Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

A finely incised Beetle scarab of a more naturalistic form with detailed engraving of the Beetle itself, New Kingdom, c. 1539–1075 BC.

Interesting engraving on the base with a large Ankh hieroglyphs that looks to have legs and is walking towards another elongated figural sign.

Size: 17-18 mm.

Condition: Very fine, intact with much wear to the glaze, attractive patina!

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973)...

Nice suite of three faiance items, inc. two Djetpillar amulets in torquise and Egyptian blue pierced for suspension, together with a large faiance bead or fertility amulet (?), Late period, c. 660-332 BC.

Size: 23, 15 and 12 mm. long for each.

Condition: All are completely intact.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973)...

An nice Head rest amulet, Egypt, Late Period, 664 - 322 B.C.

The stylized amulet carved in glossy red stone, probably haematite.

Size: 19 mm. wide

Condition: Very fine, intact but with some marks of corrosion and small chips.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973). He was a famous German Art director and head of the Berlin National Gallery as well as other higher positions. Educated as Art Historian...

Snow covered bamboo. Painted with ink on silk. Signed and sealed.

Suzuki Shonen (1848-1918) was a Japanese painter from the Meiji(1868-1912) to Taisho periods(1912-1926). Born as Suzuki Hyakunen's eldest son, he learned painting from his father from an early age. Shonen became a teacher at the Kyoto Prefectural Painting School in 1898. He was good at portrait painting and received awards at national industrial exhibitions, etc...

Nespakashuty – ns-pA-qA-Swty Worker Typ 2

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Nespakachouty, Nesipakashuti, Nesipakashuty

The name means ‘The one who belongs to the God’

God’s father of Amen-Re, the king of the gods, Overseer of the treasury of the domain of the Divine Adoratrice of Amen...

1900's Japanese Studio Porcelain Vase with Bamboo Marked "Kanzan Denchichi"

It is 7.2 inches (18.3 cm) tall by 3.46 inches (8.8 cm) wide. It is 1 Lb.

It has dark spots, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A fine Chinese snuff bottle made from Carnelian, well hollowed. One side carved in relief with a bird on a rock beneath a bat, the backside engraved with a ruyi scepter. The stopper is made from white jadeit with a green spot and a bone spoon. Condition: the stopper eventually not original, traces of usage. Dimension: c. 6.2 cm high.

Early 20th Century rose quartz carving of 2 beauties. Made of one piece, it is difficult to find a double figure carving like this. Presented on a custom rosewood stand, this rose quartz carving has really nice details that we were not able to fully capture with a camera. It is much nicer in person and you won't be disappointed. In excellent condition, it measures on stand 10-1/2" high x 5" wide x 2". Carving alone measures 9-1/8" high.

Chinese hanging scroll with calligraphy work. Ink on paper, hanging scroll. Three seals. Some tears as is.

Chinese Qing Dynasty scroll painting by the artist, Jiang Ting-xi (1669-1732). Ink on silk, hanging scroll. The painting represents lotus flower behind its huge leaf. Signed “Nansha Lao Ren Jiang Ting-xi” by the artist, with one signature seal of the artist. Three collectors’ seals on the right side. Re-mounted by the previous owner. Excellent condition.

Japanese Edo period wood block print. Print on paper, hanging scroll. Two artist’s seals, one censor’s seal. Print is in good condition, except for some tears and wears on the original mounting of the scroll. AS IS antique condition.

Probably Ming dynasty or earlier. Artist unknown. Ink and color on paper, no mounting or framing. The painting depicts a scholar resting under a tree and five oxen by the river. The painting has a long rip next to the black ox, and a noticeable damage at the bottom of the paper. Please see pictures for more details.

Late Qing Dynasty (1890s to 1911) Chinese wooden stand for a snuff bottle with round top and wide skirt above 3 short feet. Beautifully made out of dark dense rosewood, very nice patina, in excellent condition. Diameter of the recessed area on the top is 1 inch (24 mm), total diameter 1.76 inches, height 0.6 inches.

Chinese Qing dynasty rectangular form hardwood stand with four inward curving legs resting upon small balls. The stand is carved on the curved apron with vines and lingzhi fungus. Top: 17” long (about 18” at apron) x top: 10” wide (about 11 1/4" at apron) x 7” high. Weighs 6 lbs. 19th century. The stand was more recently refinished and is in very good overall condition. A few of the balls twist a bit but are secure. From a Sun City West, Arizona collection.

Wooden figure of a lion, companion to Fugen bosatsu. On his back he carries a lotus base, on which Fugen used to sit (figure missing). The lion stands on high and slightly stiff legs, each foot positioned on a small lotus base.
The figure has been carved out of several blocks of wood that were subsequently assembled into the final figure. This technique is called yosegi saiku and was widely used for complex sculptures like these. The tail is stuck into the back, remaining loose...

Antique Japanese figure of a Buddhist guardian, possibly Fudo Myoo, the Immovable One, the protector of Buddhism and true Buddhists. His stature, his curls, and his intense eyes are all traditional characteristics of Fudo Myoo. His red coloring is reminiscent of a Nio guardian. He stands on a rocky ground with one hand raised as if shielding his eyes. Carved of wood and painted with mineral pigments and gold. His eyes are painted glass...

Antique Japanese screen painting (byobu) in two panels with a view over a garden fence. Tall white chrysanthemum flowers blossom near a stand of small blue Matsumoto asters. In the background is a mist of silver leaf. Painted in mineral pigments, raised gofun and silver leaf on paper.

Age: Meiji Period (1868-1912)

Dimensions: 48 1/2" high x 39" wide