Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period...

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...

Oribe Green runs in a curtain over the pale yellow glaze of this Edo period andon-zara oil dish. It is unglazed on bottom, measuring 8 inches (20 cm) diameter and in excellent condition, enclosed in a custom kiri-wood box.

Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark...

Description: A nephrite white jade archer's ring was in very good condition. By a natural russet inclusion on the surface, the jade piece was in warm and greasy quality and can be a nice fingering item with charming look. Qing Dynasty(AD1616-1911), Outer width: 3.2cm, Inner width: 2.2cm.

A lovely hand formed bowl in the shape of an inverted mushroom with brush strokes (Kushi-me) defining the gills and the bulbous stipe laying like a handle to one side. A speckled yellow glaze (typical of Maiko) covers the sandy clay, with a drape of green and white seeping like milk from one side. It is roughly 21 cm (8 inches) diameter and in excellent condition, stamped on the base Mahiko (In traditional writing the character for Hi is interchangeable with the character for I as is Fu and U)...

Large Chinese Qing dynasty cylindrical form Nonya ware tingkat food container consisting of four stacking sections in a variety of pastel polychrome enamel background hues topped with a slightly domed cover sporting a Peking glass finial from a Mandarin hat. Each tier is decorated with two opposing panels of flowers on a white ground set against a dense background of bats, flowers, and scrolling foliage. The sides have twisted metal handles held by moulded loops...

Oban diptych by Taiso Yoshitoshi (1839-1892) titled “The Story of the Strong Woman Takashima Oiko of Omi Province” from the series "A New Selection of Eastern Brocade Pictures." The print depicts Takashima Oiko leading Saeki Urinaga home in an effort to strengthen him for a wrestling match. The artist's signature and Taiso seal are at the lower left. The lower left margin contains the date of "Meiji 22" (1889). The title cartouche is at the upper right. Published by Tsunashima Kamekichi...

Pair of tall Chinese famille verte enamel tapered square form porcelain vases molded with relief decoration of the eighteen immortals among clouds set against a pierced ground. A rust-red 5-clawed dragon wraps around the neck of each. Circa 1900 to early 20th century. An apocryphal impressed zhuanshu 6-character Qing dynasty Kangxi square form reign mark is on the base. Custom wood stands. 16 1/2” high (18 1/4” high on stand). Heavily potted and in very good overall condition...

Vajradhara or Dorje Chang in Tibetan is the ultimate primordial Buddha or Adi Buddha according to the Gelug and Kagyu schools of Tibetan Buddhism. This fine example is from Tibet or possibly from Nepal. It is well proportioned and has very nice facial features. Please note the fine engraving on the back of the figure. It is in a very good condition with normal age wear, a nice patina and remains of polychrome. H. 23 cm. From a Dutch private collection.

A Chinese man would have worn this egg shaped wooden tobacco container hanging from his belt. Both front and back are decorated with metal studs and fitting attached with copper nails. The lid is hinged and held in place by a decorative pin which is pulled up to open.

Description: An elegant snuff dish was made from high-quality pottery mud-Ju Sa Chen Nie. Molded finely in bamboo stalk shape on the rim as decoration, this oval dish was used as a snuff dish by unique material. With warm brownish patina , the dish was partially tarnished due to long time of use. Date: Qing Dynasty (19th Century) Dimension: 6.9cm to 4.4cm

Description: A rectangular brush-licker was made from a multi-colored pudding stone.
Preserving with fine greasy patina on the surface, the brush-licker was kept in a very good condition except some old abrasions and some original stone defects.
Brush-licker was used for adjusting brush wet when scholars were practicing calligraphy or Chinese brush painting.
In usually-seen flat and simple form, the artistry will always come out of the original beauty of the material itself.
...

An attractive bowl and cover delicately painted in Fencai (famille rose) enamels. This item carries the mark of the Tongzhi Emperor and was made during his reign - 1862-1874. 5 inches (13cm) High. Condition - excellent apart from two very minor chips on the underside of the foot rim and somes light ware to the gilding...

Menuki wirh gold and silver metal, presenting an octopus with a towel-like tissue. Japan Edo (1630 - 1868) 19th century 7 x 3 cm

Pair of 19th century Chinese paper fans very finely and densely painted in extensive detail with figural scenes. One fan painting features beauties at a temple surrounded by clouds holding celestial maidens and a deer. A monkey is paying homage to a female who is seated on a lotus throne. The second fan painting depicts a scene with beauties engaged in various scholarly leisure activities. The fans date from the 19th century...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm)...

 

A fine Edo period portrait of a sinewy middle aged samurai proudly seated before a pair of swords, a table upon which rests an ink stone and book at his right elbow. Exquisite detail in the figures face and fine lines and shadows in the clothing are reminiscent of portraits by the great artist Watanabe Kazan. The portrait is signed Higashiyama Giryo and dated Tenpo 3 (1832) and the epitaph is signed Raijo. The portrait appears to be of a samurai named Kanda Hojo. The artist Giryo is likely a...

This is a small Chinese Blanc de Chine libation cup, incised character mark at base, carved and molded with flowering prunus and animals; 2 _" high, 4" wide.

Unusually large Tibetan copper and silver or silverplate mihrab form reliquary, or portable shrine box, decorated in repousse on the cover with a pattern of abstract scrolls. The back, sides, and side handles are copper. Also called a “gau,” these prayer boxes were used to hold protective amulets, personal deities, and written prayers. A strap or belt could be attached to the side handles when traveling. Otherwise, they were usually placed on the home altar. 9” high x 8” across at t...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible. Frame size: 66”...

The front of this Tibetan wooden snuff bottle is covered with silver repousse ornamentation. The back is surface is also silver.

The bottle is 5 inches x 4 inches x 2.5 inches.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a kabuki actor portraying a samurai. His sword rests on the ground and his matchlock musket leans against the wall. Firearms were introduced to Japan by foreign traders in the 16th century. The maru-ni-chigai-Takanoha family mon is on his kimono. This crest, which consisted of two crossed hawk feathers, was used by two Edo period samurai families. This image was published by Maruya Seijiro in 1854. The ce...

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846. From left to right and top to bottom, the images depict Araki Matayemon Standing and Examining his Sword, Sasaki Ganryu Standing in Profile with a Clenched Fist, Miyamoto Musashi Dressed for Traveling on his way to see Bukoden, Minamoto no Ushiwaka Maru Knocking D...

Two Sometsuke tea containers decorated with scholarly scenes and lengthy calligraphic prose by Seifu Yohei I enclosed in a double wood box (ni-ju-bako) annotated by the fourth generation Seifu. They are 6.5 cm square, 13 cm tall. One has a some damage to the inner rim, a chip in the lid and a nick in the glaze of the bottom corner. Repairs can be performed at cost if desired
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto. He was born in powerful Kaga-kuni, modern day Kan...

Villains and travelers, Goblins and Priests, Various tales play out in 3 dimensions around the trunk and among the leafy branches of a massive tree forming the core and backdrop of this amazing 19th century altar bell stand. The piece is 6 inches (15.5 cm) tall, the same diameter. It comes enclosed in an old wooden box. This matches the Maezukue Altar table previously listed. One of the most elaborate I have ever seen.

A rare Buddhist temple banner composed of a central ruyi shaped panel and three suspending streamers with pointed ends and tassels. Made of Chinese Late-Ming and Qing gold brocaded and tapestry silks showing dragons and floral decoration. The top panel is cardboard reinforced and having a seal on the backside. Printed cotton lining and top with leather loop, one tassel with a small bell. The interior of Buddhist monasteries in the Himalayas are often intensely colorful, covered by layers of pain...

A large and heavy Chinese cloisonne bowl with gilt rims and wire, enameled at least with nine different colors. Decorated with flower medallions and clouds, the interior with bats around a "shou" character. The outer rim with a ruyi head border. Base with maybe later turquoise contre-email and a Chinese character. Please compare with a similar bowl in the Royal Museum of Edinburgh. Dimension: diameter: 20.7 cm, 9.1 cm high. Condition: traces of usage. Inside bottom with some alteration of enamel...

Description:

A refined pottery Cheng-Ni inkstone was preserved in very good condition.
By elegant round shape and arched moon-shaped inkpool, the inksone was thick and was hefty in weight.
Old frets and scars were observed and also proved its old age.

Date: Qing Dynasty, (1644-1911) .

Width: 12.7cm, Depth:2.7cm, Weight: 775 grams.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid. All items are thorough...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces). Finely potted and lightweight fo...

The fish is symbolically employed as the emblem of wealth or abundance on account of the similarity in the pronunciation of the words "yu", fish, and "yu", superfluity. Age: Song. Size:L. 6.5cm. W. 2cm. Condition: No repairs or chips.

A beautiful original 18th - 19th century Qing dynasty Chinese painting on silk measuring approx. 36 x 48 inches painted on silk mounted to board in antique condition some foxing and damage overall a beautiful painting would enhance any interior.

Late Qing Dynasty (19th century) Chinese lady’s front-opening summer gauze kesi surcoat decorated with eight polychrome roundels, featuring a central crane surrounded by butterflies and flowers, set against a dark cobalt blue ground. The crane motif indicates the robe would have been worn by the wife of a first-rank civil official. The sleeve ends are decorated with a water and wave motif. The bottom of the robe is decorated in the traditional pattern of waves, stylized mountains, and diago...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...