Authentic Ancient Holy Land Canaanite. Late Bronze Age circa. 1550 -1200 B.C. The Age of the Mosses. Extremely well-made large Terracotta oil lamp with teardrop-shaped body with deep bowl and steep edges that curve slightly over at the top with pinched spout to use for the wick.

Provenance: Ex Private old Canadian collection of antiques and antiquities formed in the 1980s.

Accompanied by a Certificate of Authenticity.

MEASUREMENTS:

Width approximately: 13.5 x 13.5 cm...

Authentic Ancient Roman, 2nd-3rd century A.D. Terracotta Oil lamp.Carinated body. Mold-made. Small, plain discus with central filling hole; channel incised with diagonal lines between discus and nozzle, flanked by large volutes. Broad, sloping shoulder decorated with a row of twelve cylindrical shapes decorated at tops with incised lines and impressed circles.

For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below...

Authentic Ancient 90-140 A.D. Roman Italian Terracotta Oil lamp Loeschcke Type 8, with ring handle. Shallow plain concave discus: a single filling hole at center, and a groove and raised circle around edge. Slightly sloping shoulder and Incised base ring.

For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below...

Japanese antique woodblock print by Utamaro (1753-1806) of a young nobleman on horseback holding a hunting falcon. Surrounding his horse are three beautiful female attendants and a young boy holding another falcon. In the background, Mt Fuji rises from the mist.

Utamaro is most famous for his bijin-ga (pictures of beauties). He was taught by Sekien and heavily influence by Kiyonaga. Utamaro is considered one of the great masters of Japanese woodblock printing...

Authentic Ancient 90-140 A.D. Roman Italian buff red Terracotta Oil lamp Loeschcke Type 8, with ring handle. Shallow plain concave discus: a single filling hole at center, and a groove and raised circle around edge. Slightly sloping shoulder and Incised base ring.

For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below...

Ancient Holy Land. circa.50 B.C to 50 A.D. Time of Jesus and King Herod the Great Terracotta Oil lamp with round conical body and a large central filling hole with a raised ring border and Three Flame nozzles.

CONDITION: Unbroken, with some chips on outer edge and inner ring. Nice patina, showing the age and usage, sooty nozzles from original use, some spots with old wax deposits on the surface.

MEASUREMENTS: Diameter: 8. cm (3 15 inches) Height: 3 cm (1.18 inches)...

Ancient Roman red terracotta ware from the 2nd-3rd centuries A.D. "Terra sigillata," an offering bowl of typical rounded form, with averted rim, incised with circular lines, resting on a low ring base. This type of red terracotta ware was made throughout the Roman Empire between the 1st and 5th centuries A.D.

"Terra sigillata" is a fine type of Roman ceramic, coveted for its smooth, red slipped finish that emerged around 40 B.C...

Japanese antique woodblock print by Utagawa Toyokuni I (1769-1825) of a woman and boy. The lady holds a bamboo branch festooned with decorations possibly for the Tanabata Festival. In the upper left is a blossoming branch hung with paper strips of writing (tanzaku). During Tanabata this writing would be wishes.
Toyokuni I started work in the studio of Toyoharu at the age of 14. He was heavily influenced by the print artist, Utamaro. Toyokuni I later became one of the most influential p...

This ancient Roman artifact is a large, vibrant red terracotta bowl known as "Terra sigillata" that dates back to the 2nd-3rd centuries AD. The bowl's walls are thin and convex, while its base is flat and shaped like a wide disk. This unique piece of pottery provides an intriguing glimpse into the artistic and functional skills of the ancient Romans and is a testament to the enduring legacy of their civilization.

This particular style of pottery features a stunning red terracotta hue and wa...

Ancient Roman red terracotta ware from the 2nd-3rd centuries A.D. "Terra sigillata," an offering bowl of typical rounded form, with averted rim, incised with circular lines, resting on a low ring base. This type of red terracotta ware was made throughout the Roman Empire between the 1st and 5th centuries A.D.

"Terra sigillata" is a fine type of Roman ceramic, coveted for its smooth, red slipped finish that emerged around 40 B.C. in Arretium (modern Arezzo) in central Italy and had an enormo...

Ancient Neolithic, circa. 5500 - 2750 BC. Eastern European, Cucuteni – Trypillia – Tripolye, culture hand sculptured clay ceramic figurine of a Mother Goddess.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.

These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 ...

Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture Mother Goddess Ceramic Figurine.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.

These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.

To learn more about Cucut...

Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture Mother Goddess Ceramic Figurine.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.

These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.

To learn more about Cucute...

Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture sculptured ceramic figurine of a seated Mother Goddess.

This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.

These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.

To ...

Ancient 2nd - 3rd century A.D. Gandhara finely sculpted in grey schist stone figure of a seated Buddha.

The haloed Buddha Shakyamuni seated in in meditation posture dhyanasana with his hands folded in his lap and his feet covered by the pleated robe, the folds of the sanghati flowing over both shoulders, revealing the anatomy of his torso, and covering his legs, the wavy hair tied in a bun over the ushnisha, seated on a throne carved with going downwards stylized geometrical pattern.

P...

Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches. Late 19th to early 20th century. W:38.5cm, L:70cm

Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...

These polylobed wooden cups covered with a thick layer of sculpted cinnabar red lacquer were to be used as planters. The interiors and undersides are lacquered in black. It is very likely that the interiors were lined with gilded copper or tin containers, in order to protect the lacquer from permanent humidity, the black lacquered backgrounds suffered from this humidity.A fractured place reveals a piece of textile. Some scholars affirm that the use of textile to reinforce the lacquers would no...