Rare Chinese Warring States Covered Pottery Stem Jar (475 - 221 BC)

This attractively-shaped pottery vessel with its flared foot and pear-shaped body was made during the Warring States period (475 - 221 BC). It is "heavily-potted", made from a fine-grained grey pottery and has a smooth burnished surface. The surface colour varies a little in places from pale to dark grey due to uneven conditions during firing...

Fine Tall Chinese Han Dynasty Painted Pottery "Stick" Figure with Oxford TL Test

This tall and impressive pottery "stick" figure was made during the Western Han Dynasty (206 BC - AD 8), more specifically, the 2nd century BC. It is "heavily-potted" and made from a dense fine-grained pale grey pottery. It has been "cold painted" with a pink/brown flesh-coloured pigment...

A pale celadon nephrite "heart shaped" jade carving, done entirely by hand. The piece measures 4-1/2" in length and 2-3/4" at its widest point. The raised carving is approximately 3/4" in height. The design is of a coiled dragon, as shown in the photos. Evident signs of alteration/calcification in the stone. This is not a modern piece and is guaranteed to be no later than the 19th century and possibly earlier. A genuine and substantial carving, beautifully done.

This is a beautifully carved nephrite jade ring whose exterior is encircled by a sinuous dragon. The interior diameter is one-inch (1"); exterior diameter is 1-3/4" at the widest point. The stone is a medium celadon color with tiny areas of a darker inclusion. This is an authentic product of the Qing dynasty, not a later product misleadingly labeled "Qing," and it is guaranteed to be of the period...

An antique Burmese Buddha dry lacquer statue. Black lacquer with gold gilt and traces of red lacquer on the Ushnisha. Wearing a flowing Kasaya venerated with wear. A consecrated Buddha that has a headband with micro glass inlay.

Age: 19th Century

Dimensions: 31" Wide by 37 3/4" High by 16" Deep

Antique Indian miniature painting of Shrinathji, the 7-year-old manifestation of Krishna. He stands on a small platform with an umbrella over his head. A married couple offers food and drink. The architecture of the house is wealthy with intricately painted details. In the distance, clouds form. Undoubtedly this is a scene from one of Krishna's many stories...

Apulian plate of shallow floor with a low sloping rim with flattened top. Impression from the foot of another dish on the floor. Standing on a low foot with beveled molding.
Faint traces of fingertips around the foot where the plate was held when dipped into the black glaze. Covered with a dense black glaze.
For related examples, cf. nos. 39-41 in: CVA Ostschweiz Ticino, Switzerland 5, pl. 43.39-41. Beazley archive vase no...

Shallow plate nicely decorated with red-orange banding, contrasting well with the pale brown clay.
The center and the edge to the slightly raised rim with neatly incised grooves. Concentric ridges also on the outside face. Standing on a low ring foot.
Ceramic
Daunian, Sub Geometric III, 4th century BC
D. 19.3 cm (7.6 in)
Intact and fine. Fresh preservation of the applied colors with minor wear in places...

Well modeled plate of shallow floor and upcurving rim. The bulged outside of the rim with a marked groove below. Standing on a ring foot which shows two pierced holes for suspension.
Faint traces of fingertips around the foot where held when dipped into the glaze medium. Covered with black glaze that turns into a warm red-brown color.
Ceramic
Greek South Italian, 3rd century BC
D. 15.4 cm (6.1 in)
H...

Brown-glazed Apulian plate with gently raised, shallow floor. The low sloping rim with a flat top. Standing on a low ring foot. Faint traces of fingertips around the foot where held when dipped into the glaze medium. Covered with a red-brown glaze.
For a related plate, cf. item no. 107 in: John Hayes. Greek and Italian Black-Gloss Wares and Related Wares in the Royal Ontario Museum...

Single handled kyathos with incurving rounded bowl. The outside of the rim is decorated with red-brown and umber bands. The same colors are used for the hourglass symbol inside the bowl. Standing on a flat base.
For a related example, cf. vase no. 119, p. 34, pl. 41 in: Filli Rossi. Ceramica Geometrica Daunia della Collezione Ceci Macrini. Bari 1979.
Ceramic
Daunian, Sub Geometric II, 550-400 BC
D. 13.7 cm (5.4 in)
H. to handle 9.1 cm (3.6 in)
Fair con...

Single-handled vase with cushion-shaped body and an inward folding rim to prevent the liquid from spilling out. Standing on a ring foot.
The black glaze turned red on the inside and around the foot. The shape is also known as kothon or plemochoe (on hight foot).
Ceramic
Greek, 5th century BC
D. 13.8 cm (5.4 cm)
W. over handle 16.7 cm (6.6 in)
H. 5.7 cm (2.2 in)
Intact and fine, black glaze worn in places, surface on the inside partially chipped. ...

A rare Chinese double snuff bottle made of porcelain, painted in underglaze blue with lotus flowers on white background surrounded of a cream-colored crackled glaze. The stoppers made of agate-imitating glass with bone spoons. Condition: traces of usage. Dimension: c. 5.3 x 4.1 cm.

Japanese Nippon Coralene Porcelain Vase with Flower Marked

It is 11.65 inches (29.6 cm) tall by 7.3 inches (18.6 cm) wide. It is 4.3 Lb.

It has rubbing gold, dark spots, missing beads, surface wears and scratches ( as seen in the photos).

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19th Century Japanese Wood Carved Netsuke Figure

It is 2.2 inches (5.7 cm) tall by 1.1 inches (2.8 cm) wide. It is 8.8 gram.

It has repairs at the foot, surface wears and scratches (as seen in the photos).

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19/18th Century Chinese White Jade Carved Plaque with Boy Figure Wood Frame Table Screen

It is 10.5 inches (26.7 cm) tall by 5.9 inches (15 cm) wide. The jade plaque is 4.3 inches (11 cm) in length by 2.55 inches (6.5 cm) wide and 0.19 inch (0.5 cm) thick. The jade plaque is 92.8 gram. The wood stand is 0.8 lb.

The jade plaque has inclusions and surface wears. The wood stand has hairline cracks, glue residue and surface wears (as seen in the photos).

Our Guarantee: We s...

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black. She wear the design ...

This piece has beautiful color development of glaze and repaired with minute silverwork on the ridge of mouth. YouTube movie/ https://www.youtube.com/watch?v=o4kEByQCGcY Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 9.0cm(D)/ 4.2cm(H)

Rare Joseon Dynasty Small Inlaid Silver Iron Box with Gorgeous Floral Designs, with two compartments. A fine and one-of-a-kind 19th Century Korean collectible. 3.75 x 2.25 x 1.5 inches, 9.5 x 6 x 4 cm.

Scarce Joseon Dynasty Fish Form Silver Inlaid Iron Box Wonderfully Designed. The form and design are sublime and feature an exquisitely arranged silver inlaid face and fish scales. 6.5 x 2.25 x 1.25 inches, 16.5 x 6 x3 cm.

Fine, Rare Joseon Dynasty Silver Inlaid Box with ancient Longevity Symbols of Deer, Cranes, key fret pattern, floral and tortoise shell pattern. Double Happiness symbol on the lid. Beautiful Condition. 5.25 x 3.5 x 3.5 inches, 13.5 x 9 x9 cm.

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

A nice lot of three interesting early ancient tanged Bronze daggers from Ancient Near East.

1) A type 2 dagger 23,5 cm, with rounded tip. low shoulders and tappering edges, c. 3rd. mill. BC. Intact.
2) A very early dagger of the type 1, 20,9cm., dating to the 4th.-3rd. mill. BC. Intact
3) A 18,8 cm dagger with low shoulders and pronounced central midrib, 3rd.-2nd mill BC. Small loss to tip.
All three daggers have holes for fastening rivets in the tang.

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

A super lot of three ancient tanged Bronze daggers from Ancient Near East. Types of the 3rd.-2nd. mill. BC.

The lot consist of:
1) A choice and beautiful dagger, c. 26 cm, long with high shoulders and a prominent central midrib, 2nd. mill. BC. On this dagger you can see where the handle of bone or wood once was - very interesting!
2) A nice smaller dagger with rounded shoulders, 3rd. millenium BC, 17,8 cm. long.
3) A 23,1 cm. bronze dagger with early type of p...

A fine lot of two later bronze age military weapons, Ancinet Near East 2nd.-1st. millenium BC.

Lance of a type used by the armies of the great Empires in the Ancient Near East of the 1st. mill. BC., fine glossy patina, tiny piece of the tip lost, 28 cm. and 2) a sturdy attractive bronze dagger with central midrip and very broad triangular blade. Excellent metal and intact. 25 cm.

Ex. Danish Private collection.

A large bronze image, cast in two pieces, showing the Tamil deity Aiyanar riding on his horse. The bejewelled cavalier is holding a curved sword and a round shield, wearing decorated bloomers. The stallion with sumptuous harness. Condition: traces of usage. Dimension: c. 29.8 cm high, c. 24 cm long, c. 8.8 cm wide, weight: 3.4 kg.

From the Greek colonies in southern Italy. Trefoil oinochoe depicting a nude satyr, also known as a silenus or silenos, typically portrayed as a male figure with ears and a tail, said to be resembling features of a horse, and with a large phallus, the sides decorated with floral design. 3rd/4th Century B.C. 5 1/4 inches high. Intact. From an old NYC collection.

A pair of ancient Egyptian bronze and inlaid stone eyes. Late Period, 600-300 B.C. Right eye measures 2 inches wide. Left eye measures 1 3/4 inches wide. Originally, from a NYC private collection.

Solid cast, the bronze cobra with flaring hood and bulging eyes, curved along the back of the hood, its head crowned by a solar disk, the body once inlaid, with a tenon at the base. 5 1/4 inches high including the tenon. Suspension loop on back of head. V.G. Collection Brussels, 1975.

A large and rare tablet stamp seal engraved with a depiction of temple-doors on each side, Levantine, Pre-Canaanite lands, Late 3rd. mill. BC.

The engravings on this nice rectangular seal in white calcite, was interpreted as being temple doors by the former owner, in any case a fine complicated image for the period. Special stone and rare for the culture.

Size: 40 mm. x 31 mm. c. 8 mm. thick. Very large for a tablet seal.

Condition: Very fine, attractive with so...

19th century small porcelain netsuke of standing Ebisu - one of the 7 Gods of Good Fortune, that of fishing and luck. Clever modeling reminiscent of ittobori (one cut) wood carving style, nice wear and patina. Height 1.4 inches.

Late 19th century porcelain netsuke of an old woman Uba with a broom in her hand. Uba and her companion Jo are an elderly couple living as spirits in pine trees in Takasago. Wonderful expressive face with wrinkles and hollow cheeks, beautiful wear and patina. Looks like old smoothed losses to the back of her robe by the bottom. Height 2.73 inches.

19th century porcelain netsuke of a street entertiner - an acrobat / contortionist - performing on a low stand. Very well made, nice face, pleasant patina. Four feet of the stand are old kintsugi (gold lacquer) repairs. Height 2 inches.

19th century small black and red Japanese lacquer 4-compartment inro with two different carved scenes of two scholars in discussion under rocks (one with waterfall cascading off it) with bamboo gracefully growing on their surfaces. Top and bottom are carved differently with peony branches with leaves and buds. Elegant dignified design, very clever and striking use of red lacquer for figures, bamboo and and some peony details. Old silk cord, in excellent condition, no cracks or losses. Height 2 ...

19th century kokutan (ebony) netsuke of a sitting shishi (Buddhist lion), its tail up and its head turned to the left, mouth open in a wide grin. Represented beast is definitely male both because of its explicitely carved bottom and because its mouth is open emitting sound A (the first letter of Sanskrit alphabet), while the female shishi are depicted with closed mouth emitting sound N (the last letter). Wonderful expressive face, oversized powerful paws, superbly voluminous mane and bushy tail,...

Ancient Luristan bronze sword with green patina.

Luristan bronze comes from the province of Lorestan, a region of nowadays western Iran in the Zagros mountains.
With its rich and long history, Luristan culture is well-known for its fascinating bronze artifacts from the Early Iron Age.

Age: Iran, Luristan Culture, 1000 - 600 B.C.
Size of sword only: Length 53 C.M. / Width 4.5 C.M. / Thickness 5.5 C.M.
Height including stand: 66.5 C.M.
Condition: Nice condition ov...

Lao or Lanna Thai, gold and silver foil repousséd Buddha, circa 14th-18thCE. No unisha some restoration- please view enlargements. H: 10cm/4in x W: (base) 7cm/2.8in. Provenance: Bonham’s Australia, Dec 7, 2022, lot 136, previously BC Galleries, Melbourne, Nov 18, 2013

Thai gold and silver foil repousséd Buddha, circa 14th-16thCE late Sukhothai or early Ayutthaya. Some restoration- please view enlargements. H: 7cm/2.8in x W: (base) 4.3m/1.6in. Provenance: Bonham’s, Sidney Australia, Dec 7, 2022, lot 136, previously Soo Tze Orientique, Melbourne, Sept. 6, 1991. Free shipping.

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in). Aged deterioration as is.


selected by titcoRet




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Length: 18.6 cm (7.7 in)
Height: 10 cm (4 in)

Fine and unusual Chinese coconut teapot; carved decoration showing shou characters, auspicious objects and clouds; fully zinc lined and in very good condition; circa 19th century

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Chinese, Jizhou kiln, bowl with an abstract ash-splashed decoration to the interior. Southern Song; C12-13th. The variagated, brown glaze stops above the well-cutt foot, exposing the pale-buff coloured paste. Diameter, 11 cm. Provenance: from the deceased estate of a North Yorkshire collector; acquired in China in the first half of the C20th. Condition: There is an old area of repair to the inner rim; approx 2 cm long. There is a small patch of kiln grit to the interior. To ...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku. "Utano...

Late 6th Century Northern Qi Dynasty (550 - 577) buddha carved of limestone. The three dimensional standing form is mounted in a custom weighted base for display. Right arm creates negative space between the torso as well between each feet. Textile is comfortably hangs with pleaded folds fans out around lower body. Tightly culded hair neatly formed. Losses to right shoulder and right hand at wrist. Partial loss of fingers on left hand.
Calm resting buddha with smooth planes and disti...

A Chinese Pottery Figure of an Attendant. Circa, 8th Century, Tang Dynasty. Acquired from a Philippine private collection. Measurements: height (10"inches). Condition: the repairs on this figure are very well done and has been professionally restored. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com for further inquiries, price offers, additional photographs, experts assessment and authentication regarding this specific item, or for payment a...

This is a rare and exquisite antique Japanese Baku corbel carving from the Edo period (early 19th century). The Baku is a mythical spiritual creature that resides in the Buddhist realm and is known for devouring evil spirits and nightmares. This architectural sculpture is carved from one solid block of Keyaki (Zelkova) wood and has stood the test of time. It is a large example of an antique Japanese Baku corbel used in a temple or shrine. This piece is a beautiful representation of Japanese and ...

10th C. persian (Iran) duel handled red pitcher with flared rim and tapered foot. Condition is quite good with small losses to the rim. Custome secure mounted on a custom base for ease and safe display.
According to several tablets written in Babylon and Ashore calligraphy from 1700 and 5650 BC, we have some instructions about making color and enamel of clay. Also, a brochure about pottery dates back to 1301 is accessible in Kashan.
Kashan is one of the important pottery center...

Antique Kano school inkwash Landscape/suiboku sansui. Painted with ink on silk. Sigend Kano Hakuen and sealed. The signature reads painted by Kano Hakuen at sixty-seven years of age(1710). It is a remounted and restored piece and in fine condition with accompanied by a paulownia wooden storage box.

Kano Hakuen(1642-1726)was a painter from the early to middle Edo period. Hakuen served in the Kaga Kanazawa domain of the Tokugawa shogunate. He was involved in the decoration of Nikko Toshog...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks. He was selected for Bunten art exhibitions.

Some light marks, light damage and foxing are present on the painting and scroll mounting.There is a little damage is present on the scroll end,otherwise the piece is...

A Pair of Large Chinese Early Tang Dynasty Painted Pottery Foreigners (with Oxford TL Test)

This impressive and imposing pair of pottery figures was made during the early Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a fairly high-fired pale greyish-brown pottery. They have been "cold-painted" in a base coat of creamy-white pigment with details picked out on top in red and black pigments, especially to the heads and faces.

These figures represent a pair of foreign ...

A Pair of Large Chinese Early Tang Dynasty Painted Pottery Foreigners (with Oxford TL Test)

This impressive and imposing pair of pottery figures was made during the early Tang Dynasty (AD 618 - 906). They are "heavily-potted" and made from a fine-grained pale grey pottery. They have been "cold-painted" in a base coat of creamy-white pigment with faint traces of red and black pigments in places.

These figures represent a pair of foreign grooms and have been made with great attention to de...

Fine Large Early Tang Dynasty Painted Pottery Horse & Separate Saddle (with Oxford TL Test)

This fine and impressive pottery model of a horse was made during the early Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been cold-painted in a creamy-white pigment with small amounts of red pigment in places, such as within the nostrils. On its back is a large saddle, made separately, that can be removed. This is a strong horse giving an impressio...

Fine Pair of Chinese Early Tang Dynasty Painted Pottery Walking Horses & Detachable Riders with Oxford TL Test

This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...

Set of Twelve Chinese Jin Dynasty Painted Pottery Filial Piety Tiles with Oxford TL Test (AD 1115 - 1234)

These interesting pottery tiles with the subjects depicted in high relief were made during the Jin Dynasty (AD 1115 - 1234). They are made from quite a high-fired grey pottery that has been "cold painted" in various coloured pigments. Each tile depicts a scene from a story of the paragons of filial piety. Together they depict a total of thirty-four human figures (men, women and children)...

Set of Five Large Chinese Yuan / Ming Dynasty Painted Pottery Filial Piety Tiles with Oxford TL Test

These interesting pottery tiles with the subjects depicted in high relief with very good detail were made during the Yuan Dynasty (AD 1279 - 1368) or possibly the early part of the following Ming Dynasty (AD 1368 - 1644). They are made from a high-fired grey pottery that has been "cold painted" in various coloured pigments. Each tile depicts a scene from a story of the paragons of filial piet...