Very fine example of a Japanese Kiyomizu Tenmoku Chawan with aesthetic Namako (sea cucumber) glaze. It was made around 1900 and is in perfect antique condition. No chips, cracks or repairs.

Size: 7,1 cm height x 13 cm in diameter. Wooden box available for 30 USD.

We present another awesome Shino-Oribe Chawan from our collection: Greyish-whithe glaze amalgamates with a wild and roughly thrown body and a still vivid and strong glaze. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark.

The chawan dates from the Meiji Period (1868-1912) and comes with a very good wood box.

Size: 3,7'' height x 5,3'' in diameter. No chips, cracks, repairs.

Another Hagi Chawan of the Koraizaemon family in our collection: wonderful Hagi tea bowl made by the 9th generation Saka Koraizaemon (1849-1921) during the Meiji Period. Fine and aesthetic Kintsugi gold restauration. It comes with its originally signed and sealed wood box and signed and sealed authentication documents.

Size: 3,1'' height x 5 '' in diameter.

Shipping included...

Perfect Aka Raku Tsutsu Chawan made by the 10th generation Kichizaemon Tan-nyu and enclosed in an authentication wood box written and signed by the 12th generation master of Omotosenke, Seisei (1863-1937).

Tan-nyu (1795-1854) was firstly named as Sojiro. He was the second son of Ryōnyu, the second generation master. In 1811, at the retirement of his father-master Ryonyu, he succeeded as Kichiza’emon...

Perfect Aka Raku Chawan by Kichizaemon (twelfth Generation) Konyu (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Konyu. He enjoyed his retirement in practicing tea ceremony and writing haiku. His Aka (red) Raku wares were famous for the dynamic use of spatula. He was also skillful...

Special offer: Heavily distorted shoe shaped (kutsugata) tea bowl with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A 'window' on the side has been left unglazed and is decorated with a square divided into two white and two black section accompanied on each side by two circles with the same patterns. This is a ty...

Here we present a real old Ko-Karatsu Tenmoku Chawan with a wonderful yobitsugi repair. It dates from the early stages of the Japanese Azushi-Momoyama Period (1573-1603).

A yobitsugi repair is not just a simple repair, it is a recreation by using laquer and some fragments of broken pottery of the same or a similar kiln. The result is a breathtaking consistency of 'landscape' (keshiki). The chawan is ready for use - tea does not leak.

A characteristic feature of the use of...