Carrying a baby in her right arm while holding a rosary in her left hand, wearing gold gilded lines on white hooded robe and a rosary, sitting on the colorful lotus base in the lotus pond.

Guanyin or the Chinese Goddess of Mercy is popularly represented as a beautiful woman, holding a child in her arms and wearing a rosary around her neck...

A Victorian Silver Plate Partners Inkstand or Standish; with Two Lidded Ink Bottles and a Central Ponce Pot Covered with a Taperstick. From London circa 1850's. Dimensions; 7.75" wide x 5" deep x 4.5" high. It has a descriptive label, with original misspelling (see picture). Some wear, but excellent condition.

Beautiful Balouchi Balisht front, in fine condition, natural dyes, wonderful tree of life design on camel ground, some corrosion of the browns, with original selvedges and flat-woven ends. This piece measures 18" by 39". One of a few Balouchi weavings currently for sale on this website.

A lovely Chinese export porcelain plate, the center decorated with a court scene depicting nobles welcoming a visitor bearing a staff and basket of fruit. The scene is very nicely enameled in the famille rose palette. The border is decorated in a trellis pattern in green enamels—a most unusual treatment for a Mandarin plate. The inner and outer borders are highlighted with gilding.

Origin: China, ca. 1850...

Very refined zushi with the sculpture of the bodhisattva Jizo. He stands on a lotus throne on rocks, holding a jewel in his left hand, his right hand missing. Behind his head a halo with very fine decoration in relief of clouds and jewels. Light wood with polychrome and gorgeous gold decoration, especially on the garment. Japan, Edo period, 19th century.
Height 6 in. (15.3 cm).
Right hand missing, otherwise excellent condition...

Small shrine with the sculpture of Kishimojin, the hands folded in prayer. Plain wood with nice patina, the pupils painted black. On the back inscription in black ink. On the right door of the case inscription in black ink: Angyo Kishimosonjin, the name of the temple and the donor. The inscription on the back of the sculpture is partly the same, indicating that sculpture and case came together. Japan, early 19th century.
Height case: 7 in. (17.9 cm)...

Small framed painting of hawk perching on a rock underneath a flowering plum tree branch. The hawk beholds the beholder with one eye, holding its head and body at an angle. Unsigned. Kano style. Black ink on paper in brocade mounting. 18th century. Scroll ends cut off and framed.
Frame: 40 ¼ x 15 ¾ in. (105.8 x 40.2 cm). Painted area: 30 5/8 x 11 ½ in. (78.5 x 29.4 cm).
Toned, some cracks (former folds due to rolling), slightly rubbed at places, few missing areas. It is what it is...

Relics of the Nile is pleased to present this Egyptian green faience amulet of a standing deity. The figure stands erect with the traditional pose featuring the hands at the side. The back is supported by a full dorsal pillar and features a completely intact suspension hole. The figure is worn, but is likely of the standing god Horus, in falcon form. The lower portion of the figure has been lost as well, however the amulet still measures a splendid 1" in height...

A handsome Chinese export porcelain shallow bowl decorated in blue and orange enamels with gilt highlights. This pattern, distinguished by gilt stars against a dark blue background, was made for the American market was not very common. The blue border is pierced by reserves, some of which are decorated with gilt floral sprigs that echo the floral decoration in the bowl’s center. The wide border is flanked with orange and gilt lines and the rim is finished with a Greek key border...

A lovely footed sterling silver salver in the George III style. The salver is perfect for use as a wine coaster, as the size will accomodate a magnum or a champagne bottle. The scalloped stepped border is elegantly decorated with acanthus leaves and gadrooning. The shell-shaped feet are flanked by acanthus leaf returns. Marcus & Co. was one of the most exclusive jewelers in America and was one of the few companies to give Tiffany any serious competition. They did not make their own silver, ...

Small phosphatic glazed earthenware jar with double handles. Reddish brown clay covered with dull black glaze with several mottled white glaze splashes. Jun-type pottery as made in the Tang dynasty, China, 19th century or earlier.
Height 5 ¾ inches (14.9 cm).
Black glaze dull, showing water streaks, one chip on back of one of the loop handles, some dirt residue. Otherwise good condition.

A superb pair of sterling silver footed baskets by Lambert & Co., one of the most highly-esteemed Victorian silversmiths in London (mentioned by Charles Dickens in his writings). The baskets are ornately pierced and rise on ornate scrolled foot collars. The rims are decorated classically with acanthus leaves and scrolls, but a hint of Art Noveau appears in tiny irises, chrysanthemums and forget-me-nots that are scattered along the rim. The swing handles are also pierced and heavily decorated...

Outstanding brass match holder the pocket formed in the shape of a shield and punch-decorated in a stars and stripes pattern. The pocket is surmounted by a punch-decorated American eagle underneath the motto “In God We Trust”. This motto was adopted in 1863 as a subtle government reminder during the Civil War that God was on the side of the Union troops fighting to end the evil of slavery. The backplate has a punchwork border and also a hole for hanging.

Origin: America, ca. 1860s. Co...

Japanese Edo Period carved wooden mini KANNON and attendants. The carved and painted KANNON, attendants (8) and hillside are beautifully done with great detail and expression. The hillside measures 9 1/2" tall, 9" wide and 7" deep. There are suppose to be 12 attendants but only 8 remain.

Heavy sterling silver serving spoon in Gorham’s wonderful 1888 “Versailles” pattern. This was a multi-motif pattern, meaning that each type of flatware in a service had a different handle design. This serving spoon shows a farmer in Classical dress carrying sheaves of wheat—quite a curious motif compared to the ornate scrolls and shell motifs that make us the rest of the design. The back of the handle is marked with Gorham’s older hallmark and also the mark for extra heavy weight—...

This is a brightly decorated and colourful famille rose medium size bowl. On top of the bowl, the rim is surround by a series of small blue colour enamelled ruyi head. At the bottom, it is surrounded by upright blue colour lappets in rectangular design. In between the ruyi head and the lappets, is alternating blooming lotus flower and green colour lotus seed pod surrounded by meandering and branching foliage. The porcelain of the bowl is light grey in colour and not white.

The bowl is...

A pretty Victorian mercury glass vase in rare peacock blue. The surface is frosted and enhanced with painted decoration of fuchsias an autumnal colors. Some areas of the background are left unfrosted for a nice contrast. Blue is a very unusual color for mercury glass pieces.

Origin: America, ca. 1850. Condition: very good, no chips or cracks, lead plug is missing and some oxidation in the foot and light oxidized pinpoints the main part of the body. Size: 8” tall.

Ca 1900 Arts & Crafts stained oak frame with copper flower embellishments and a Moseley Ware (stamped on back) painted glass insert.(This is possibly George Moseley, one of the Terrible Seven apprentices at the Royal Worcester factory.) The back label reads " William Talbot, Carver, Guilder and Picture Frame Manufacturer. Old work re-guilt and made equal to new. 24 Market Street Bury." At one point, there was a small split in the wood that was professionally restored - the repair is not evide...