Height: 25 cm (10 in)
Width: 15 cm (6 in)

Fine Chinese cinnabar vase; depicts individuals in mountainous settings; very well carved throughout; minor restoration and wear; good condition

Irregularly shaped cylindrical chaire. Tea caddy used in the tea ceremony during the colder months. Dark brown or black glaze with one thick splash of yellow and green glaze. Footring. Raku style...

Antique Thai mother of pearl inlaid Lacquer Buddhist altar offering tray Thailand, late 19th century. The two-stage tray of octagonal form, with shaped legs. The exterior finely inlaid with various typically Thai designs and motifs in mother-of-pearl against a black lacquer ground...

A Chinese cloisonné enamel vase decorated with scrolling lotus flowers against a white ground. Early 19th century.

Approximately 13 cm high...

A Chinese cloisonne enamel dish, Qianlong/Jiaqing, c. 1780-1820, 21cms diam. Good condition. From the collection of David and Sarah Battie. Mr Battie is a former director of Sotheby's London.

Illustration of a scene from the Noh theater titled “Ohara Goko” (The Royal Visit to Ohara) by Kogyo Tsukioka (1869-1927) from the series "Nogaku Zue" (Noh Plays) published by Matsuki Heikichi January 10th of 1898. Very good impression quality with silver highlights on the central robe. The background is finely embossed throughout. Standard horizontal oban print measuring 10"V x 14 3/4"H. This image has never been framed and is in very good overall condition...

Oval vessel with bow handle between spout and perforated animal head, Vicús, ca. 100 - 500 AD.

Fine condition vessel from the rather illusive Vicus culture contemporary with the more well-known Moche culture. The vessel misses a very small pseudy lug handle at one side, othervise completely intact and unrepaired with some light weathering at edge of the spout.

Size: 18,5cm long.

Provenance: Heidi Vogelsandt, Darmstadt, prior to 1995.

Authentic pair of gilded bronze bejeweled hands and arms with intricate detailed casting. Mounted on wooden display stands. Height (of metal) 25cm, length(of metal) 23cm. Undated, estimated to be late 19 th century or earlier. Each with Thai export seal attached. Can be viewed in central London and shipped worldwide, weight unpacked 5 kilos.

A small Jian ware Temmoku ( teabowl ) Dark stoneware body with a thick combined black brown glaze. Slightly crooked body. Song ( 12th - 13th centuries ) Fujian ( Jianyao ) Diameter : 10,6 cm. H : 4,8 cm. Condition : Perfect

As being passionate connaisseurs of Japanese Tea Bowls we always do our best to impress our visitors with tea bowls, which are for sure singular artworks.

Here we show and exhibit a treasure of Japanese tea ceremony culture...

SEA BREAMS AND WAVES

Wood carving decoration with the remains of original bule paint as the actual fragment of a certain Japanese temple/shrine construction, Edo-Meiji period, 19th century, approx. 58 x 30 x 6.5cm (22.83 x 11.81 x 2.55in)...

A Rare/Fine Korean White Glaze Two Ear (Loop) (兩耳盏) Cup-16th C.: Korea, early Joseon dynasty, 15th to 16th century...

18th Century Mongolian Thangka of a Guardian Deity General on a White Horse. 27 x 19.25 inches, 68.5 x 49 cm.

19th century Indian teaching diagram. Inks on paper. 40x55 cm. Framed. Can be viewed in central London by arrangement or de framed and shipped worldwide.

DECORATED POTTERY OIL LAMP
BYZANTINE, 6TH CENT. AD

Beautiful decorative patterns composed of lines, flat base bearing a large palm branch on the base, high curved handle and inscriptions on the sides related to magic...

Heavily distorted shoe shaped (kutsu) Kuro Oribe Chawan from the mid 19th century (late Edo) with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A window has been left unglazed and shows a typical Momoyama era design...

Chinese Qing Dynasty gilt hairpin with jade in the bird shape

Leather wallet embroidered with silver threads. The work is surprising, it is not an embroidery of the usual silver threads which are silk threads covered with a thin silver ribbon rolled up but real silver threads created by craftsmanship by stretching the metal at the "pulling bench". On the enlarged photos you can appreciate the work and the section of the wires. There are thousands of them, it was a colossal job, the wallet is heavy. The arabesque decor surrounds Islamic characters...