Interesting larger stone head carved in Vulcanic stone on the Iberian peninsular, Iberian-Roman or Celt-Iberian manifacture, around 3rd. cent. BC-1st. cent. AD.

From a collection of an artist and once bought at a London dealer for ca. $8000. The head depicts a bearded older man, perhaps a leader or even a god. Typical celt-Iberian features, but also inspired by grecco-roman art.

Size: c. 17 cm. tall and 12 cm...

Antique Chinese pair of porcelain bowls, glazed white and with detailed overpainting in orange and gold of dragons and flaming pearl. Each bowl has two five-clawed dragons on either side of the pearl. Eyes are green and black and every scale is finely outlined in gold. Daoguang (1821-1850) mark on the bottom.

Age: Qing Dynasty (19th century)

Dimensions: 4" high x 6 1/2" wide each (5 1/2" high on stand)

Antique Japanese ikebana basket for flower arranging. Round body with wide split bamboo and twisted rope bamboo foot and neck. The dramatic, arching handle is made of gnarled wisteria branches. Beautiful deep reddish finish and dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 17 3/8" high x 11 1/2" wide x 9 1/2" wide.

A large Japanese Ko-Tamba (Tanba) Vase/Tsubo decorated with a splashed and dripped deep-green glaze pooling towards the foot on a dark-brownish body.

It was made in the Momoyama Period 16th century or earlier. This impressive vase is a wonderful example of a so called Shiji-ko vase, which means 'vase with four ears'.

Great antique condition.

Tanbayaki has been produced in the village of Tachikui, Hyogo pref. for over 800 years...

Two pieces of urumi-zome cloth which are made of hand-spun cotton and vegetable indigo dye. Urumi-zome is katazome (stencil-resist-dye) imitating shibori-zome (tie-dye) and it requires more process than common katazome to make blurring like shibori. Both have rips but other part of the cloth is not weak. The right one has a patch in the back. The second half of the 19th century. Right one:75cm x 126cm, Left one:65cm x 126cm

An antique Japanese Ryo Biraki Tansu made of Suginoki (Cryptomeria) wood. All original hand forged iron hardware including the Warabite handles and the natural Urushi lacquer. The two hinged doors hide 6 drawers of varying sizes. Constructed using straight dovetail Japanese joinery and hardened wooden nails.

Age: Meiji Period (1868-1912)

Dimensions: 36 1/2 Wide by 21 1/4" High by 17" Deep.

Height: 8.5 cm (3.4 in)
Width: 8.4 cm (3.4 in)

Fine Chinese porcelain Daoguang Period famille rose lidded pot; depicts figures in a rural setting; iron-red Daoguang marks on lid and bowl; old German label inside; good condition; email for more pictures

An antique Japanese rare tall Tansu with 7 drawers made of Kirinoki (Paulownia) wood. Also known as a Chobako, it was used by a merchant to store his business records and small valuables. A rare feature is the original custom built hinged door that was made for a left handed merchant allowing the door to easily open from right to left with the left hand. All original hand forged iron hardware. A secret hidden box can be accessed behind one of the drawers...

An antique Japanese Nihon Matsu Kasane (stacking chest on chest) Tansu made entirely of Kirinoki (Paulownia) wood. All original hand forged iron hardware including the Warabite handles. Lock plates feature double Chrysanthemum knobs with flying butterfly security catch plates. Each handle has upper and lower Atari in the form of Plum blossoms...

Sagemono made of armor’s fragments. Probably mounted during the early Edo with elements dating from the Muromachi period. 9 x 6,5 x 6 cm.

Height: 22.5 cm (9 in)
Width: 11.2 cm (4.4 in)

Fine Chinese porcelain famille verte mallet vase; features a noble figure and attendants; fine decoration throughout; six character Kangxi marks to the base; good condition; email for more pictures

Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture. The motif of the picture in the lower part is “Gonin-dachi Kashima Odori”, five people performing Kashima dance which is the group folk dancing originated from Kashima-jingu Shrine in Ibaraki Pref. The design is katazome (stencil-resist-dye) and vegetable indigo dyed and pigments...

A Fine/Large Korean Koryo Two Dragon Bronze Mirror/Dark Green Patina: Korea, Koryo dynasty, 14th century. A large round bronze mirror, cast in the center with a pierced knob encircled by flower petals, well molded with a pair of sinuous dragons, each pursuing a flaming pearl through clouds, and the outer band with clouds around, rim raised higher thank the design, the face of the mirror with a partially mottled, green patina with some dark-brown encrustation...

There is one silver buckle. The belt consists of eleven silver engraved boxes. Weight approximately 354 g. In good condition.

Antique Chinese ovoid form ink stone carved of green serpentine and inscribed with calligraphy on one side and archaic script on the reverse. The text on the front of the ink stone references a quote from the Analects of Confucius:
子曰：“不患人之不己知，患不知人也。 Which translates as Xue Er: The Master said, "I will not be afflicted at men's not knowing me; I will be afflicted that I do not know men." There is a key difference however in the middle of the phrase...

An antique Chinese Qing Dynasty 19th century silk brocade tapestry woven with dragons & cloud patterns; the silk ground is coral red color, backed with light brown linen; probably made for the imperial household; Excellent condition, minimal sign of use. Measurements- Overall 86" x 55" ( There is a seam in the middle, 2 pieces of 27.5" wide joined together )

This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed. It's like a beautiful Japanese painting. This fukusa can be easily decorated on the wall. Recommended for your antique collection. It has few thin stain. However, it is not conspicuous...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are inspired directly by nature.

Born the second son of Raku VII, Chônyû (1714 - 1770), Ryônyû took over the title of Kichizaemon (head...