A finely painted famille rose water pot or small brushpot depicting figures in a continuous garden landscape. There is an indistinct iron red seal mark to the base. Condition - very good...

Description: A soapstone Guanyin of Qing Dynasty was finely rendered. In a seating posture, the holy deity was holding a scroll in her left hand. On her right lap, a string of rosary was hanging from her right hand. By characteristically carved almond-shaped eyes, the facial features and the reserved pigment, the figure was dated as from 18th century. Height: 12.4cm, Condition: An old restoration was in the neck when an crack line-like stone tissue was subtly revealed across the body...

Qing Dynasty (19th century) Chinese Manchu style robe decorated in embroidered dragons chasing flaming pearls (symbolizing the Buddhist notion of enlightenment) executed in gold-couched thread on a blue silk ground. The eight full-face and profile four-clawed dragons are surrounded by clouds and various auspicious symbols. The dragon's eyes are accented in black and white. An embroidered panel surrounding the neckline is filled with additional dragons running across the top of waves...

Description: A prestigious Buddha figure was uniquely molded in cast-iron. Soldered in two parts, the Buddha was rendered finely in features with details when obvious welding lines were being left on the two sides. By a benign facial expression, the Buddha was seated on a double-deck lotus pedestal. As a metal religious figure, cast-iron was a material which was rarely found in the market by its easily eroded condition...

A bronze vase of mountainous form by Nakajima Yasumi I patinated in his signature mottled red-brown and enclosed in the original signed wooden box. The vase is 9-1/2 inches (24 cm) tall, 8 inches (20.5 cm wide and in excellent condition. Nakajima Toyoji, (d. 1950) first came to notice in 1908, receiving an award at the Senkatsu Kinen Exhibition...

Description: One elegant Qingbai stem cup was molded with beautiful foliate rim. In a milky white glaze, the revealed body clay tells its origination being from Hutien kiln. As being from the same origination of the high-quality Hutien kiln, the delicately shaped stand was especially in a quite good look by its finely pottered rim. In a wonderful profile, the intact porcelains were perfect in sets and as the porcelaineous copy of the metal counterparts of the same date...

Description: One unique and elegant Qingbai covered box was in a decent look. Decorated on the cover with rarely seen ironish brown mottlings, the box was molded with fine circular shape. By a well preserved glaze, the surface was left with obvious whitish incursions here and there as the authentication of an excavation piece. In a quite good size of 14cm x 6.3cm, a decent shape and the unique decoration, this box was therefore being as a sought-after piece to your collection of early ceramics...

A lacquered wooden box decorated in built up Takamaki-e with Tsuba and Kozuka by Heian Zohiko dating from the first half of the 20th century. Inside is fine even nashiji. The decorations rise quite high off the surface, almost as if genuine tsuba were lying atop the box. One tsuba is in the shape of a Mokugyo, a Buddhist prayer drum of hollowed wood culminating in two dragons...

A very finely decorated jar or lantern depicting flowers and insects reserved against a delicately incised pink ground. The base carries the iron red seal mark of the Qianlong Emperor (1736-1795) but this item was probably made early in the 20th Century - durig the Guangxu or early Republic periods. Condition - very good...

Description: A turquoise pendant was intriguingly carved as a binding knot. By well-wished six knots, the pendant was full of flouring lines of beauty. On the surface, the enduring grayish tint was covered due to age. Otherwise, the manually-carved lines were preserved with original residues...

7 twisted gold pines shroud a seedling on the roiro ground of this fine togidashi suzuri bako writing box dated 1931 by Moriya Shotei enclosed in the original signed wooden box. The writing box contains the original suzuri ink stone and water-dropper. Inside the lid is the large character Kotobuki (fortune) followed by an inscription reading 88 year old man Bajo Kasho. The piece is signed Design by Hakuho and dated the fifth month of 1931, the box dated the following year, 1932, titled 8 pine...

Here is a rare Jizai mantis. It is by an artist named Tomiki Munenobu, one in a line of artists carrying on the Myochin style of metalwork. Teh piece likely dates from somewhere in the later Meiji, 1890-1910. Life-size, it is roughly 3 inches long, the same height and in fine condition. It is as found, not yet cleaned or tampered with. The head is mobile; the thorax with retractable arms and folding wings. Jizai is a term used to describe a variety of mobile or articulated crafts in Japa...

A fine b/w small bowl, with thinly and well potted, decorated to the outer wall cavetto with a white on blue crane among lotus pond. Ming dynasty 16th-17th century. Condition is perfect excepted minor fritting to rim, no crack, no any chip and no restoration as well. Diameter approximately 11 cm.

Description: A wood figure of a seating official was finely carved from one piece of camphor wood. Making use of the core of the wood, the wood circular growth rings were obviously revealed on the belly of the figure and were intriguingly as the grains of the wearing drapery. By excellent carving skill, the official was vividly rendered. The enduring patina added more atmosphere to this marvelous piece. Date: Qing Dynasty. Height: 23.5cm

Lacquered necklace holder, most likely for court officials. Gilded and painted with dragons and cloud formations. Age: Ming (1368-1644)Condition: Good. Some chipping around the edges.Size:17.7cm X 7.5cm.

Description: One small but uniquely cast bronze censer was in decent look. Made of fine quality of metal material, the bronze censer was in good weight of 208 gram when in a lovely size of 6.1 cm in width and 4.6cm in height. By a unique trumpet form, the bronze bowl was easy to hold in the palms feeling the warmth, sniffing the aroma of the burning incense when in incense practicing ritual. It could be well used as a water basin or paper weight too. Preserved with fine old patina, the bronze ce...

A wooden sign of three golden characters carved into the surface of a solid slab of burled wood enclosed in a frame expertly carved with the four gentlemen, plum, bamboo, iris and chrysanthemum. It reads Yuraku-sai, A Place of Playful Enjoyment. The sign (with frame) is 11-1/4 x 21 inches (28.5 x 53 cm). It is signed Setsuyo (?) followed by two stamps. There is a chip into a hollow in the wooden plaque, lower left (see photos) otherwise is in excellent condition. This sign would have been h...

Cranes cut on the frosted surface rise from ice blue, their necks curling out as handles as they preen. A quintessentially Japanese subject executed with impeccable Japanese craftsmanship. The vase is 11 inches (28 cm) tall, 6-1/2 inches (16.5 cm) diameter and in perfect condition; enclosed in a covered wooden box.