Storage jar with beautiful dark brown glaze drippings from the neck and shoulder down, over a dark brown stone ware with countless inclusions. Around the neck engraved with cross pattern. Shape somewhat distorted. Height 11 inches, width 10 inches. Two short cracks at the rim, one small chip at the rim, glaze partly rubbed due to extensive usage. Overall condition good. Japan 18/19th century.

Fine Cizhou image of boy carrying a lotus, this symbolizes the continued succession of sons. This piece is in pristine original condtion. High fired stoneware with very stable heavy glaze. H: 17.5cm/6.9in and W: 9cm/3.5in. Guaranteed to be at least Qing Dynasty but possibly Ming.

A very rare THAI 18/19th Century Black & Gold Lacquered Bamboo container with scrolling and flowers. Top rim partially restored as can be seen in photos due to considerable age and climatic conditions. Gilding shows some wear. Overall in fair condition. Size: H. 12" x 13.5" diameter. Impossible to find in this era!

Qing Dynasty, rare (no one I know has seen one before), silver amulet with a rat (definitely not a mouse). 2020 was the Chinese Lunar Calendar for the Metal Rat so this being a silver piece represents a full 60 year lunar cyclical completion this year. In Chinese society the Rat is considered clever, cultured, shrewd and intelligent although a bit manipulative (Mark Zuckerberg is a Rat). The reverse side wishes the owner “May you live 100 years”...

Very old and very fine embroidered sleeve panels..satin and "forbidden stitch" (Peking knots) with antique trim border...some discoloration due to age... measures 11 x 22.5 inches

Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing...

Edo Period, Ca. 1800s

This candlestick is fashioned from Copper with a ribbed shaft rising from a stylized chrysanthemum-form base terminating into a flower-form top with pricket to receive a candle. It has been attached to a later turned-wood base. It is for use in a Buddhist altar. Good condition.

Height with wood base: 24 in., Width: 5 ½ in.

Antique Tibetan tsakli card depicting a wrathful deity (Heruka) wielding a sword on horseback. Painted in mineral colors on paper with Sanskrit description on the back.

Tsakli cards are powerful miniature paintings of Buddhist deities and objects. They have many different ritual uses. They can be used for teaching when a lama holds the card out for a student to focus on, thus helping them with the visualization and meditation on that deity and what it represents...

This porcelain tea cup and saucer was produced in England by Copeland between 1851 and 1885. The saucer is 4 3/4 inches square and the cup is 2 1/2 inches high. The set has molded decorations in the porcelain. It is made of fine, white bone china. The decoration is inspired by the Japanese Imari pattern. The colors, rust red, cobalt blue, peach and gold are vibrant. Intricate gilded designs accent both pieces. There is gold trim on the rims and handle. Condition: Excellent

Set of 4 turn-of-the-century French Belle Epoque Rococo 950 silver open salts and spoons. Each salt: Open oval with scrolled and leafing rim and four reeded and scrolled supports. Asymmetrical scrolled cartouches engraved with interlaced script monogram. Cobalt glass liner with scalloped rim. Each spoon: Double-sided gilt-washed shell bowl and tapering stem with raised scrollwork. All pieces have maker’s stamp for V. Boivin. Spoons have Minerva head...

This Chinese vase comes from Canton from the end of the 19th century or perhaps the first few years of the 20th century. The shape is termed onion neck for obvious reasons and derives from Delft forms made in Holland in the 17th century. The bright overglaze enamel colors are typical of export wares of the era and the subject matter of boys with balloons containing characters meaning "prosperity" and "good luck".

Crucifix in wood and pewter. The cross is made up of 2 planks of softwood, fir or larch? The Christ and the other elements are in cast pewter (or lead?). A similar but smaller crucifix is kept at the Victoria & Albert museum which advertises it as an 18th century Spanish work. 375 x 185 mm Good condition, some lacks as can be seen on photos. Very rare item.

Fine Ming Dynasty “sancai” pottery bed, in pristine condition, with subtle but discernable paraffin patina, consistent with an “of the period” piece. This has simple classic lines emblematic of Ming furniture. There are 4 holes in the floor of the bed originally intended to support a cloth canopy. Widths: 32cm/12.5in x 19.8cm/7.9in and height: 17cm/6.9in.

Three turtles bronze incense burner.

In Japan, the turtle (kame) is considered a symbol of wisdom, stability and luck. Tradition has it that it brings protection and 10,000 years of happiness because of its longevity and the slowness of its movements. In the Taoist belief, the turtle symbolizes the world: its shell represents the sky, while its body represents the earth.
The use of incense was introduced in Japan at the same time as Buddhism...

An auspicious element in Hindu tradition, Deepalakshmi is a representation of Goddess Lakshmi, holding a lamp or a ‘deepa’ (diya) in her hands...

Antique Japanese single section isho tansu (clothing chest). Kiri (paulownia) wood front with sugi (cryptomeria) wood frame and drawer interiors. Three full-width drawers, the middle drawer is 3/4 width with two small drawers to it's right hand side. Blackened iron hardware includes moko shaped drawer pulls and round lock plates.

Meiji Period (1868-1912)

Dimensions: 41 3/4" high x 32 3/4' wide x 16 1/4" deep.

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

Ancient genuine Roman carnelian beads set on modern silver wire ring
Roman, 1st century AD.

Complete any outfit with this unique fashionable and trendy ring made of ancient genuine Roman carnelian stone beads dating to 1st Century AD set on modern sterling silver wire ring.

All jewelry designs are exclusive, created of craft way. There is only of each model.

Ring size: 54

Carnelian was thought to cause the blood to circulate smoothly throughout the body...