A Pair of Very Fine Korean Silk Embroidered Crane Official Rank Badges-19th C.: Korean, Joseon period, 19th century. Made for a civilian official of first to third rank, the almost square showing a double white cranes jointly grasping a Pulloch’o stalk in mouth, soaring above stylized forming waves and rockrork amid clouds outlined in couched thread, worked in shades of blue, green white and pruple on a green silk ground. They’re in good condition, measures 21cm x 23cm...

A Tang dynasty yue yao jar with two lugs, rounded side with six lobed and unglazed base. Jar is in good condition with glazed degradation, chip to foot rim, no cracks, no hairlines and free from restoration. Size: 8 cm diameter, 9 cm height.

A wonderful Qingbai porcelain wine ewer from the Hutian kilns. China, Song Dynasty (960-1279). H. 16 cm. Condition: some discoloring in the glaze, small ornament on top of the handle restuck, small chip from the ornament on top of the lid.

Magnificent pottery Ding. The long legs and “cockscomb” design where, the legs join the body, are in keeping with bronze vessels from the Zhou to Warring States period, which pottery pieces were trying to emulate. There are traces of a repetitive meandering impressed band below mid circumference. The body is thinly potted with very light gray clay and originally had a dark gray slip applied to the outside (the original gray slip is still intact in the cavity)...

A piece of Narumi-Kongata (also called Urumi-zome) cloth which is hand-spun cotton and dyed with vegetable indigo. Narumi-Kongata is one kind of katazome (stencil-resist-dye) imitating shibori. It had been produced from late Edo to Meiji period but not produced anymore. It has auspicious shrimp motif with intricate pattern which requires high dye and stencil making technique. In excellent condition. 35cm x 172cm

A Yuan Longquan Celadon Ewer. Length approximately 8.3 cm (the tipspout to the handle) and height 5.2 cm (the bottom to the rim). Few hairlines at the ewer. Good condition.

Egyptian Amarna blue Faience Ring 1,7 cm.

Provenance: Old German collection befor 1983

Condition: look at pictures

If you are interested, feel free to send me a offer a.v.d.b@egyptian-artefacts.de

Southeast Asia ancient gold ring with a natural quartz stone. This ring is over 1,000 years old. Weight: 4.06 grams

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

A Blue Glaze Stemcup,late ming or erly Qing period.it's just has two tiny chips at the rim. no hairlines or restorations. size : 7,8 cm height.6,8 cm wide

Nice Thai Sawankhalok large bowl decorated with incised patern,covered with nice celadon bluish green glaze. Good conditions except small chipped at the back side of the rim. 24,7 cm

An unusual three sided mirror vanity case with butterfly hardware. The front mirror slides up into the case to get at the two drawers. Size: W. 29.5 x 2.5cm. H. 16cm. Condition: No repairs.

An antique 2 section tall Japanese Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Beautiful original finish of fine Shunkei-Nuri (lacquer) in front and a wiped lacquer technique on the top and sides. In addition, the handmade iron hardware is original with Warabite handles. Top section has two sliding doors with 5 drawers below...

almost 11 cm tall Ears and head of monkey, stance and back and paws of lion, face of man. Is the only hole the one through the legs? Strange piece. The eyes are made of brass nails the nose and mouth of brass wire wooden and early in its life was lacquered--it seems to have vestiges of lacquer on it

Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here...

Relics of the Nile is pleased to present this interesting small, intact ushabti for your consideration. This ushabti remains fully intact and displays the famous Ushabti style with partial back pillar and mummiform design. The facial features are still clear and display the royal Nemes headcloth and the hands crossed over the chest to hold the agriculatural crook and flail (to aid the deceased in their journey through the afterlife)...

This is a very fine small Japanese cloisonne vase done in the style of early Namikawa cloisonne pieces. This vase like Namikawa works has butterflies, high sheen mottled enamels and gilt wires. Even so we believe it was probably made by Honda. This heavy piece stands 4 3/4 inches and the condition is nearly mint.

Very rare pair of Yuan Dynasty Qingbai completely glazed jars with phoenix lids. These are high fired porcelain quality white bodied Jingdezhen wares with “iron rust” splashes and quirky applique figures. One is slightly larger than the other but both are from the same kiln and period. H: 40cm/15.8in x D:18cm/7in and H: 37cm/14.6in and D: 17.5cm/6.9in. There are Chinese characters at top of each jar the most legible one is “moon” and the incised one is …....