A Chinese copper red underglaze and incised dragon box and cover with two five-clawed dragons surrounding the base with lotus pods. The top with one five -clawed dragon. The base with six character Xuande mark in underglaze blue surrounded by double blue circles. The glazed on the base with a bluish tint.

Size: Approximately Height: 5.5 inches, Width: 10 inches

Condition: Good condition.

Age: Republic or earlier

White wisteria (fuji in Japanese) drape from the gilded rim of this Kutani vase signed from the pre-eminent Kaburaki (Kaburagi) studio dating from the opening of the 20th century. The imagery is exquisitely performed with over-glaze enamels on a pastel gray ground. The vase is large at 13 inches (33.5 cm) tall, 8-1/2 inches (22 cm) diameter and is in excellent condition, with some wear to the gold rim.

A pale celadon jade pendant, carved and pierced with a parrot perched on a flowering prunus branch, besides a rock. With matching wooden base. Condition: fine. Dimension: pendant: c. 6.1 cm high x 3.9 cm wide x 0.35 cm thick, height with stand c. 10.5 cm.

A complex landscape wraps around and climbs up this exquisite porcelain vase by Daimaru Hokuho dating from the early to mid 20th century. It is 13 inches (33 cm) tall and in excellent condition. There is no box.
Hokuho would have been rated in the top 10 porcelain artist of Kyoto, along with Suwa Sozan, Ito Suiko, Ito Tozan, Miyanaga Tozan, Takahashi Dohachi, Seifu Yohei, Kiyomizu Rokubei, Miura Chikusen and Kiyomizu Zoroku, all artists active from the Meiji through the early Showa eras...

This mask was made using a milk pot fragment, the noose has been added. A superb old black soot patina both inside and out side indicate a long use at least from early mid 20th. H 23 wide 16 cm More information on request

Very old black encrusted patina , the top shows 3 carved anthropomorphic faces. H 24 cm , great age at least from the 19th More information on request

An antique shamanic phurbu , showing all the animist motives on the triangular blades, snakes interlaces, sun , moon holly vase and Makara mouth, the middle part is a dorge deeply carved , the top is square and shows 4 ancestor faces acting as protectors of the shaman and as guardian of the four directions. Total H 24 cm super glossy and deep black patine, important age at least from 19th. presented on a iron stand

Pair of tall Chinese famille verte enamel tapered square form porcelain vases molded with relief decoration of the eighteen immortals among clouds set against a pierced ground. A rust-red 5-clawed dragon wraps around the neck of each. Circa 1900 to early 20th century. An apocryphal impressed zhuanshu 6-character Qing dynasty Kangxi square form reign mark is on the base. Custom wood stands. 16 1/2” high (18 1/4” high on stand). Heavily potted and in very good overall condition...

A lovely wood carving of a dancing Hindu goddess, the face and the sarung meticulously painted. Provenance: from the same estate like the Peranakan sarung. Condition: some cracks, paint with few losses and wear. Dimension: c. 30 cm high.

A very rare Chinese jade of a stylized bird. The jade is translucent of a green and brown mottled coloration. Carved with a minimum of design giving an it a minimalistic, abstract look. It has large convex circles for eyes. The back has two interconnecting holes for passing a string through. The back has a naturally occurring hairline fissure of a dark reddish brown coloration. Has some calcification from long burial. Size: H = 1-3/8", W = 1-3/4"

Autumn colors by Goto Shiro in thick pigment on silk in a superb patterned-silk frame with solid ivory rollers. It comes in the original signed wooden box with a Futo-maki rolling bar titled Yudonoyama Banshu (Late Autumn at Mt. Yudono). This is representational of Nihonga in the 1950s, a time when artists were seeking a new direction, breaking with the past and expanding the limits of the medium...

Ame-yu graces the rough textured clay of this large Mingei platter from Aizu in the Northern reaches of Japan on the border between Fukushima and Yamagata. Often mistakenly identified as Tamba due to the similarity in the coloring of this particular glaze, the underlying granular white clay gives it away. About the rim is a ring of fire-colored tendrils trapped in a groove, an interesting added feature. It is 31.5 cm (12-1/2 inches) diameter and dates from the later 19th century...

Massive late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official seated on a draped armchair over a floral rug decorated with Buddhist swastikas and dressed in formal attire. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue fur surcoat. The bird appears to be a silver pheasant, indicating an official of the 5th rank...

A Chinese statue of a maiden holding a lotus flower and a fan, carved from celadon jade, fixed on a matching wooden base. Condition: fine, only lotus flower with few tiny rim frits. Dimension with wood stand: c. 22.3 cm high.

Measuring approximately 5' x 3", this finely carved and reticulated coconut bank is one of the finest we have ever seen, with the entire surface filled with carving and openwork. There are three oval cartouches with a complex scene of people, animals, items of the era, and foliate designs. In addition, all other areas have similar carvings with textured surface in background areas. They eyes are shell, mother of pearl...

A trumpeting form decorated with bamboo adorned with a single cicada by Matsumoto Sahei (Sabin) enclosed in a wooden box annotated by the current head of the family Matsumoto Sakio. It is 31 cm (12 inches ) tall and in excellent condition.
Matsumoto Sahei (1851－1918)　was born into the family of Matsuya Kikusaburo, a first generation Kutani porcelain artist...

A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition...

An exquisite lacquer box by Imai Seitaro dating circa 1959 featuring multiple layers of colored lacques carved through with a design of grapes on the vine enclosed in the original signed double wood box (Niju-bako) titled Choshitsu Budo Moyo Shikishi Bako (Carved Lacquer Grape Design Poem Card Box). It is roughly 11 x 12 x 2 inches (27.5 x 30 x 4 cm) and is in fine condition...

An unusal tri-legged bronze incense burner with finialed dome pierced top signed on the underside. It is 6 inches (14.5 cm) diameter, 7 inches (18 cm) tall and in fine condition, dating circa 1935. Hori Joshin was a student of Oshima Joun and was active from the early to mid 20th century.

Desription：A water scoop or water basin was made from a natural burl wood.
Full of artistic form from mother nature, it can be used in a pracyical way or a display item on your modern cabinet.
The item was preserved in original condition in good patina eventhough being well cleaned. The original black and red pigment were still kept well inside the basin.
Width：21cm, Height：11.5cm.
Condition：Perfect.

A large Ming Dynasty Celadon charger with a lovely green color. This plate is large & heavy & nicely balanced and in overall good condition without cracks or chips. Diameter is 13+ inches. High resolution images may be emailed to you on request.

A plum by Yumei Sosho of Sokokuji temple timidly opens its blossoms under a brief epithet by Taishitsu Sosho of Daitokuji temple. A rare gassaku work by these two priests. Ink on paper in original border, ivory rollers dated 1808. The ivory rollers will be replaced if shipping overseas. The scroll is 12 x 71 inches (31 x 180 cm)...

An exquisite 17th-18th c. rendition of Suiten (vedic Varuna) rising over tempestuous waves. Pigment on silk, The scroll is 59.2 x 167.5 cm (23-1/2 x 66 inches). It has been fully remounted, in an antique silk retaining the original brass rollers. One of the oldest gods, Varuna is associated with a Serpent (Makara) as his vehicle and a noose as his weapon. Varuna is god of waters, the source of rains and the one who rules over the Nagas (divine sea serpent), myths important in Hinduism and ...

A pair of Kinsai Tokkuri on red ground by Eiraku Zengoro from his Kutani kiln dating from the late 19th or early 20th centuries enclosed in the original signed wooden box. Complete with lids, they are 5 inches (13 cm) tall each and in excellent condition.

Birds in white plumage decorate the shadowed raw clay of this vase by Miyagawa Kozan enclosed in the original signed wooden box. It is 21.5 cm (8-1/2 inches) tall, 19 cm (7-1/2 inches) diameter and in excellent condition.　
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo. The Kozan (Makuzu) kiln as we know it today was established...

The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930. The screen is 67.3 x 56-1/4 inches (171 x 143 cm) and is in fine condition.
Due...

A misshapen bowl excavated and assembled from several pieces using the kintsugi gold technique. Originally a kiln flaw, it was likely destroyed after creation, later to be excavated and assembled as was popular in the later Edo period. Misshapen,and with a large kutsuki on one side, it is 4 x 5 x 3 inches (10 x 12.5 x 8 cm) and comes in a wooden box.

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

A quite large Chinese silk purse with outstanding embroidery. One side showing a deer looking at a crane on a pine, on the left four Chinese characters. The other side with a flock of swallows near a flowering tree. Edged with a black and white woven band and a silvery rim, the silk tassels having gold and silver wrapped threads. Silk lining. Condition: faded, small stains, little wear to rim. Dimension: purse: c. 17 cm x 15.5 cm, tassels: c. 18.5 cm long.

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition.
Eiraku Zengoro XI (Nishimura Hozen, 1795–1854) took the nam...

A lovely green celadon Song Dynasty jar. There is some chipping to the rim. High resolution images on request.

. This mask takes advantage of the natural shape and texture of a peculiar piece of wood.Such mask is a potent and direct emanation of mother nature with minimal human interaction. Only the eyes and the mouth openings result from human action. This kind of Mask is sculpted with minimal work taking advantage of natural deformations. The natural material would be tree roots, at least that is the information provided by the sellers. Some of these masks would however be old and used as burlesque mas...

A rare pair Chinese chair strips with the typical four register design, showing bamboo, lingzhi fungus and scholar rocks. The ground fabric is a steel blue silk with black silk embroidery in satin stitch and little Peking knot. Trimmed with gold-wrapped thread border, cotton lining. Condition: good used condition - no restauration, particularly one cover with more traces of usage. Wear and missing threads to the embroidery, few tiny stains, the borders partially with lost gold and one edge with ...

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest. Ret...

A beautiful nineteen century woven temple carpet with nice design. The center pattern features 3 large multi-colored abstract florals against a black background that is surrounded by a blue & white keyfret design frame. The center florals include stylized lingzhi fungus combined in the design. The outer edge features abstract cloud and water patterns. These designs symbolize longevity, fertility and good luck. Size: L.163cm. W. 85cm. (5.4ft X 2.19ft) Condition: no repairs.

A large Tibetan Temple prayer carpet with two dragons, each chasing it's elusive pearl. Size: L. 163 cm. W. 88cm. Condition. No repairs. Very good for it's age.

A radical ink landscape by legendary artist Fukuda Kodojin. Ink on paper in a green silk patterned border set in beige with wood rollers. It is 13 x 70 inches (33 x 178 cm) and is in excellent condition.
Fukuda Kodojin (1865-1944) an eccentric self taught artist, his status as a poet, calligrapher and literati artist has reached legendary status. Born at a time of great change (4 years before the final fall of the Edo Government), he lived through the westernization of Meiji, Taisho Dem...

Charming antique Chinese Child's silk top from Qing Dynasty. Manchu style "cross body" closure with side "tie" Embroidered both front and back with images using satin stitch embroidery outlined with couching stitch metallic wrapped thread good condition...no stains, no rips,.. piece spans 27 inches wide and 16 inches top to bottom

Honda Tenjo enclosed in the original signed wooden box titled Seven Great Men. Ink on paper in a superlative silk mounting with ivory rollers (they will be changed if exporting). It is 26 x 85-1/2 inches (66.5 x 217 cm) and is in excellent condition. Honda Tenjo (1867-1946), born in Tokyo, initially studied western painting for five years under Kondo Katsumi before moving to Nihonga under Kano Hogai. Along with Okakura Shusui and Oka Fuho was to be called the four pillars of the Hogai Studio...

A most exciting find, a scroll by five of the greatest scholar-painters of the Meiji period, Tanomura Chokunyu, Suzuki Hyakunen, Tomioka Tessai, Nyoi Sanjin and Yamanaka Shinten-o; all of whom resided in Kyoto during the Meiji period. Ink on paper in a brown cloth border befitting the Daoist figures. It comes in an annotated by by Tessai from 1911. The scroll is 29-1/4 x 75-1/2 inches (74 x 192 cm) and is in excellent condition.
Nyoi Sanjin (Tani Tetsuomi, 1822-1905) was born the son o...

A museum quality work by 19th century great Oda Kaisen featuring vines burgeoning with ripe fruit under the epitaph “Painted on a muggy date (possibly “by moonlight” as the term keigetsu refers) in 1840”. Ink on silk in brass colored Satin patterned with tendrils of mist and featuring white piping in the Mincho style and ivory rollers typical of literati painting of the 19th century. It is 18-3/4 x 72-3/4 inches (47.5 x 184.5 cm) and is in excellent condition.
Oda Kaisen (1785-1...

A trumpeting Chinese form by Miyanaga Tozan I enclosed in the original signed wooden box titled Kiji Kodo Gata Kabin (Yellow Porcelain Vase in the Shape of Ancient bronze) and retaining the original Rosewood base. It is 12-1/2 inches (31 cm) tall plus the base, and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, h...

Measuring 11 3/4" high and 4" across base, this Okimono of a Bijin holds a scroll, which has unfurled to her feet, where a cat plays with it. In rich colors and heavy enamel, the figure is both serene and elegant. Nice detail on the robes and clothing, with gilt details on her hair ornaments and along the edge of the scroll. Excellent condition, no chips, cracks or losses to enamel. Late Meiji, ca 1900

Japanese shin hanga woodblock print by Ito Yuhan (1882-1951) titled "Fuji from Taganoura" published by Nishinomiya Yosaku in the 1930's. Signed at the lower right corner of the image. Paper: 16 1/8" x 10 5/8" (image: 14 1/2" x 9 3/4"). The painterly effect in Ito Yuhan's woodblock prints are achieved through the elimination of black key block lines. Very good overall condition. This print was never framed and has excellent color and full margins. There are some vertical wrinkles down the c...

A lovely roku-yu glazed form from the kilns of Korea mounted on a tri-pronged rosewood stand and enclosed in a period kiri-wood box. It is 12 inches (30 cm) tall plus the stand. There are minor chips about the rim. An excellent piece for use in the tea room. Likely 15th to early 17th centuries (Possibly later Goryeo likely early Joseon).

An antique Japanese saddle pad covered with a Korean tapestry of two frolicking lion-dogs in green and white. It features gilded leather piping (which has come loose in some places, see photos), and typical Japanese backing cloth with deer-leather ties. The pad is roughly 116 x 56 cm (46 x 22 inches). Exceptionally rare,

A large porcelain vase covered in olive green upon which grows a rush of white bamboo and a brief epitaph by Miura Chikusen I enclosed in the original signed wooden box dating to the late Meiji or early Taisho period. It is 15 inches (37.5 cm) tall and in excellent condition. The box has much darkened with age. Works of this size by Chikusen, who largely specialized in the minute world of Sencha ware are quite rare.
Miura Chikusen I (1854-1915) made a name for himself as a strict adhere...

A pair of large mixed metal birds on a custom black lacquered table by Iwase Seifu enclosed in the original signed wooden box titled So-Hato Okimono. Excellent detail, the birds are life sized, the strutting male figure signed on the posterior is roughly 9 inches long, 8 inches tall. Both are in good condition, with some wear to the silvering.

A rare 17th century Japanese Lacquer table performed in the Nanban style exhibited in 1972 at the Kyoto National Museum (including paperwork from the museum). Overall it is in excellent condition, enclosed in an older wooden storage box. It is 12 x 17 x 14 inches (31 x 43 x 36 cm).
According to the Met: The Portuguese and Spanish who visited Japan during the Momoyama period were fascinated by the beauty and exotic appearance of luxurious gold-decorated lacquerwares associated with the t...

Until the mid 1900's, transporting goods along the silk road was accomplished by camel caravans ...and it was important not to lose the camels in sand storms along the way... Each camel from Tibet was "adorned" with 3 bells...one large bell hang from a strap around the camel's belly, a 2nd bell was strapped around the neck, and the 3rd bell was hung from the camels tail. This old camel's bell was used on the caravans travailing between Tibet, across China and into Mongolia. It comes with th...

Measuring 6" in diameter and 2 3/8" high, this Nishapur polychromed bowl dates to the 9th to 11th centuries, and is buff ware ceramic with decoration in magenta, yellow and green. The central image features a peacock with elaborate tail, and the border around the edge is abstracted, with a resemblance to calligraphic writing. The exterior of the bowl features vertical lines in magenta, with interspersed sections of yellow and green. There is restoration to the bowl, most visible in one sectio...

Chinese Song / Yuan Dynasty Pottery Buddhist Zodiac Jar

This very rare and attractively-shaped pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province.

The jar has been decorated with four large lotus leaf panels within which are moulded and applied human figures and zodiac animals. The pottery is quite “brittle” and there are minor losses to the vulnerable edges. Much...

A carved wood figure of a Daoist Immortal, probably a depiction of Confucius or Laozi, sitting on a separate stool-shaped base, his hands raised before his chest. Remnants of paint. Condition: old losses, cracks. Dimension: total height: c. 37. 8 cm, 17 cm wide x 8.8 cm deep.

Oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) rendered in bold colors featuring a kabuki actor portraying a samurai plunging an arrow titled “Arrowhead” by Yoshitoshi Mori (1898-1992). The print is pencil-signed, dated ’76, and numbered 43/50. The artist’s red seal is above the date. The paper size is about 27 1/2” x 23 1/2." Very good, clean overall condition. The print is very faintly sun struck from prior matting. There are two pieces of archival ...

Pencil-signed etching by Czech artist Emil Orlik (1870-1932) titled "In the Evening" (Im Abend) dated 1902. This etching was produced shortly after the artist's arrival in Japan in 1900. Plate size: 6 1/2" x 4 5/8" with large margins and deckled edges to the laid paper (paper size: 9 3/4" x nearly 8 1/2"). Very good overall condition. Slight toning is evident. There are traces of adhesive residue to the top margin edge and small paper losses to the margin at the top left and upper right edg...

Chinese late Qing dynasty Guangxu period porcelain crocus vase with five lobes around a central cylindrical neck terminating in a bulb, decorated in the Hawthorn pattern with white branches of prunus blossoms set against a cobalt “cracked ice” ground. The base bears an apocryphal four-character Qianlong mark. Late 19th century. 10” high x about 7” diameter. Heavily potted. Very good overall condition with characteristic burst glaze bubbles on the five lobe openings and the top bulb ...

Vietnamese 15th Century Blue & White Double-Gourd Jar

This rare and attractively-shaped small double-gourd jar was made during the 15th century. It is coated in a finely-crackled glaze and elaborately decorated in underglaze blue, the pattern featuring scrolling floral and lotus leaf patterns. Height 7 cm. It is in very good condition with no repair or restoration and just minor “nibbling” to the edge of the vulnerable mouth.

Items such as this were, and still are, much revered amon...

A fine wakizashi in saya of crushed aogai shell in lacquer with engraved silver fittings adorned with a family crest wrapped with matching Kozuka. Kyoto license number 59007 Heisei 9.
blade length: 38.9 cm
sori:0.7 cm
motohaba:2.4 cm
motokasane: 0.6 cm It is in excellent condition.

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) illustrating a scene from the 1951 kabuki production "Genji Moyo Furisode Hinagata" (Dress Patterns in Genji Style). The scene is set in a meadow and features in the left panel the actor Ichikawa Danjuro VIII in the role of the handsome protagonist Lord Ashikaga Jiro (Mitsuuji) engaged in a sword fight. In the center panel is Bando Shuka I in the role of Fuji no kata (the concubine of Mitsuuji's father, Yoshim...

A Chinese brush stand made of Huanghuali wood, staying true to it's natural shape. Used as a calligraphy brush stand.

Size: 4-1/2" high

Condition: Good overall condition

Age: Qing Dynasty