji period (1868-1911).
Condition: there is very minor "foxing" to the paper which probably predates the framing of this picture during the 1920s or 1930s.
Frame: 32.5cm (12.75 inches) wide; 29cm (11.4 inches) high...
A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu...
Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H...
Antique Japanese scroll painting of a mountain scene. A pagoda rises in the distance, behind it, a misty mountain range. In the foreground a small figure crosses a bridge. Signed by Kano Tsunenobu (1636-1713). Sumi ink on silk. Provenance Collection of Vlasheslav Batov, Illinois
Age: Edo Period (circa late 1600's to early 1700's)
Dimensions: Total: 51 1/4" high x 29 3/4" wide (32 1/2" wide including rollers). Size of art: 15 3/4" high x 25 1/2" wide.
Length approximately 15.5 cm (tipspout to handle). Height approximately 10 cm. In good condition.
Chinese Yixing Teapot MENGCHEN w Gold Mounted & Signed
Description & Size: 6.35 x 11.17 x 7.62 cm (2.5" x 4.4" x 3") height & wide with & without spout & handle
Age: Qing Period c18-19th Century
Production: Handcrafted
This is a rare Chinese Yixing zhisa red clay teapot. It's mounted with gold on the spout, rims & lid's finial. The teapot is designed with a single hole. It's inscribed & signed MENGCHEN on the base...
Antique Japanese large painting of carp escaping a net, painted in mineral colors with raised gofun for net and gold details, painted on silk and framed without glass. Painter: Mr. Tensyo Matsunaga. Born in Gifu Prefecture 12th year of Meiji Period (1880). He mastered Maruyama School style of drawing such as flowers and birds under Mr. Gyokusho Kawabata. His carp drawings are excellent and highly prized...
Antique Japanese 4 panel shoji screen (sliding door panels) painted with wonderful scene of monkeys in a persimmon tree, painted in sumi ink and light colors on paper with clouds of gold leaf flecks, 4 monkeys are painted in tree, a mother monkey holds a baby and another monkey looks on at the base of the tree, a stream flows through rocks nearby, beautiful detail, Shijo School, Meiji Period.
Total size: 115" long x 68" high
Size of each separate panel: 28 3/4" wide x 68" high each.
Antique Japanese scroll painting of Kannon also known as Guanyin. The Goddess of Mercy sits on a rock overhanging a still body of water. She is silhouetted by the full moon. Painted in sumi-e ink on paper. There is a seal in the lower right hand side.
Age: Edo Period (1603-1867)
Dimensions: Total size of scroll: 70 1/2" high x 15 3/4" wide (18" wide including rollers). Size of art: 37 1/2" high x 11 1/2" wide
A hanging scroll (kakejiku) attributed to Kano Masunobu (1823-1880) entitled "take suzume" (Bamboo and Sparrow) with Kiri (paulownia wood) box. Kano Masunobu, also known as Toun, was a member of the Kano School of painters who excelled in ink paintings (occasionally with the addition of pale tints) of landscapes and birds. The school's founder, Kano Masunobu (1423-1530,) was attached to the court of Shogun Yoshimasa.
Scroll dimensions: H.90cm(35.25") x W.43cm(17")...
Extremely rare and hard to find Edo Period c.1860 byobu screen in good condition and featuring tigers frolicing in bamboo. One of a pair most likely as the other six panel screen had the hanko. This screen has been repaired a long time ago and we challenge you to find the repairs. All and all, a museum piece that fits handsomely over a couch.
Chinese yixing dark brown clay large teapot decorated with enamelled flowers and bird. With Chinese mark at the base.19,5cm wide.12,5cm high. Good conditions. with just very small enamelled flake.
A Small Chinese yixing teapot with mark on the base. Qing dynasty. 11cm wide.7cm body diameter.6cm high. good conditions with just has small chipped at the spouth and inside the lid.
Antique Japanese scroll painting of a hawk standing on the branch of an oak tree. The hawk is detailed with great attention to every feather. Painted in sumi ink and light colors on paper. Signed Shunkei with seal, possibly Mori Shunkei (1775-1841).
Edo Period (Late 18th - Early 19th century)
Dimensions: Total 79" high x 27 1/4" wide (29 1/4" wide including ends) Art: 51 1/2" high x 21 1/2" wide
Extra Large Yixing teapot size : 31 cm wide from spout to handle. 20 cm body diameter. 18 cm high. Teapot has short hairlines at the upper rim and the lid. (please see on the pictures).
Ink and mineral pigments on silk
Interior of a fan maker’s shop with craftsmen at work, ca. late 1800s
Unsigned, very good color, good condition, small repair to backing on upper right margin, retaining a portion of its original silver mounting paper probably from being mounted as a framed panel.
Overall size: 13 x 17 ½ in.; image size: 10 ¾ x 16 ½ in.