Exceptional rendering of the character Moon by one of Zens most important 20th century leaders Yamada Mumon. The ink on paper image is framed in patterned copper silk and features black lacquer wooden rollers. Some faint staining, the scroll measures 17-1/2 x 59 inches (44 x 150 cm) and is in excellent condition, enclosed in a kiri-wood box...

Description: A celadon tripod censer was from Longquan kiln of Yuan Dynasty.
Applied with light-green glaze, the censer was mold on the outer surface with Eight Trigarms for decoration.
Supported by three slightly everted feet and with the circular foot ring at the bottom, the censer was in elegant flatten form...

Description: A beautiful Qingbai incense burner was mold in a stylized shape.
By an everted foot and with hollowed –out cloud patterns being decorated, the box was intriguingly covered by a reticulated cover.
It was obviously an porcelain copy from a metal prototype-which was commonly seen from the heritage of Tang dynasty when the Persia culture were affluent.
It was in perfect condition only with some incursions along the rims.
And the excavation earth was preserved for verif...

Qianlong celadon vase with three lugs. Measure H=22 cm Qianlong Period Condition hairline encircling the neck.

Description:

An olive-shape Jizhou vase was applied with beautiful tortoiseshell glaze all over the surface.
By characteristic flat bottom, the buff-tinted body clay was revealed in the soft-feel quality.
They were the characteristics for Jizhou wares.
Upon the glaze being well preserved in a very good condition, the immensely spread crackles were yielded with pinpoint holes which caused from incursions.
It is rare to find a Jizhou bottle in such good condition...

Description: An elegant round basin was subtly made to imitate the famous Song’s Ge ware. By a decent profile of a round mouth rim and the steep but slightly curved wall, the scholar water basin was applied with light yellowish glaze on the surface. In the glaze which was reflected with retrospective reflection, charming crackles were yielded immensely all over the surface. It was the unique esthetics for treasuring the rare Ge ware of 11th-12th century...

Description: A blue-glazed tea bowl from Jun kiln was well mold in a decent look. Being applied with light bluish glaze all over the surface only stop nearing to the foot ring, the bowl was decorated characteristically by some splashes of purple glaze in the cavetto and on the outer surface. Subtly rendered under firing in the kiln, the charming glaze effects were harmonized to the blue glaze by the crackled and fish-scales like condition...

Description: A Jun tripod censer was applied with beautiful bluish glaze. Well mold with three regularly separated feet, the censer was in a decent look when some incursions were happened between the glaze and the body clay at the bottom. The darken body clay revealed at the bottom was a strong characteristic for the Jun wares from Yuan periods. Enduring old reflection was obvious in the cavetto of the censer...

Celadon covered box decorated with twin phoenix, ungalzed base with mark. D= 9.5 cm H=4 cm. Song Dynasty. Condition : firing crack.

These jars have measure heght from 5 cm to 6.5 cm. Condition : Six lobed jar has some frits on the botttom and body. The others are perfect condition.

Kangxi blue and white Saucer D=10.5 cm, condition small glaze frit on the back. Late Qing BW Cup, D=8.5 cm H=4 cm, perfect condition. Late Qing BW jar D=4 cm H=5 cm, perfect condition.

Rare and fine Blue and White Kendi mounting with silver and phoenix decoration. H=22 cm D=17 cm Kangxi Periode Condition : mounting with silver, no chips, cracks or hairlines.

Blue and White Bowl with flower scroll in the exterior and mark in the center. W = D = Ming Dynasty Condition : Restoration to the minor fritting on the rim, no cracks, no hairlines.

Description:

A brown-glazed Yuhuchun vase was in elegant form.
Well mold and being carved on the surface with affluent floral motifs, the vase was preserved in a perfect condition when enduring old crackles were spread immensely under the glaze.
Slight incursions were caused to the glaze and revealed by whitish tint.

Date: Yuan Dynasty,13th/14th century.

Provenance: Yaozhou kiln.

Height: 23.3cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A later Meiji period two panel screen, Pigment on silk, signed Hosen (Usui Hosen) dating 1900-1910. Shunkei lacquer frame with cloth backing. Quintessential for the era, the scene is brushed in an abbreviated style, allowing the viewer to participate by completing the details. Muted colors and the lack of hard lines lend the screen an ethereal quality, as if recalled from a distant memory...

Description: A circular storage or seal paste box was made of precious Zitan wood. By a whole block of wood, the box was well shaped and hollowed. In a sturdy condition, the cover can be turned to match the basin tightly. Enduring old patina was yielded on the surface. Date: Qing Dynasty(late 19th century) Width: 9.3cm Height: 7cm.

A carved wooden figure, coloured with red ochre, of a long-nosed male mythological spirit figure. This item was made circa 1940-1970 and originates from the Lower Sepik River area in Papua New Guinea. Condition - very good - there is a split at the back along the line of the spine 9see enlargement no. 8) but no damages or losses. 20cm (8inches) high.

A fine antique Japanese Ivory Netsuke of a Buddha and a Shishi or Foo lion by his side. Meiji era circa 1890 in very nice condition some wear and a very nice patina. Measuring 4 centimeters or 1 3/4 inches tall. A very fine example.