Tai Lue Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.
Tai Lue is a tribal people living in Burma, it is difficult to find Buddha from this ethnic group.
Tai Lue Buddhas look more primitive than typical Burmese Buddhas.
Age: Burma, Shan Period, 18th Century
Size: Height 51.7 C.M. / Width 14.5 C.M. / Depth 12 C.M.
Condition: Nice condition overall (some expected degradation due to its age)...
The bird-faced Kami (god) Doryo Daigongen strikes a powerful pose astride the back of a mischievous white fox. Doryo is purported to have been an ascetic monk who turned himself into a Tengu when he vowed on his deathbed to protect the Mountain Temple Complex of Daiyuzen in modern day Kanagawa prefecture. This legend inspired a cult which rose to great prominence in the Edo period. To this cult the figure was the ward of Budo (martial arts)...
A beautifully formed earthen flask from the Bizen region, the fire-buffed side still gleaming softly while opposite it has absorbed time into the porous clay. It comes enclosed in a box titled Ko Bizen Kaijo Ko-Tokkuri, inside the lid is annotated the dimensions and the dating Momoyama Jidai no Saku (Made in the Momoyama period) signed by the great Bizen connoisseur Katsura Matasaburo. It is 6.5 cm (2-1/2 inches) diameter, 13.5 cm (5-1/4 inches) tall and in overall fine condition...
The Chinese god of longevity is depicted standing holding a peach branch laden with fruit in his left hand. The peach is the symbol of immortality. The artist has represented Shoulao slightly bent by the weight of his years, his gait is hesitant and his step seems reduced and slow. The left arm rests on the kidneys to relieve the pain. The details are finely sculpted, the hairs of the beard are precisely incised. The facial expression is well rendered...
Antique Chinese wooden box lacquered red and gold with designs of palace life. Noble figures and scholars stroll through gardens with fine pavilions and trees. The lid lifts to reveal a continuation of the theme.
Dimensions: 2 1/2" high x 13 1/4" long x 7 1/2" wide
Antique Chinese gilt bronze figure of a bodhisattva standing on a lotus. Flowing drapery and high hair style with crown. Hands in Gyan Mudra (knowledge). Downcast eyes and compassionate expression. Overall patina.
Age: 19th century
Dimensions: 14 3/4" high x 5" wide x 5" deep
Pair of Deco Era side tables with dramatic marquetry surfaces. Mixed hardwood in contrasting rosette pattern. The tables are square in form with sloped legs and Macassar Ebony veneer.
Age: Art Deco Era (c. 1920's-1930's)
Dimensions: 23 1/2" high x 21 1/2" wide x 21 1/2" deep
Antique Japanese bronze usubata in the shape of a boat. Held up by little waves, it seems to float along on the water. Made for ikebana flower arranging. Signature on the bottom in a raised cartouche.
Age: Meiji Period (1868-1912)
Dimensions: 5 1/4" high x 9" long x 5 1/4" wide
Antique Middle Eastern Early Islamic Umayyad Caliphate Period: 7th – 8th century.AD. • (23 AH –184 AH) Islamic Bronze oil lamp with bulbous body, In the form of a toll cauldron long tubular spout slightly tapering towards the tip and mounted at the back with large leaf shape flattened handle.
CONDITION: Showing the age and usage...
Authentic Ancient Holy Land. The Age of the Patriarch Abraham circa. 2000 B.C. Terracotta Oil lamp with four pinched sides to use for 4 wicks. Each spout would have held a wick which, soaked in combustible would have been lit to provide the brighter light in the house.
Provenance: Ex Private old Canadian collection of antiques and antiquities formed in the 1980s.
Accompanied by a Certificate of Authenticity.
MEASUREMENTS:
Width Approximately: 13 cm. (5.12 inches)...
Authentic Ancient Holy Land. circa. 2000 - 1700 BC. Canaanite Terracotta Oil lamp with teardrop-shaped body with deep bowl and steep edges that curve slightly over at the top with pinched side to use for the wick.
Provenance: Ex Private old Canadian collection of antiques and antiquities formed in the 1980s.
Accompanied by a Certificate of Authenticity.
MEASUREMENTS:
Width approximately: 11 cm. (4.33 inches).
Height approximately: 4 cm. (1.57 inches)...
Authentic Ancient Holy Land. circa.50 B.C to 50 A.D...
Ancient 1000 B.C Holy Land Jerusalem Judaea. A First Temple King David Period Terracotta Oil lamp with closed nozzle and raised rounded base.
MEASUREMENTS:
Overall length: 9.5 cm. (3.74 inches).
Height Approximately: 5 cm. (1.97 inches).
CONDITION: The lamp is in good condition considering its age of 3000 years. Showing age and usage, with traces of wear with areas of earthen encrustation. No cracks, repairs, restoration. Base inscribed with collection number.
For relate...
Authentic Ancient Holy Land Canaanite. Late Bronze Age circa. 1550 -1200 B.C. The Age of the Mosses. Extremely well-made large Terracotta oil lamp with teardrop-shaped body with deep bowl and steep edges that curve slightly over at the top with pinched spout to use for the wick.
Provenance: Ex Private old Canadian collection of antiques and antiquities formed in the 1980s.
Accompanied by a Certificate of Authenticity.
MEASUREMENTS:
Width approximately: 13.5 x 13.5 cm. (5.31 x...
Authentic Ancient Roman, 2nd-3rd century A.D. Terracotta Oil lamp.Carinated body. Mold-made. Small, plain discus with central filling hole; channel incised with diagonal lines between discus and nozzle, flanked by large volutes. Broad, sloping shoulder decorated with a row of twelve cylindrical shapes decorated at tops with incised lines and impressed circles.
For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below.
https://www.metmuseum...
Authentic Ancient 90-140 A.D. Roman Italian Terracotta Oil lamp Loeschcke Type 8, with ring handle. Shallow plain concave discus: a single filling hole at center, and a groove and raised circle around edge. Slightly sloping shoulder and Incised base ring.
For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below.
https://www.metmuseum.org/art/collection/search/252896
Provenance: Ex Private old Canadian collection of antiques and anti...
Japanese antique woodblock print by Utamaro (1753-1806) of a young nobleman on horseback holding a hunting falcon. Surrounding his horse are three beautiful female attendants and a young boy holding another falcon. In the background, Mt Fuji rises from the mist.
Utamaro is most famous for his bijin-ga (pictures of beauties). He was taught by Sekien and heavily influence by Kiyonaga. Utamaro is considered one of the great masters of Japanese woodblock printing.
Signed: Utama...
Authentic Ancient 90-140 A.D. Roman Italian buff red Terracotta Oil lamp Loeschcke Type 8, with ring handle. Shallow plain concave discus: a single filling hole at center, and a groove and raised circle around edge. Slightly sloping shoulder and Incised base ring.
For similar lamp in the collection of The Metropolitan Museum of Art, New York please see the link below.
https://www.metmuseum.org/art/collection/search/252896
Provenance: Ex Private old Canadian collection of antiques...
Ancient Holy Land. circa.50 B.C to 50 A.D. Time of Jesus and King Herod the Great Terracotta Oil lamp with round conical body and a large central filling hole with a raised ring border and Three Flame nozzles.
CONDITION: Unbroken, with some chips on outer edge and inner ring. Nice patina, showing the age and usage, sooty nozzles from original use, some spots with old wax deposits on the surface.
MEASUREMENTS: Diameter: 8. cm (3 15 inches) Height: 3 cm (1.18 inches).
Provenance: E...
Ancient Roman red terracotta ware from the 2nd-3rd centuries A.D. "Terra sigillata," an offering bowl of typical rounded form, with averted rim, incised with circular lines, resting on a low ring base. This type of red terracotta ware was made throughout the Roman Empire between the 1st and 5th centuries A.D.
"Terra sigillata" is a fine type of Roman ceramic, coveted for its smooth, red slipped finish that emerged around 40 B.C. in Arretium (modern Arezzo) in central Italy and had an enormo...
Japanese antique woodblock print by Utagawa Toyokuni I (1769-1825) of a woman and boy. The lady holds a bamboo branch festooned with decorations possibly for the Tanabata Festival. In the upper left is a blossoming branch hung with paper strips of writing (tanzaku). During Tanabata this writing would be wishes.
Toyokuni I started work in the studio of Toyoharu at the age of 14. He was heavily influenced by the print artist, Utamaro. Toyokuni I later became one of the most influential p...
This ancient Roman artifact is a large, vibrant red terracotta bowl known as "Terra sigillata" that dates back to the 2nd-3rd centuries AD. The bowl's walls are thin and convex, while its base is flat and shaped like a wide disk. This unique piece of pottery provides an intriguing glimpse into the artistic and functional skills of the ancient Romans and is a testament to the enduring legacy of their civilization.
This particular style of pottery features a stunning red terracotta hue and wa...
Ancient Roman red terracotta ware from the 2nd-3rd centuries A.D. "Terra sigillata," an offering bowl of typical rounded form, with averted rim, incised with circular lines, resting on a low ring base. This type of red terracotta ware was made throughout the Roman Empire between the 1st and 5th centuries A.D.
"Terra sigillata" is a fine type of Roman ceramic, coveted for its smooth, red slipped finish that emerged around 40 B.C. in Arretium (modern Arezzo) in central Italy and had an enormo...
Ancient Neolithic, circa. 5500 - 2750 BC. Eastern European, Cucuteni – Trypillia – Tripolye, culture hand sculptured clay ceramic figurine of a Mother Goddess.
This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.
These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 ...
Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture Mother Goddess Ceramic Figurine.
This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.
These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.
To learn more about Cucut...
Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture Mother Goddess Ceramic Figurine.
This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.
These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.
To learn more about Cucute...
Ancient European Neolithic 5500 - 2750 BC. Cucuteni Trypillia Tripolye Culture sculptured ceramic figurine of a seated Mother Goddess.
This female ceramic figurine made by the Neolithic Age people known to scholars as the Cucuteni -Trypillia culture.
These people, known for their massive settlements that rivaled the earliest cities in Mesopotamia in size, flourished on the territory of Eastern Europe in what is now Ukraine, Romania, and Moldova from, 7,500 to 4,750 years ago.
To ...
Ancient 2nd - 3rd century A.D. Gandhara finely sculpted in grey schist stone figure of a seated Buddha.
The haloed Buddha Shakyamuni seated in in meditation posture dhyanasana with his hands folded in his lap and his feet covered by the pleated robe, the folds of the sanghati flowing over both shoulders, revealing the anatomy of his torso, and covering his legs, the wavy hair tied in a bun over the ushnisha, seated on a throne carved with going downwards stylized geometrical pattern.
P...
Rare antique 17th century Polish armored cavalry "Pancerni," a large combat lance head made of hand forged steel.
DETAILS: The leaf-shaped blade with a double-edged, tapered blade with a sharp point is reinforced on one side with a central rib with hollowed sides and flattened on the opposite side.
The integral ferrule with the conical base extending to the flattened tang is pierced on the end with a rectangular hole for the peg that fastens the blade to the wooden haft.
The const...
Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches.
Late 19th to early 20th century. W:38.5cm, L:70cm
Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...
These polylobed wooden cups covered with a thick layer of sculpted cinnabar red lacquer were to be used as planters. The interiors and undersides are lacquered in black. It is very likely that the interiors were lined with gilded copper or tin containers, in order to protect the lacquer from permanent humidity, the black lacquered backgrounds suffered from this humidity.A fractured place reveals a piece of textile. Some scholars affirm that the use of textile to reinforce the lacquers would no...
A skeleton sits among the dried grasses, alone and forgotten, perhaps reflecting on his life in this earie painting by Buddhist priest Higuchi Ryuon dated Meiji 6 (1873). Ink on paper, it is 41.5 x 179.5 cm (16-1/4 x 70-1/2 inches) and is in fine condition; completely remounted in a border of two subtle shades of black with colorful piping and features black lacquered rollers with mother of pearl flakes. It comes in a kiri-wood box.
Higuchi Ryuon (1800－1885) was a priest of the Jodo s...
A set of three spouted nesting bowls decorated in the traditional Mugiwara pattern of alternating stripes of russet red, pale blue and orange emanating like rays from the center. The larger bowl is 9.5 cm (just under 4 inches) diameter, 5.5 cm (2 inches) tall. The smallest is roughly 7.5 diameter, 4.5 cm tall and all 3 are in excellent condition, enclosed in an old kiri-wood box.
This traditional pattern is called ``Mugiwarade'' because its vertical stripes resemble ears of wheat. It has ...
A Dojin licking Dango-treats dances in erratic dashes of soft wet lines and swift dark strokes of flying white on this vertical presentation by Edo period eccentric Doi Goga. Ink on paper it is 43 x 184.5 cm (17 x 72-1/2 inches) and has been completely remounted in dark silk with bone rollers. The creature clutches the raku-in stamp in his upper hand, the other stamps seem to follow his feet like footsteps. It comes enclosed in an age darkened wooden box. Known as the “Mad monk” Goga had...
A nice and substantial Late Gothic type of chest key, European, probably German, c. 1550-1590 AD.
The key with enforced bit with slots, decorated hollow stem with fluted collar and an oval bow.
Size: 108 mm.
Ex. Important old Danish collection of keys.
A lovely key for a treasury chest or money trunk, late 15th./16th. century.
A large and solidly built key with an elaborately carved hollow stem and the oval bow decorated in the center in gothic manor. A rare key!
The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A numb...
A nice thick key for a strong-box or treasury chest, c. mid 16th. century.
The key with a large, enforced bit with elaborately carved slots. The stem and the bow of the typical late Gothic design. With much old copper from a coppering in the time of use.
The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery pa...
The largest key in the collection for the type and period, and fitting a large family chest or trunk in oak, mid 16th. century.
Very attractive key with a Gothic design and heavy reenforced bit. Remnants of old coppering to the details.
Size: 152 mm. long.
A very solidly built key for a large strong-box or treasury chest, c. mid 16th. century.
The key with a large, enforced bit with elaborately carved slots. The stem decorated with an octagonal collar and the bow typical late Gothic design.
The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even...
A superb early vault or bankboks key in exceptional condition, still with the original blueing of the steel, late 17th. century.
Though relatively short the key is very substantial in hand and finely made, perhaps by a gunmaker. The stem is short and fluted, hollow made and the bit very sturdy with cut slots. Such a stem was a new invention for security keys in the period, making it much, much harder to copy.
Size: 90 mm. and heavy.
Condition: EF, superb metal a...
Large and beautiful Late Gothic type of door or gate key, European, probably German, c. 1550 AD.
The key with enforced bit with slots, decorated hollow stem and a beautiful oval decorated bow. Much remnants of original copper metal on the stem and later silvering / tinned.
Size: 130 mm. solidly built.
Ex. Important old Danish collection of keys.
Interesting study collection of 16 miniature keys, each quite rarely seen since these would have been lost due to their small sizes, mostly 18th.-19th. century, a few probably 17th. century.
Such keys would have been used to unlock very small boxes and tiny coffins in the old days.
Sizes: 19-37 mm.
Ex. Important old Danish collection of keys.
A group of 4 very rare early miniature keys for locks in small chests or jewelry boxes, c. 15th.-18th. century.
The group includes a very attractive iron key with a bronze handle / bow and hollow stem, decorated in the gothic manor, probably 15th.-16th. century (40 mm.). Pair of very nice and rare miniature keys with gothic bows and hollow stems, finely cleaned and maintained, probably 15th.-16th. century (29-32 mm.), lastly a miniature key with Gothic bow and long solid stem and fine...
SOOTY BUDDHA WITH HALF FACE
Wood. Late Edo period, 19th century, Japan. Aesthetically well‐proportioned. H 19 x 5 x 5 cm (7.48 x 1.96 x 1.96in). Condition is as is as seen.
selected by Jinta
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A Chinese cloisonne enamel and gilt bronze water-pot, Qianlong mark and period. 6.5cms.
Small bruise to one side.
From a Sussex, UK, collection.
Large Burmese brown glazed pottery jar with three loop handles around the neck and naturally running glaze on the body.
Age: Burma, 18th Century
Size: Height 52 C.M. / Width 45 C.M.
Condition: Nice glaze and condition overall (some expected degradation due to its age, and a firing fault on the body). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included.
Age: Laos, 19th Century
Size of gong only: Diameter 35.5 C.M. / Thickness 9 C.M.
Height including stand: 52.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping f...
A pair of Sukhothai pottery brown glazed jars with naturally running glaze on the body, natural shell and barnacle from shipwreck.
Age: Thailand, Sukhothai Period, 14th-16th Century
Size: Height 37 - 38 C.M. / Width 33.5 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Chinese pottery standing cow with original pigments remaining.
Age: China, Tang Dynasty, A.D. 618 - 907
Size: Length 16 C.M. / Width 6.7 C.M. / Height 11.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us fo...
Khmer pottery Jar.
Age: Cambodia, Pre-Angkor Period, 6th - 7th Century
Size: Height 28.4 C.M. / Width 35 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Boxwood netsuke depicting a Karashishi with his mouth wide open, accompanied by a perforated ball, protected with his front paws, a symbol indicating a male shishi, representative of the Yang principle and male energy. Signed Minkoku.
Period: Edo 19th century
Dimensions: 3.3 x 3.5 x 2.7 cm.
Conservation status: Excellent condition
Ivory netsuke depicting a large open lotus flower with a frog and a crab looking at each other.
The patina is light on the front and more yellowish underneath.
Period: Meiji end of 19th century.
Dimensions: 2.4 x 4.5 x 3.9 cm.
Conservation status: Excellent condition
Boxwood shunga netsuke with skillfully carved natural himotoshi depicting two mushrooms. A touch of genius is found in the depiction of the smallest mushroom, which is placed upside down above the larger one's head. From this small cavity emerges a delicate caterpillar carved from blond horn. Engraved signature Masatomo 正友.
Period: Edo 19th century
Dimensions: 2.4 x 4.2 x 3.6 cm.
State of conservation: Excellent condition - There are natural openings in the wood.
Six-panel byobu 屏風 screen painted on silk with floral motifs with numerous chrysanthemums. The ocher silk provides a warm backdrop for the delicate floral motifs that adorn the screen. The chrysanthemums, with their elegant shapes and shades of white, yellow and pink, are painted with precision, creating a visual effect that captures the essence of nature's beauty.
Period: Meiji end of 19th century.
Dimensions: 172 x 375 x 2 cm.
State of conservation: Excellent condition – There ...
Tapestry, silk embroidery, depicting four tigers along the banks of a watercourse surrounded by rich vegetation. The four tigers are depicted in various poses and attitudes. The watercourse is represented with delicate embroidery that suggests the movement of the water. The back to protect the silk embroidery is decorated with a delicate floral motif.
Period: Meiji end of 19th century.
Dimensions: 195 x 145 cm.
Conservation status: Excellent condition – There are some slight wears on ...
Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold leaf and fine silk applications. The main scene shows a pair of black carts with vases and a selection of flowers, such as wisteria, iris, peony and chrysanthemum, with distinct colors in various shades.
Period: Meiji end of 19th century.
Dimensions: 118 x 364 x 2 cm.
State of conservation: Excellent condition - There is slight wear compatible with time.
Finely engraved and dated pewter stein or stob / Germany, made in 1708 (touchmark inside lid).
An early tankard with a large central medallion with text reading in fine old hand-writing style in German:
''GOTTES SEGEN AND GLÜCKLICHE ZEIT WÜNSCHE ICH AUCH ALLEN BEIDEN'' Fine floral engravings on either side.
Later initialized and dated by new owners J.G. Büdger to 1811, so more than 100 years after it's making.
Size: 26,8 cm. tall.
Condition: ...
Boro noragi (work wear) made of many cotton fragments, which are hand spun and vegetable indigo dye. It is from Shonai region in Yamagata prefecture in Tohoku district and called Shonai-sashiko. Late 19th to early 20th century. W:89cm, L:81cm
A ghost rises from the darkness pulling on her hair, a wry grin as she looks sideways at the viewer on this antique painting by Moriwaki Unkei. Ink on paper completely cleaned and remounted in vine patterned blue silk with dark wood rollers. There are old age stains on the paper, which appear much stronger in the photos than in life. It is 40 x 200 cm (15-3/4 x 78-3/4 inches) and in excellent condition.
Moriwaki Unkei (1858-1946) was born in Tanakura-cho, Kawaetsu-han (Fukushima prefectur...
Antiques (36732)
