An oil on canvas by Ono Sue titled “Inaka no Kyokai, Paris” or Rustic Church in Paris set into a double wood frame. The canvas is 15-1/2 x 18 inches (40 x 45 cm), the frame 24 x 27 inches (61 x 69 cm) and all is in excellent condition.
Ono Sue (1910-1985) was born in Niigata prefecture, and after serving as a school teacher for one year, moved to Kyoto in 1934 to pursue a career in oil painting under Yasui Sotaro...

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition...

A long “Hengaku” framed painting meant to sit above the transom by Yoshimura Horyu featuring monkeys riding on the back of a deer. One has fallen and is being dragged along like a water-skier by vines tangled in the deers horns. A very humorous scene by this rare Osaka artist. Pigment and ink on silk mounted on gold with a carved rosewood frame. The frame is 154.5 x 50 cm (61 x 20 inches) and is in fine condition, with toning to the silk typical of age...

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

Large Qing dynasty slightly tapered cylindrical form white porcelain brush pot (bitong) with a central cobalt blue band holding bats flying among clouds. The white porcelain has a faint blue-green-gray tint. 19th century. 6 1/2” high x 8” diameter. Very good overall condition with a few old browned hairlines on the base which appear to have resulted when a drain hole was added...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

Known primarily for ginbari or basse-taille works, Hayakawa Komejiro perfected this technique, creating very fine vases, often in the deep red Pigeons Blood color. The translucent red enamel covers the detailed silver design, of bamboo leaves and stalks over a stippled background. The vase measures 3 1/2" high by 3" wide, with a foot of 1 1/2" in diameteter. It is signed on the base...

Korean Joseon dynasty (early 20th century) brush pot designed with three cylindrical connected brush holders of varying lengths carved with a variety of animals, including a stalking tiger, tortoise, deer, and crane all stained in a golden brown against a dark brown recessed background. The animals are set among pines and bamboo. A pair of tortoises walk on water. The tallest brush holder holds four ideographs surrounded by a fretwork band...

A very elegant and well carved sculpture of the Bodhisattva Guanyin, goddess of mercy. Made of Zitan, one of the rarest hardwoods in China. H. 26 cm. Dating from the late 19th to early 20th century. We bought this piece from a Dutch private collection.

The backside decorated with a stupa. H. 10,5 cm. excl. stand. This piece was placed in the foundation of a newly built stupa.

A pair of rare Koto-yaki sake flasks decorated with florals and dating from the 19th century. Written on the side is the kiln name Koto (East Lake). Each piece is roughly 6 inches (15 cm) tall and in fine condition but for a chip on the inside of the foot ring of one.
Koto ware is one of those rare and highly prized ceramics of low production, once the official kiln of the Ii clan in Hikone on the Eastern Shores of Lake Biwa, its production rand from the early to late 19th century...

Excavated piece rom the Shan State. Nice green patina and excellent condition. H. 8,5 cm.

Chinese natural Hetian jade pendant - Fortune Kid...

A Fuchi and Kashira set with flowers decoration with gold and silver overlay decoration on shakudo relief and nanako ground. Good, serviceable condition (a small, fine line fracture from the rim of the fuchi not at all compromising function or presentation.) An easy motif to match if fitting a sword (we may do so if not first selling them.) Fuchi length, 1 17/32 inches (3.89 cm)

Japanese Edo period woodblock print by Kuniyoshi (1797-1861) depicting Minamoto no Yoshitsune in full armor and surcoat seated on a tiger-skin with his hand on an armrest from the series “Stories of One Hundred Heroes of High Renown” (Meiko hyaku yu den) published by Izumi-ya Ichibei (Senichi) circa 1844. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition with only minor fading and soiling evident. The print was removed from an album and is lightly album backed and slightl...

Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui. From left to right, the seated warriors are Takeda Shingen wearing his horned helmet and holding his war fan, Yamamoto Kansuke Haruyuki in monk’s robes holding a closed fa...

An Edo Period Kozuka (utility knife handle.) Kinko (mixed soft metals) decoration on shakudo alloy with nanako (fish roe textured) background. Depicted in a farmer with horse in water plowing in prepartion to plant rice. A willow or other weeping tree, to one side, not yet with blooms. Nicely detailed with featured highlighted with gold and silver overlay. The water nicely textures with an itame (wood grain) effect. Serviceable, fair to good condition. There is light denting on the butt end and...

A breathtaking Taisho period image of the Buddha in meditation by Takayama Shunryo. It is performed with gold appliqué and brilliant mineral pigments on silk, mounted in a fine mounting of blue cloth ending in bone rollers and enclosed in a kiri-wood box. The scroll is is 21 x 76.5 inches (53.5 x 194 cm) and is in fine condition.
Takayama Shunryo (1886-1921) born in Yamagata, studied under Yamamoto Shunkyo in Kyoto, Exhibited with the Bunten. Helped to establish the Nihon Jiyu Gakkai w...

Porcelain decorated with flower on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 9,5 cm tall. CONDITION: chips on the foot rim, no cracks or hairlines and free from restorations

With shallow, molded in the interior with a large leafy scroll, covered all over in a green glaze continuing over the unglazed foot rim to cover the base. 22,3 cm diam. Song Dynasty 12th-13th century Star glaze line on the center, no chips or cracks and free from restorations.

Chinese Qing dynasty silk painted and embroidered panel finely rendered with a scene of an official and attendant on horseback passing traditional buildings set among clouds, rockery, and pine. Ink and color wash in "qing lu" (blue-green) colors provide accents and detail. The scene describes a Tang story of travelers heading to the 60th birthday celebration of a high official. The three gilt characters along the right side, "bed filled with hu," imply that the official had many sons and sons...

Finely crafted Mughal rock crystal-hilted Khangar dagger. The grip finely carved, with rolled pommel and gold-inlaid steel bolster. The single-edged blade forged of actively-patterned wootz damascus steel. In its velvet-covered wooden scabbard. 19th century. Overall length approx 11 inches (27 cm).

Large late Ming dynasty Wanli period blue and white kraak ware export porcelain deep charger with a foliated rim decorated in the center within an eight-pointed medallion with a jardinière on a stand holding a fruit, peony, and plantain leaf bouquet with a fence in the background. The central design is encircled by a moulded eight panel border on the cavetto with stylized peach branches alternating with Daoist symbols. The back is decorated with eight panels holding lingzhi within a circle. ...

A gorgeous pair of tiny shoes with shaped heels and upturned toes for a Han Chinese lady with bound feet. Made of silk, embroidered with very fine Peking and satin stitch in gold-wrapped and colorful threads. The tall ankle cuffs decorated with brocaded ribbons. Cotton lining and leather soles. Condition: fine. Little insignificant patina, few brittle fabric areas. Please compare: "Fine Chinese Costume and Textiles from the Linda Wrigglesworth Collection": item no. 103. Dimension: length of sole...

Classic archetype of the Himalayan masks, hardwood, large precision sculpture, painting traces representing the Trisul shavaite, excellent seniority at least early 20 th, H 30 cm Further information on request

Porcelain charger glazed in blue and white and copper red. Diameter 27 cm. Jiajing period (1796-1820). Some chips to the rim, but no cracks or repairs.

A rare example of the wellknown Tibetan cups, with high quality repoussé silver depicting Buddhist symbols and a mask at the bottom.. H. 5,5 cm. Diameter 12 cm. This piece dates from the 19th to early 20th century. Made of high grade silver. Good age wear.

A square porcelain plaque painted with different greens, overglaze blue, yellow, aubergine and iron red, mounted in a later European wooden frame. Depicting Hua Mulan, a legendary female warrior, who took her aged father's place in the army. Some orange peel, reverse without glaze. Condition: enamel colors with some wear. Dimension: plaque: 22.7 cm x 22.6 cm x 1 cm, with frame: c. 30 cm x 30 cm.

A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists. It is 12 cm (5 inches) diameter, the same height with a solid silver hoya of woven net weave by signed by Koju.
Mashimizu Zoroku II (1861-1936) inherited the pottery tradition of his father, Zoroku I and grandfather Wake Kitei III in the Gojo zaka district of Kyoto. He was a well regarded member of the city’s literatus, and is remembered f...

A bakumatsu era (mid 19th century) Shishi Koro of dark red clay covered in a rich green glaze from the Banko kilns in Mie. It is 14 x 24 x 8 cm (9 x 5-1/2 x 3 inches) and is in fine condition but for one clawed toe which has been chipped. This squat style of facial expression was popular from the declining years of the Edo period into the early Meiji, and fits the date of this piece perfectly.

A very rare Tibetan cabinet with many animal figures,religious items and scenes. Size: H. 75.5cm. W. 47.8cm. D. 33.5cm Condition: Normal wear.No repairs.

Made of gilt brass, decorated with kingfisher feathers. Seed pearls and beads..in the centre a crane, on the left a flower vase and on the right a gourd. Dimensions: 15x6 cm. Late 19th century. Condition: age wear and missing parts.

Made of gilt brass, decorated with kingfisher feathers, pears, red coral and jade. Dimensions: 13,5x5 cm. late 19th century. Condition: missing parts and age wear.

Width 7.3 cm Height 4 cm. Excellent conditions, no chips, cracks, or hairlines and free from restorations.

Width 9.3 cm. Excellent condition, no chips, cracks, or hairlines and free from restorations.