Late 19th century Nabeshina porcelain portrayal of Mt Fuji against a celadon ground. This signed 7" plate is in very good condition with only minor surface scratches from use.

This is a mid 19th century or earlier 7" Nabeshima shallow footed bowl decorated with a blue landscape against a celadon sky. A similar example is illustrated in The Study of the Nabeshima House's Ceramic Ware Factory and Its Products, Plate 10.

Condition: Excellent

This lovely small woman's purse was made from silk satin fabric and embroidered with silk thread useing the satin stitch. The purse still has the original silk ribbon attached to the bottom, and belt loop attached at the top.

This is an antique Chinese set of carved bone dominoes, complete with dice and original wooden box. Carved by hand sometime in the Qing dynasty, the 32 dominos vary abit in shape, size and thickness and the bone dice are a bit off cube.

The box is just under 5 inches x 2.5 inches x 1.5 inches.

With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.

Condition is excellent.

A school of three finely shaded mackerel swim across a sea of mottled green on this 2.75 inch baluster form vase signed Ando Jubei. The upper rim is of copper, the lower silver.

An excellent piece with only the negligible pitting usual for the era.

This magnificent handcrafted Art Nouveau figural brass letter opener is the nicest one I have seen, with intricate detailed "Spirit of Life" maiden wearing a flowing, draped gown, one arm resting on back of head, the other catching her windswept gown, standing on a base of sinewy bark surrounded by clover, circa 1890's, very heavy. Measurements: 10 in. high. Condition is near perfect.

Desk decorating? Can't duplicate this original Victorian set of large nickel plated newspaper cutting scissors and letter opener with matching sheath in the style of WMF, circa 1900, the handles and sheath of beautifully cast with Art Nouveau style; blades are steel-cut and marked "Schnefel Bros, Germany;" condition: sheath case and handles in excellent condition, some minor nicks; measurement:, 11 3/4 inches in sheath. Letter opener- 8 3/8 in high.

Rare Navajo Rocker Engraved Profile Spoon. Circa 1885-90. Totally rocker engraved, no stampwork. Interesting depiction of a Navajo man or woman in the bowl with hat and feathers. 5 1/2 inches in length. 1 1/8 x 1 1/4 inches bowl size. Incised file marks on the handle. A masterpiece of Navajo silversmithing.

This antique Chinese hand carved wooden bobbin still has a length of home spun thread which winds around the middle. The bobbin shows extensive use, with some areas of paint and finish heavily patinated and other areas just worn away.

Uniquely figured diamond shaped bronze 'suiban' flower vessel for ikebana flower arrangement. Lovely Meiji Period c.1885 bronze featuring hexagonal diaper pattern representing tortoise shells and long life. Ever since the Nara Period, stylized tortoise shells have been a popular diaper design in Japanese art. Very rare design for a suiban flower vessel; most are rectangular. Excellent condition. c.1885. (18" x 13") (45cm x 32cm).

Turn of the century antique Japanese bronze flower vase. Thick rings create an art deco feeling. Beautiful lines and rich coloration. c.1900. (9" x 5") (23cm x 11cm). EMS Shipping/Insurance to USA or Western Europe $80.

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.

The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira family) before power was shifted to the Genji (Minamoto family) samurai...

This is a nice piece of cobalt blue glazed scholar’s brush stand. It has three mountains with scene of the “Hai Ma” flying amidst the ocean waves on both side of the stand. Circa. 19th century.

The brush stand is in good condition. No chip, repair, restoration or glaze friting.

The measurement of the scholar’s brush stand: The height is 7cm and the and the length is 10.1cm.

Since there still are no publications concerning this kind of ware, this extremely decorative and of course genuine Jar is difficult to date. Most probably this Jar is from the Song Dynasty (Private kiln, Fujian / Guandong ) but it also could be that this Jar is later, from the 14th - 15th century . Another possibility is, that this rare Jar belongs to Shiwan ware. This Jar bears 3 impressed private Kiln Marks which you can see at the images. Condition : Absolutely perfect condition and the ...

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori...

This is a circular copper scholar’s ink box with etching of a love poem on top of the cover. It has three seal ark on it, one on the extreme right and two just below the two below the name of the author. On the base of the ink box, there is also a seal mark likely to be that of the manufacturer. It also comes with the original used ink cake. Circa...

Antique Japanese merchant's chest (choba tansu), made of sugi (cryptomeria) wood with dark red lacquer finish, 4 exterior drawers and safe box with 2 small interior drawers, beautiful heavy iron hardware including elaborate bracing on front frame, wooden bracing on sides and back, from the Mikuni area, Edo Period (late 18th/early 19th century). Size: 32 1/2" high x 38" wide x 18" deep.

A pair of pressed glass horn epergne or car flower vases from the 1910 era. Made with a loop for suspension from an epergne, a table decorative centerpiece, or a mount in an automobile, these 6-3/4" long unsigned vases measure 2-1/2" across the opening; they are in excellent original condition with no chips, cracks, losses, damage or repairs...

This is not your typical cloisonne. The beautiful Chinese vase is one of the best quality that I have personaly owned in many years. Notice the 8 graceful cranes,chrysanthemums and other flowers. The colors are bright. I have been told that this vase is pre 1900. THERE IS NO DAMAGE ON THIS ITEM. IT IS IN EXCELLENT CONDITION and sits on a wooden rosewood base.

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

This is a charming American cornice or mantle piece in old, original, grayish greenish blue paint. Both an architectural element, and extremely useful, the top section is convex molded, and each section steps down from the one above, with two rows of egg and dart motif separating the sections.

71 1/2 inches long, 9 inches tall, and 4 inches deep at the top shelf. In excellent structural condition, and with wear to the paint as is expected.

A delightful and rare Victorian tartanware egg timer covered in an unidentified red, green, black and yellow. The top and bottom plates are in an unusual horseshoe shape. The posts are covered in tartan, as well. Exposed areas of wood are ebonized. The tartan is not named, and the piece is marked “Made in Scotland”. The timer measures exactly 3 mins.

Origin: Scotland, ca. 1895. Condition: very good, light wear to edges and varnish, but no major scuffs or missing paper...

A pretty Victorian maple swing-handle sewing basket, the interior lined with colorful pleated silk plaid. The bottom, upper frame and handles are constructed of maple, and the spindles forming the sides of the basket are ebonized.

Origin: America, ca. 1900. Condition: excellent, except for a narrow age split in the wood at one end of the upper frame. Size: 8-1/8" x 5-3/4" x 9" high.

Description: A boxwood carving of Lohan was from late Qing period, 19th Century. Called Chang Mei Lo Han, Lohan with Long Eyebrows, the figure was with likely features of a westerner. By the unique outlook which the Chinese usually depicted to the divines, the Lohan takes the casual posture of leaning to one side when holding in hand with a scroll. By contemplating facial expression, the sage wears only one shoe on the foot when letting loose of another to the stool side...

Antique Japanese tsutsugaki (paste resist) cotton horse cover, bold design of large red characters on either side and white stripes on dark indigo ground in center.

Meiji Period (1868-1912)

Size: 14" wide x 89" long

Antique Japanese horse cover made of paste resist died cotton(tsutsugaki), design of fish jumping up waterfall on either side, middle is decorated with a large Tomoe (large commas) mon (crest).

Meiji Period 1868 - 1912

Size: 22" wide x 83 1/2" long

Antique Japanese horse saddle cover, made of tsutsugaki (paste resist died cotton), fan and tassel motif in red and indigo, large Kashiwa (oak leaf) mons on either side.

Meiji Period (1868-1912)

Size: 27 1/2" wide x 45" long.

Antique Japanese wooden horse saddle frame, lacquered and inlaid with shells in chrysanthemum motif with Soroban (abacus beads) mon, bronze hardware, Edo Period (late 18th/ early 19th century). Size: 17 1/2" high x 21" wide x 26" deep.

Rare Chinese export carved wood tea caddy in the form of an eggplant with leaf form screw lid. Early 19th century.

Height: 4.5”

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance...

A delightful and very rare Staffordshire ironstone puzzle jug by Elsmore & Forster. The sides are decorated with colorful scenes of a cockfight below the lip, while the sides feature large images of the famed circus clown “Cashmore”. The foot, rim and handle are highlighted with red stripes. The interior has a hidden siphon system that causes the contents to spill when the jug is tipped, unless the pourer covers the small air hole on the inside of the handle...

Large silver geisha kanzashi (hair pin) with a family crest of three Kikyo (bellflower) blossoms within the kikko (tortoiseshell) hexagonal frame. Unique kanzashi for an elaborate hairdo. This kanzashi looks better than the photos shown. 9" long, late Meiji/Taisho period...

Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here.

In this vase, the impressed silver foil ground acc...

Japanese twin pronged kanzashi with an agate ball. Late Meiji/Taisho period. Kanzashi is 6" long and the diameter of the ball is 3/4".

In the old days of Japan, agate was treasured as one of the sacred treasures. The Seven Sacred Treasures of Japan (Shippo), which originally came from the Buddhist surta, are gold, silver, ruri (lapis lazuli - blue stone with purple tint), shako (sea shell), agate, pearl, and maie (sea shell). Some are replaced with coral or crystals (old glass) depe...

This is a nice conical shaped Song dynasty (960 – 1276) medium size bowl of light grayish glaze. It stands on a short foot rim and recessed base rising to an everted conical shaped glazed body stopping short of the rim, exposing the stoneware of light grey colour. On the inside of the bowl, along the cavetto, it is incised with a cloud like motif with light combed hair line mark. On the base inside of the conical bowl, some minutes shaved particles could be seen. It has a smooth mat glaze, not...

This is an outstanding American sterling silver repousse napkin ring in the style of Kirk although the mark is too worn to distinguish, ca 1880, heavily repousse with centered monogram GLJ, Wt. 18.9g; Condition is excellent; Measurement: 1 5/8 in. diam. x 1 in. high.

This is a early Nippon collectors dream, beautiful and profusely decorated with a background of rolling mountains and trees, displaying an early morning sunrise. Enlarged birds and lakeside bulrushes are elegantly sculpted in high relief detail, the handles and mouth rim as well as the bulrushes are dotted with jewel-like turquoise beads, colors of chocolate, salmon pink, orange, and yellow dazzle the eyes. This is a very old and unmarked Nippon ware, as every collector knows that all such speci...

Meiji period, 1868-1912

This shallow bowl-form dish is decorated with a peony growing from a rocky ground in underglaze cobalt blue. It is set on a high foot--characteristic of classic Nabeshima dishes. The foot is painted with the so-called comb tooth pattern often seen on dishes of this sort. It is glazed overall in an even, clear glaze that takes on a very slight, pale celadon tinge on the exterior. The base is glazed and the fine paste is exposed on the footring. The condition is very ...

One of the best shiwan (shekwan) sculptures we've ever encountered, this large masterpiece displays the legendary Laozi riding an ox: Laozi means "old master". It is said that he mounted an ox and headed west, before leaving, the border guard asked if he would write down his ideas, which Laozi obliged to do, thus he wrote the Tao-te ching (Book of Changes). The robes are done in a rich white glaze that is naturally aged with time, the glass-like eyes of the ox reflects the pinnacle of the pott...

This Chinese ethnic minority hair comb was hand carved with scalloped edge detail on both sides. Many ethnic minority women would save the hair from ancestors and add it to their own hair for additional bulk...some groups would add bits of wool also to make the hair appear thicker. Combs were used both for combing and for hair ornaments. Carved from walnut wood and 9 inches long at the bottom

18th Century Japanese Wood Carving of a Mythological Guardian Shishi and Peony. This carving is reminiscent of a carving at Nikko Shrine. It is unusual to find one with much of its paint still intact. Wonderfully carved and painted by a master. A fantastic addition for a collector. 31 inches (79 cm) long x 17.5 inches (44.5 cm) high. Excellent Condition. From a prominent and widely exhibited collection.

19th Century Japanese Porcelain figure of Kintaro in court attire in the style of a Gosho Ningyo (Palace Doll) holding a Crane. Kintaro loved all birds and animals. This rare porcelain figure is signed by Makuzu, a well recognized porcelain artist who is collected by museums and collectors in Japan. He uses glazes in his own recognizable style. 4 inches, 10 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Framed 19th Century Japanese Late Edo Period Embroidery of a Phoenix. Wonderful and elaborate master needle work with beautiful use of soft colored silk threads accented with gold silk threads. This a rare find for the Japanese textile collector. This was part of the Morris collection, which is housed in the Peabody Essex Museum in Massachusetts. It is framed with a Victorian era frame. 26.5 inches (67 cm)w x 25 inches (63.5 cm)h. The textile is in Excellent Condition, the frame is in Very Go...

Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.

Japanese Late Meiji Period Two Panel Owl Screen featuring a solitary owl perched on a wind blown bamboo, entwined by vines with clusters of red berries. Signed by Kouro. Nihonga School - ink and color on paper painting in tarashikomi, a technique that achieves shading through pooling successive layers of partially dried pigment. 68.5 inches (174 cm)h x 67 inches (170 cm)w. Very Good Condition. Minor Repairs. From a prominent and widely exhibited collection.

19th Century Japanese Late Edo Period Two Panels Rimpa Flower Screens. Rimpa School represents the highest standard of decorative painting of all schools of Japanese painting. The flowers and other elements are raised by the use of Gofun (Oyster Shell Lacquer). This masterpiece features wonderful color with gilding and silver leaf. A great work of art. 67.5 inches (171.5 cm)h x 48 inches (122 cm)w. Very Good Condition. From a prominent and widely exhibited collection.

An extraordinary early Meiji Period Bronze of a Roaring Lion. It is very unusual to see a Lion in Japanese Bronzes. It has a wonderful gold bronze patina, this great bronze signed Atsushige, a master of animal bronzes. 20 inches (51 cm) long x 10.5 inches (27 cm) high. Excellent Condition. From a prominent and widely exhibited collection.

Early 19th Century Edo Period signed Japanese Ikebana flower arranging wall basket made of bamboo woven by the master, Mineko, with wonderful color and design. Wall baskets of this quality are hard to come by. 8.5 inches (21.5 cm)h x 3.5 inches (9 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

A signed classic Kakiemon Japanese Porcelain Vase by Meiji Period artist, Ucho, featuring a wonderful flower image with gorgeous, brilliant under glaze red on pure white glaze. This vase has the wonderful global shape of perfection. 8.5 inches (21.5 cm) tall. Excellent Condition. From a prominent and widely exhibited collection.

Japanese Two Panel Screen of Snow Cranes on a Willow Tree. This great masterpiece is one of the most amazing screen paintings we have seen. Each Snow Crane is painted with its own personality and attitude, using the finest pigments and Gofun (Oyster Shell Lacquer). All of the elements of this painting are just magical. Brocade borders in a black lacquered frame make this two panel screen complete this work of art. 66 inches (167.5 cm)w x 62 inches (157.5 cm)h. Excellent Condition. From a prom...

An unusual and important early 19th Century Edo Period Woven Bamboo Tea Ceremony Box. This unique work of art is the only one we have seen like this. Expertly woven bamboo accented with a large bamboo handle. A rare find for the serious Japanese basket collector. Wonderful color and patina. You are not likely to see another on the art market. 17.5 inches (44.5 cm)h x 12 inches (30.5 cm)w x 10 inches (20.5 cm)d. Excellent Condition. From a prominent and widely exhibited collection.

Early 18th Century Japanese Two Panel Screen Painting featuring a spectacular Phoenix. Exquisitely painted with silver leaf on paper. Original brocade borders. Screens this early are very rare, and screens of these proportions are rarely seen. 28 inches (71 cm)w x 24 inches 61 cm)h. Good Condition. From a prominent and widely exhibited collection.

A pretty Victorian mercury glass vase in tapered and ribbed columnar form with a foot. The body has a matte surface decorated with a pretty bouquet of blue and white flowers. The vase has a nice small size that is not easy to find.

Origin: Bohemia, ca. 1870. Condition: excellent, a tiny area of oxidation near the base of the bouquet, no plug. Size: 6-1/8” tall.

Edo Period (circa 1820) Japanese Sculpture of Tenjin, the Shinto God of Knowledge. It was housed and displayed in a Shinto shrine. This Tenjin is extraordinary. it was commissioned by a wealthy family and presented to the shrine as a gift. It is an amazing work of art and is complete with its platforms and accessories. Its color and lacquer work are sublime. He has crystal eyes which add to an unforgettable image. 34 inches (86.5 cm)h x 22 inches (56 cm)w x 13 inches (33 cm)d. Excellent Cond...

Early 19th Century Edo Period Japanese Takeda Isho Ningyo pair representing Daikoku, the God of Wealth and Fukurokuju, the God of Knowledge in a sumo match. Wonderfully rendered Ningyo in a rare and unique pose. Symbolic parody of wisdom over money. Subjects of Sumo are very sought after in Japan. A great find for Ningyo and Sumo Collectors. Overall Dimensions: 12 x 11 x 9.5 inches, 30.5 x 28 x 24 cm. Excellent Condition. From a prominent and widely exhibited collection.

An early pair of Japanese Kutani Porcelain Shishi (Foo Dogs). These unique porcelains have a rich brown glaze with black and white under glaze. They have a wonderful mythological presence. 7 x 4.5 inches, 18 x 11.5 cm each. Excellent Condition. From a prominent and widely exhibited collection.

A superb bronze casting of a Rooster on a Commonwealth Drum. It is of the finest quality, a master work of the art of Japanese bronze metal art. The Rooster on a drum is a popular image for the New Years Geon Festival. 11 inches, 28 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

This is a small and thinly potted Song Dynasty (960 – 1276) small yingqing bowl. It stands on a short glazed foot rim and base rising to an everted c-shaped glazed body stopping short of the rim. Both the rim inside and outside of the bowl is unglazed exposing the porcellanous body.

The small yingqing bowl has abrasion, glaze crazing, pin holes and a small chip on the rim which can be seen in all the pictures. There is no repair or restoration. Overall the bowl is in good condition...

A important Rare 18th Century Noh Theater Robe. This extraordinary silk embroidered example of a summer production Noh Robe has a design of Wisteria, Fans and Ropes, and exquisitely captures the art of Noh. 63.5 inches (161.5cm) height x 52 inches (132 cm) width. Excellent Condition. From a prominent and widely exhibited collection.