Hu's Collection
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Description:
A Chinese iron kettle was cast in decent form.
By well arched handle in nice shape, the body of the tea pot was in drum-like shape, and was cast with motif of Buddhist Treasures on one side and with date inscription of Qianlong Xin-Yo NienZi(Made in AD1741, Qinglong reign) and with Chinese lucky words of FunTiaYuXun in a roundlet.
It was very rare to find a iron kettle from Chinese origin, and when it was in such nice shape.
Date: Qing Dynasty...
A Chinese iron kettle was cast in decent form.
By well arched handle in nice shape, the body of the tea pot was in drum-like shape, and was cast with motif of Buddhist Treasures on one side and with date inscription of Qianlong Xin-Yo NienZi(Made in AD1741, Qinglong reign) and with Chinese lucky words of FunTiaYuXun in a roundlet.
It was very rare to find a iron kettle from Chinese origin, and when it was in such nice shape.
Date: Qing Dynasty...
Hu's Collection
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Description:
Done by top-quality marble stone, a great Buddha’s head was well carved.
A typical piece of the early to mid-Tang periods, the marble head was well carved by the hands of the excellent craftsman.
The religious piece was well depicted in details: on top, the spiral ushnisa and the features of the face –the full cheek, almond eyelids and well-defined lips, all were meticulously rendered by affluent and sleek carving skills...
Done by top-quality marble stone, a great Buddha’s head was well carved.
A typical piece of the early to mid-Tang periods, the marble head was well carved by the hands of the excellent craftsman.
The religious piece was well depicted in details: on top, the spiral ushnisa and the features of the face –the full cheek, almond eyelids and well-defined lips, all were meticulously rendered by affluent and sleek carving skills...
A large bronze bracelet.
Vietnam, Dong Son culture, 300BC-300AD
H. 14cm W. 11 cm
Condition: beautiful burial condition with excellent patina
Hu's Collection
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Description:
A Changsha ewer pot was rarely kept with the original cap.
Being applied with yellowish glaze, the ewer was decorated on the body with characteristic brownish stripes.
Intriguingly made to imitate a fowl, two wings and a tail were squeezed to the body. They were also the characteristic form for the Changsha wares.
The glaze was transparent and in greasy look while immensely spread crackles were yielded and were accompanied with incursioned earth...
A Changsha ewer pot was rarely kept with the original cap.
Being applied with yellowish glaze, the ewer was decorated on the body with characteristic brownish stripes.
Intriguingly made to imitate a fowl, two wings and a tail were squeezed to the body. They were also the characteristic form for the Changsha wares.
The glaze was transparent and in greasy look while immensely spread crackles were yielded and were accompanied with incursioned earth...
Hu's Collection
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Description:
A Cizhou tea bowl was in decent oval shape and was well decorated with russet splashes on the outer surface.
At the inner surface, it was in darken brownish nearing black tint when spiral molding scars were obviously observed.
For authentication, there are whitish and stardust-like incursions revealed especially obvious at the inner surface of the bowl...
A Cizhou tea bowl was in decent oval shape and was well decorated with russet splashes on the outer surface.
At the inner surface, it was in darken brownish nearing black tint when spiral molding scars were obviously observed.
For authentication, there are whitish and stardust-like incursions revealed especially obvious at the inner surface of the bowl...
The Kura
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The red walls of a mountain monastery appear between the precipitous crags on this large scale painting by Komura Suiun enclosed in the original signed wooden box c. 1920. The composition escalates, guiding ones vision past the lone occupant of the mountain monastery to the quatrain in the top corner. The mature technique of a master painter; it is performed with ink and light color on silk in a fine silk border with large, solid ivory rollers...
Hu's Collection
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Description:
A big oil painting on cotton was in striking image.
Full of original spirits of the minority people of southern China, the subject of this painting was the Daoist deities of Earthern Father(Tu Di Gon), Earthern Mother(Tu Di Puo) and Guandi who separately stands for Prosperity, Fertilization and Wealthness.
Used the bold colors, the painting was rendered by fluent sketching lines and was finished with profuse tableau...
A big oil painting on cotton was in striking image.
Full of original spirits of the minority people of southern China, the subject of this painting was the Daoist deities of Earthern Father(Tu Di Gon), Earthern Mother(Tu Di Puo) and Guandi who separately stands for Prosperity, Fertilization and Wealthness.
Used the bold colors, the painting was rendered by fluent sketching lines and was finished with profuse tableau...
Hu's Collection
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Description:
A green-glazed jarlet was mold in a trumpet form.
On the wide shoulder, a circular band of flower motifs were decorated in a fine look.
It was well preserved except some old frets were found on the rims.
Fine crackles and iridescence condition were yielded due to age.
Date: Liao Dynasty, 907-1125.
Width: 10.9cm, Height: 7.3cm.
A FITTED SILK BOX IS INCLUDED.
A green-glazed jarlet was mold in a trumpet form.
On the wide shoulder, a circular band of flower motifs were decorated in a fine look.
It was well preserved except some old frets were found on the rims.
Fine crackles and iridescence condition were yielded due to age.
Date: Liao Dynasty, 907-1125.
Width: 10.9cm, Height: 7.3cm.
A FITTED SILK BOX IS INCLUDED.
Hu's Collection
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Description:
A well-modelled cat shown coiled on a circular base which surrounded by Bo-Shan(mountain ridges) with head turned and resting on its back, the tail emerging in the center and three paws together at the front.
Comparing to the pieces we’ve usually seen in obvious bronze material and was gilt on the surface, this tiger weight was calcified totally and was covered with the burial BaoJiang(the mineral coatings)...
A well-modelled cat shown coiled on a circular base which surrounded by Bo-Shan(mountain ridges) with head turned and resting on its back, the tail emerging in the center and three paws together at the front.
Comparing to the pieces we’ve usually seen in obvious bronze material and was gilt on the surface, this tiger weight was calcified totally and was covered with the burial BaoJiang(the mineral coatings)...
Hu's Collection
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Description:
A recumbent beast was shown with its head turned back and slightly tilting upwards.
The Bixie was well carved with protruding eyes, ruyi-shaped nose, curved ears and single-horned head.
By vividly depicted ribs on its abdomen and the flouring hairs of the tails, the fairy beast was rest on the flat bottom in plain form-an important characteristic for early jade carvings.
The jade pebble was in black and brown fissures and markings and in greasy and warm feel...
A recumbent beast was shown with its head turned back and slightly tilting upwards.
The Bixie was well carved with protruding eyes, ruyi-shaped nose, curved ears and single-horned head.
By vividly depicted ribs on its abdomen and the flouring hairs of the tails, the fairy beast was rest on the flat bottom in plain form-an important characteristic for early jade carvings.
The jade pebble was in black and brown fissures and markings and in greasy and warm feel...
Hu's Collection
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Description:
A black-glazed Cizhou tea bowl was uniquely decorated on the surface with vertical creamy-white ribs.
By a striking image, the tea bowl was mold in a flatten shape which was elegant and was full of the mood of Zen spirits.
The typical dark-brownish almost black glaze and the light gray-tinted body clay at the base are typical of this type of ware. Stardust-like incursions are evident throughout the glaze...
A black-glazed Cizhou tea bowl was uniquely decorated on the surface with vertical creamy-white ribs.
By a striking image, the tea bowl was mold in a flatten shape which was elegant and was full of the mood of Zen spirits.
The typical dark-brownish almost black glaze and the light gray-tinted body clay at the base are typical of this type of ware. Stardust-like incursions are evident throughout the glaze...
Hu's Collection
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Description:
A Longquan jarlet was mold with two looped handles nearing to the short neck.
By retrospective celadon tint, the jarlet was yielded on the surface with enduring old crackles in the glaze.
Characteristic firing red was rendered at the body clay underneath.
Being added with a wooden plug, the ancient jarlet can be a fine tea caddy for a practical use.
Date:Yuan Dynasty,13th century.
Height: 7.0cm
A Longquan jarlet was mold with two looped handles nearing to the short neck.
By retrospective celadon tint, the jarlet was yielded on the surface with enduring old crackles in the glaze.
Characteristic firing red was rendered at the body clay underneath.
Being added with a wooden plug, the ancient jarlet can be a fine tea caddy for a practical use.
Date:Yuan Dynasty,13th century.
Height: 7.0cm
Hu's Collection
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Description:
A blue and white tea caddy was from Qianlong period of Qing Dynasty by characteristic picturesque.
A custom-made wooden cap was made to suite this decent jarlet.
Date:Qing , Qianlong period,1736-1796.
Height without cap:9.2cm
A blue and white tea caddy was from Qianlong period of Qing Dynasty by characteristic picturesque.
A custom-made wooden cap was made to suite this decent jarlet.
Date:Qing , Qianlong period,1736-1796.
Height without cap:9.2cm
JJ Oriental
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A huanghuali wood brush washer carved in the form of a frog resting on a lotus pad that gently curls around him, giving protection. Brush washers and brushpots were important implements for painting and calligraphy for Chinese scholars. They were used, not only for practical purposes, but also for enjoying their beauty.
Period: Ching - 19th Century
Size: Length = 25 cm (9-7/8 inches, Width = 17 cm (6-5/8 inches)Condition: Very good with no repairs. Natural age wear.
Period: Ching - 19th Century
Size: Length = 25 cm (9-7/8 inches, Width = 17 cm (6-5/8 inches)Condition: Very good with no repairs. Natural age wear.
Hu's Collection
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Description:
Water color on silk, a fine painting of swimming fish with swirling weeds. Registered Qing painter Zhang-can.
Nien-Nien-Yo-Yu, is a popular Chinese proverb usually used in the new year’s celebration. Yo-Yu, means Having Fish or Abundance.
Then my clients, you will know how nice the metaphor will be - if you hang a painting of fish in the room in this Chinese New Year’s season!
Nice painting accompanied by a lovely poem...
Water color on silk, a fine painting of swimming fish with swirling weeds. Registered Qing painter Zhang-can.
Nien-Nien-Yo-Yu, is a popular Chinese proverb usually used in the new year’s celebration. Yo-Yu, means Having Fish or Abundance.
Then my clients, you will know how nice the metaphor will be - if you hang a painting of fish in the room in this Chinese New Year’s season!
Nice painting accompanied by a lovely poem...
Hu's Collection
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Description:
”Chu Jo Bu Shin”,-Cleaning Off the Past and Welcoming the New- a Chinese proverb usually used in the new coming year.
A duster may do the work.
It is an old duster made from the horsehair and the bamboo stalk.
Charming and full of Zen spirits, if only for decoration in the scholar's chamber.
Or, of course being actually used to expel the annoying insects.
Somtimes it was also a religious instrument holding by a Daoist monk to expell the devils.
Date: La...
”Chu Jo Bu Shin”,-Cleaning Off the Past and Welcoming the New- a Chinese proverb usually used in the new coming year.
A duster may do the work.
It is an old duster made from the horsehair and the bamboo stalk.
Charming and full of Zen spirits, if only for decoration in the scholar's chamber.
Or, of course being actually used to expel the annoying insects.
Somtimes it was also a religious instrument holding by a Daoist monk to expell the devils.
Date: La...
JJ Oriental
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A magnificent red and white Beijing glass vase . Basic vase is white glass with an overlay of red glass that has ben carved to expose the white vase. Scenes of scholars, merchants, painter, bridge, birds and mountain scenes. Qianlong mark at the bottom.
Age: Pre 1920. Size: H.27,6cm.
The Kura
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A pair of six panel byobu by Abbot of Daitokuji, Priest Sohan Gempo (Murasakino Shoun) dating from the Meiji to Taisho period...
