Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair...

A Song dynasty qingbai white bluish glazed conical bowl, rounded side with conical shape and unglazed base. Bowl is in perfect condition, no chip, no crack, no restoration. Nice bell like tone when tapped Size: 19 cm diameter and 6 cm height.

Just superb Edo Period zen buddhist travelling altar or zushi. The rounded contoured roof and the outstanding metal work on the door and hinges indicate a high level samurai or retainer. Thick black lacquer and fine gilt on the inside. The roof dates the piece to late edo period c. 1860. The altar on the inside has 2 pillars and a cross beam with painted buddhist symbols. Request shippng quote. (H:12"; W:8")

A late Song - Early Yuan Qingbai bowl, covered with nice bluish tone glaze, silky with fine glaze, rim and foot ring unglazed. Very thin and light potted and nice bell like tone when tapped. Very good condition with firing crack and fint glaze hairline on the back. Size: 11 cm diameter and 3 cm height

Cup with white crackled glaze, flatt and unglaze base. Size : 8 cm diameter Period : 14th century Condition : no chips, cracks, hairlines or restorations.

Head of the Buddha shown with solemn expression. The refined facial features with arched eyebrows over heavy lidded eyes and a sensitively modeled mouth with purse lips. The half open eyes with their barely indicated irises confer the head a meditative gaze. The hair is delicately textured with a central bun (usnisha) on top. The idealized style is reminiscent of Greek Hellenistic sculpture which lived on among Gandharan artists. Stucco. Gandhara, 3rd/4th century AD. H. 7.7 cm (3 in), H...

Very nice small early 17th/18th C. (Kangxi 1662-1722) blue and white porcelain vase. In excellent condition. H:7" $175

This is an extraordinarily rare bronze arrow point from ancient China. Textual references for this type are scarce as well which is a testament to the rarity of the object itself. The point has very intricately cast details and finely ground edges and points. The extra long tang is intact and appears to be as straight as the day it was made. The arrow point dates to the Warring States period of ancient China.

This is a fabulous bronze axe from ancient China. Socketed axes of thus type were typical to the Northern tribes in Shang and Early Zhou periods (circa 1100 BC). This particular type is quite rare and rarely seen in private collections.

This is a large and impressive bronze axe dating to approximately 1200 BC. This piece comes from the famed collection of Axel Guttman in Berlin. It is decorated on both side with incised lines and circles. It measures roughly 26.5 cm in length and weigh 1160 grams. The original auction house tag will accompany the piece. Additional pictures or information available on request. This is your opportunity to won a provenanced piece from one of the most famous collections in the world.

From our Early Chinese Collection, a large and magnificent Southern Song Dynasty qingbai funerary urn (960 - 1279 AD). Based upon published and nearly identical examples dated to 1209 AD, we can probably safely date this piece closer to circa 1190 - 1230 AD...

From our Chinese Polychrome Collection, a very fine Rose Medallion punch bowl, mid-late 19th century, most likely late Daoguang to Tongzhi Period circa 1845-1874, and certainly no later than Guangxu Period (1875-1908)...

Wonderful, large ancient Chinese ceramic jar, round shape, stands on three small feet, beautiful blue green glaze has become iridescent with time, dramatic drips

Han Dynasty (206 B.C. - A.D. 220)

Size: 10" high x 12 1/2" wide.

From our Japanese Collection, a very fine and very early imari charger, late 17th - early 18th century (circa 1690-1730), decorated with a flower pot, a scholar’s rock, and a large tree in full bloom upon a terraced pavilion, all executed in the typical early imari palette of blue, orange-red, and gilt, with the border done in a rich brocade of flower motifs.

Ordinarily, we do not gravitate much towards early Japanese imari simply on aesthetic grounds...

This antique document case would be used to house and transport important documents. The high quality silver decoration of vines and flowers uses both pierced and repousse techniques. The curious emblem displays a spade, heart, club and diamond. Originally owned by a wealthy family, it is from what was considered northern India, (possibly now Pakistan), during the Raj period, before partition...

A beautiful famille rose dish with the emblems of the eight immortals or baxian. They represent poverty, wealth, aristocracy, plebianism, age, youth, masculinity and feminity. At 12 o'clock, the two emblems represent Li Tiequai (gourd)and Han Xiangzhi (flute). At three o'clock the emblems represent Lan Caihe (basket of flowers)and He Xiangu (lotus). At 6 o'clock, it represent Zhang Guolao (bamboo tube) and Cao Guojiu (castanets)...

From our Japanese Collection, a large and beautiful imari charger, Meiji Period (1868-1912), one of two similar pieces we have, of scalloped-edge form with a basket of flowering mums in the center medallion sitting upon a terrace enclosure, and with panels of prunus, chrysanthemums, and other flowering branches in the outer border, all vibrantly executed in traditional imari palette including iron-red, blue, orange, gilt and green...