Old Japanese Banko Ware Marble Pattern Tiger

The tiger is 4.5 inches tall, and 5 inches wide.

It is in good condition with no repairs, chips, nor cracks.

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A well carved jade frog that can be used as a pendant. Actually is was worn on the belt.It has two holes under the chin that do not go all the through. It probably had some metal clip attached to it. The color is a little lighter then appears in the photos. Age: Early 19th or late 18th century. Size: L.5cm. W.3cm. Condition: no chips or repairs. Nice smooth finish from being fingered a lot.

This is a fine ovid yingqing meiping, It is designed with a simple incised line without the engraving of any motif. The meipimg is divided into four equal segments all divided by two parallel incised lines. Within all this incised lines, the greenish glaze can be seen pooling at the recessed part. A luted line (pic 1 and 2)can be seen at the joint between the upper and lower half of the body. Overall, a very nice and well potted yingqing meiping,

There is no repair or restoration...

Description: An archaic turquoise pendant was carved into two crouching Chilongs around a circular Huang. By ferocious features and animated postures, the fairy animals were rendered deliberately in every detail. From the characteristic features including the grooved spines, strenuous hips, legs, and claws, and the tiger-like heads, this carving piece embodied all the essential points in authenticating the Han date...

Oversized abstract mixed media print on heavy embossed paper titled "Yin-Yang" by Taiwanese artist Liao Shiou-ping (born 1936) dating circa 1980. Pencil-signed, numbered 7/50, and pencil-titled in Chinese and English in the lower margin. Very good overall condition with minor soiling and paper discoloration to the front, sight creasing and toning of the edges, and toning to the back. Paper size: 29 7/8" x 22"...

Description: A scholar bronze water basin was in lovely pumpkin shape. Covered with typical old patina on the surface and left pigment between the lobes, the item was kept in very good condition except some minor dents which was not unusual to an old piece. One later made dip was accompanied with this piece as a perfect match. Date: 18th/19th Century. Width: 5.3cm, Weight: 51gram.

Four calligraphy works dating from the Edo period mounted on an antique two-panel Kama-byobu tearoom screen; the backing paper covered with minute gold flake. The centerpiece of the screen is a scene of Mt. Fuji next to the character Ryu (for Dragon). This piece is signed Ryukoubi (Soro Ryu 1714-1792) a well documented artist known for calligraphy and poetry who seemed to change names and addresses as often as humanly possible...

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings...

Description: A stone inkstone was in a simple and plain form. By a characteristic “Chao-Sou” form which was named after its easy-handle type, or “Lu-Xin”-shoes like form, the inlstone was carved from solid stone and was shaped regularly in a rectangular form. Starting from the wider side, the grinding surface was sloped slowly to the other side and being as an ink pool. The inkstone is in quite good size of 15.5cm in length. It was carved by an affluent craftsmanship...

Description: A gilt bronze figure of Buddha was standing on a square base of a stele. Under a pointed nimbus, the Buddha Sakyamuni was in a gesture of preaching and enlightening. When preserved with the original gilding on most part of the surface, the bronze figurine was found at the frontal side of the base with a precise date inscription of Tien-Bao-Er-Nien(The second year of the Tien-Bao periods) which was from the dynasty of Northern Qi. It was the year of AD551...

Rare Large Chinese Han Dynasty Incised & Painted Pottery Dish

This dish was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a fine-grained grey pottery, quite "heavily-potted" and relatively highly-fired, having a distinct ring when tapped. Its flat base is fairly small compared to its overall diameter. The lower body is of a shallow cone shape with a flat wall and rim above...

A nicely carved natural amber pendant with one bat and leaf design. The bat represent longevity and happiness. The bat and happiness sound is in the Chinese language is similar - both pronounced Fu. Size: L. 2.4cm. Condition: No repairs, cracks or chips.

Description: A white glazed incense burner from northern China of 14th to 15th Century was in elegant shape. Kept in perfect condition except with some frets on the glaze, the surface of the tripod censer was separated with 4 parts. Light key-fret imprints were applied on the surface of the middle sector. Date: 14th-15th Century(late Yuan to early Ming) Width: 12cm Height: 8.4cm Condition: Perfect except some frets on the surface.

Made of red silk, embroidered in the 'forbidden stitch' with peonies and other flowers in red, yellow and white, lined with gold thread. The tassels bound with gold and silver thread. Dimensions: the pouch 7x6 cm, the tassels 16 cm.

An official figure most likely as Guamdi was carved in sitting posture. Nice features depicted and well rendered robe in flouring form. A master piece in serene mood.
Height: 22cm.

An unusual 17th to early 18th century Screen featuring a koto harp and candle stand behind a screen under blossoming prunus, a spry group of pine in front and rushing water beyond. Incredible veining in the gold...

Description: A Yaozhou bowl in conical shape was kept in perfect condition. The olive-green glaze is beautiful. Even though it was in plain style without any motifs, the typical Song mood was still exemplified. Date: Song dynasty. Width: 9.9cm Height: 4.1cm Condition: perfect.

Chinese Ming Dynasty Glazed Pottery Chair (16th Century)

This rare and very nice pottery model of a folding armchair with a horseshoe back was made in the second half of the 16th century (c. 1550 - 1600). It is made from a relatively highly-fired red pottery that has been partially glazed in green and amber glazes. In places the surface of the glaze has acquired a silvery iridescence through long exposure to moisture. The seat, and other parts, remain unglazed and has been decorated with an ...