A nice, polychrome terracotta container, Indus valley / Nal culture, c. 3rd. millenium BC.

Short cylindrical body, short neck with a wide rim. The rim and top of the vessel are decorated with patterns in red and black.

Size: 11,5 x 5,6 cm.

Condition: Choice. Intact bowl with slight wear. Á hairline crack to the vessel.

Ex. Old Danish private Collection, acquired in the 1990s at Copenhagen dealer.

A very nice, decorated terracotta bowl, Indus valley / Nal culture, c. 3rd. millenium BC.

The bowl with globular body on a narrow base. The exterior decorated with zoomorphic motif, wave pattern and concentric rings.

Size: 10 x 7,5 cm.

Condition: Choice. Intact bowl with slight wear.

Ex. Old Danish private Collection, acquired in the 1990s at Copenhagen dealer.

Brush case, nicely embossed with an openwork decoration representing three stylised Buddhist vajras on either side, surrounded with a foliage and geometric design. Silver alloy, with a fine age patina. The center of each vajra must have contained a coral or turquoise to enhance the beauty of the case. The case was made in Tibet in the 19th century, maybe earlier. Length: 33.5 cm. Very good condition .

A lovely ancient Egyptian Scarab, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 3/8” long (9.5 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

A lovely ancient Egyptian Scarab for Tuthmosis III, c. 1450 BC. It's from the famous Mitry collection (see our Homepage). It is 9/16” long (14 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An elongated netsuke of bamboo carved at the root to represent the heads of a Reishi (Ling Zhi or bracket mushroom). It is 23 cm (9 inches) long and in excellent condition. Contrary to the ordinary Netsuke which are attached to long cords passed through the sash, the Sashi Netsuke has a very short cord and the netsuke itself is thrust between the sash and the Kimono. Their shape is thus long and flat...

Bronze Krishna, South India, 18th Century.

A beautifully crafted representation of the young Krishna dancing away with the butter he has just stolen from his mother’s kitchen. Great detail in the adornments and fine condition. 18th century or earlier.

Approximately 14.5 cm high. 748 grams weight...

An extremely rare bronze Cauldron, probably Flemish or Northern European workshop, c. 13th.-14th. century AD.

Cauldrons prior to the 16th. century are very rarely seen on the market. This cauldron is excarvated and covered in the most beautiful patina. The shape is typical for European medieval period, the handles are curvy, ending in animal head-like terminals and very different from the Gothic style handles of the cauldrons in later periods...

Height approximately 33 cm. There are cracks at the base, but they are not visible on the inside of the base, only visible on the outer surface. In good condition.

Diameter approximately 11 cm. In good condition.

An exquisite lacquered box covered in gold powder prominently bearing the imperial crest given as a gift to Baron Nakamura Satoru in Meiji 44 (1911). According to the inside of the lid this box was created for the Meiji emperor and given in gratitude to the Baron for his support in creating the Keanfu memorial for fallen soldiers of the Russo-Japanese war...

A rare Edo period porcelain covered dish attributable to the Nanki Otokoyama porcelain tradition of the Southern Kii peninsula (modern day Wakayama) under the patronage of the Kii branch of the Tokugawa family. Outside the dish is expertly modeled in the shape of a sea bream, a fish known as Tai (or Madai) in Japanese. The fish is associated with celebration, not only because of its festive red color, but also as the name Tai is a homonym for festivity...

A smokey yellow bowl impressed with various floral images dating from the Edo period made up of various ancient kiln shards put together with lacquer and silver in the Kintsugi technique. The bowl is 11.5 cm (4-1/2 inches) diameter, 8 cm (3-1/4 inches) tall and comes wrapped in a contemporary silk pouch in an age darkened kiri-wood box.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi...

Bats, symbol of good fortune, flit over the sunset surface of this Ki-seto vase by Kato Sakusuke enclosed in the original signed wooden box titled Kiseto Kabin. An inscription inside begins Fukuju ? Zu (Lucky ? Image) and appears to be dated 1919 in the 60 year cyclical Zodiac calendar (possibly 1859). This is followed by the signature of a painter who also signed and dated the vase, indicating Sakusuke made the vase, while another artist provided the decoration...

A sagar or kiln shelf support covered in running green and iron glaze from the Edo period kilns of Tamba. The super-heated clay has sloughed off on one side, where it is likely the kiln shelf may have collapsed allowing it to cool in this unusual way. It stands on three legs of soft clay which are affixed to the bottom to keep it from sticking to the shelf below...

A rare large vase by Kanzan Denshichi decorated with a hermitage in the hills and a poem extolling the beauty of summers first rain by Kanzan Denshichi enclosed in the original signed wooden box bearing the Shountei seal, dating it between 1871 and 1890. It is 34 cm (13-1/2 inches) tall and in excellent condition.
Kanzan Denshichi (1821-1890) was born in the ceramic-producing area of Seto...

A lovely ancient Egyptian Scaraboid, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 5/8” long (16 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup...

Geese and Reeds Painting (Noando) on fine silk mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting)...