Han style primitive but good model of a Bixie with piercings behind the head, behind fanged teeth, and within the hind legs or tail seem intended for mounting securely as a pendant or fashion accouterment (the neckline appearing suited as a guide for silk cord.) Well carved relief features for eyes, brows, snout and bite. The forefeet and tail with incised features and the tail folded under where subtly ribbed. The double tipped wings in slight relief with incised border...

Description:

A Qingbai ewer was well mold in decent look.
In rice-white tint of the glaze from which infiltration of incursion was observed, the ewer was applied with arched handle and two loops.
Whitish body clay was revealed at the bottom when darken firing tint was yielded along the rim.
Minute incursions were happened to the mouth rims.
It was rarely found a Qingbai ewer with a melon-shaped body.

Date: Southern Song/Yuan periods, 12th,13th century...

Brown jade pig dragon also known as Zhulong in Chinese. These pieces are extremely rare. Probable a later type but not a fake. It is well carved and would make a nice pendant. Size: L. 7.5cm, W. 5cm

This purse would have had a shoulder strap attached and would have been used by an adult female of the Chinese Yi ethnic minority group. All hand stitched with cross stitching embroidery and other techniques, hand made cording (string) knotted across the bottom. The bag is lined with home spun had woven fabric made from "fireweed" plant. Back is unadorned.

piece is 12.5 inches across. light soiling from use.

Description:

A Yueyao water basin was in form of a squat turtle.
Well applied with characteristic greenish celadon glaze on the surface, the basin was sit on the flat bottom which was un-glazed and was revealed with the grayish-tinted body clay.
It was preserved in perfect condition and was well cleaned by ex-collecter intended for practical use.
Minute old frets and incursions were found on the glaze when slight crackles were rendered...

Description:

A pair of Qingbai porcelain ducks or water fowls was nicely mold.
By luting from two halves in the middle, the fowls were depicted vividly in details as well as in postures.
Iron brownish slip was decorated to the eyes and the beaks.
Due to age, icy crackles were rendered in the glaze when burial earth was amid within.
The pairs were sat on square platforms from where marks of cloth paddings were observed at the bottom...

Porcelain decorated with phoenix and floral on the body, glazed base. PERIOD : Kangxi (1662-1722 AD) MEASUREMENTS: 17 cm wide and 22 cm tall. CONDITION: mounting with silver and two small chips to the spout.

A stunning box covered entirely in mother of pearl upon which is the crescent moon in lead under maki-e gold florals. Inside Rimpa style dear rest in lead and gold maki-e on a ground of red-tinted Nashiji. The box is in excellent condition, likely dating from the mid 19th century. It measures 22 x 24.5 x 5 cm (8-1/2 x 9-1/2 x 2 inches).

A nice carved curling pig dragon with a bird head terminal to the crest. Hongshan styles have been copied through out different dynasties. It is hard to date this piece, probably early 20th century. Will make a nice pendant. Size: H.5cm, W. 4.5cm.

Rare Edo period Japanese namazu-e (earthquake fish picture) woodblock print featuring a giant human-like catfish playing a samisen beside an oni (demon) who is seated casually reading a book. In Japanese mythology, it was believed that giant catfish living underground caused earthquakes with their thrashing movements. A series of namazu-e were published anonymously in Japan shortly after the Ansei earthquake hit Edo (now Tokyo) in 1855...

Rare Japanese woodblock print kakemono (vertical diptych) by Toyohara Kunichika (1835-1900) depicting Onoe Kikugoro V as Nikki Danjo, the archvillain of kabuki roles, transforming himself magically into a rat. The kabuki play “Meibuku Sendai Hagi” (“The Disputed Succession”), deals with an assassination attempt on Tsuruchiyo, a child who had inherited the position as head of a Semdai clan. A stolen scroll containing a list of assassination conspirators is in Nikki Danjo’s mouth...

A pair of Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering three friends of Winter (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Good condition. Each about 5 3/4 inches diameter (14.6cm) and about 2 inches high (5.1cm)...

Another pair of Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering three friends of Winter (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Good condition. Each about 5 3/4 inches diameter (14.6cm) and about 2 inches high (5.1cm)...

A set of five Japanese polychrome Imari porcelain bowls with subtly shaped rims. Alternating dragon and floral reserves on a patterned red ground centering 'three friends of Winter' (pine, bamboo, prunus) medallion. The verso with karakusa around a raised foot ring surrounding a broad, unglazed band around a small, glazed center. Porcelain service sets traditionally came in five (four being bad luck and larger sets of odd numbers sometimes encountered.) Good condition...

A beautiful pair of high heeled shoes for a Manchu lady. The heel is made of white painted wood, the sole is worked in fabric. The uppers are made of silk with appliqued tendrils in black. Condition: traces of usage. Dimension: 22.5 cm long, heel height: 7.5 cm, weight: 450 g.

A nice small qingpai funerary powder box in the shape of the lotus flower in three small pod. The flowers petals has dropped off showing the base of the flowers.

In good condition with the exception of some expected abrasion and manufacturing faults as shown in the photographs. Some rough edges and minute sand grits on the cover. No damage, crack, chip or any restoration.

The height is about 4.3cm and the width is about 10.2cm

Description:
A Li-Typed incense burner was well applied on the surface with the unique glassy glaze...

Description:

A decent brush pot was carved from one block of box wood.
By natural root wood form, the wood box was stylized and beautiful when nice and warm patina was obtained on the surface.
It was in good size and was preserved perfectly.
Some protection layers had been done to the bottom by ex-collecter.

It was quite hefty in weight.

Date: Qing Dynasty, 19th century.

Width: 19.5cm x 14cm, Height:16.3cm.

Hanakago (Ikebana flower basket). Irregular plaiting technique using bamboo and rattan. The artist's signature carved into the bottom appears to be in sousho (grass writing) for Ishikawa Shoun (among the greatest modern Japanese basket makers.) Object 2006.3.48 in the Asian Art Museum of San Francisco (the Lloyd Cotsen collection bequest - which we last had the pleasure of viewing in 2008) bears the very same signature in gyousho (traveling) form on a basket using the same plaiting technique wit...

Description:

A stylized Ruyi was rarely found by cast bronze quality.
In unique and beautiful plum flowers and branches form, the bronze Ruyi was put firmly on a stand as a treasured item or on a desk as a nice brush-rest.
It was in quite good size which was rarely found too.
The darken patina was yielded due to age when the overall condition is perfect.

Date: Qing Dynasty, 18th/19th century.

Length: 32.6cm.

Weight: 720g

A CUSTOM-MADE SILK B...

A large and impressive Chinese paktong tea urn of hexagonal section comprised of handled and covered teapot over firebox. The conforming cover with decorative hexagonal, paneled finial. The teapot with tea filter insert, hinged handles of divided hexagonal section and form, a raised and engraved decorative reserve on each of six sides, a shaped spout also of hexagonal section and decorative flow-key with marks (a Chinese character and the pi symbol). The firebox with decorative, lattice venting ...

A soapstone sculpture of the Chinese bearded sage Lao Tzu with staff and scrolls (one partially unfurled from the dragon form staff-head and one tied to his belt.) Engraved cloud decoration on the robe and on the hood over curly locks on the figure's high forehead. Three rather tame looking qilin rest at the figure's feet, looking to the sage - two with a heavenly cloud wisp issuing from their mouths indicating they are not of this world and emphasizing the suggestion of longevity. All hand carv...

Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V. Each panel meas...

Description:

A Changsha bowl was painted in the cavetto with motif of bird and water weeds.
Maneuvered by deft brush strokes, the picture was vividly rendered with simple lines.
The bowl was heavily potted and was revealed with rough-feel body clay underside.
The characteristic disk-like foot ring was well shaped.
It was applied with white lining paint before dipping into to the brownish pigment and commencing the picture.
The ware was well preserved in perfect condit...

A fine Chinese hardwood stand. The top of irregular form (likely originally intended to hold a very specific object - perhaps a scholar's stone) upon a receded waist on rounded, foliate skirt and six similarly shaped cabriole legs terminating gracefully with scrolled leaf feet and resting on an undulating stretcher all raised on shaped feet. The top being hand planed, subtle rippling is noticed when inspected closely. The underside sealed with an old coat of black lacquer. At least 19th century....

Boat-shaped silver ingot with stamped Chinese character meaning double happiness. Condition: fine. Dimension: 3.3 cm long, weight: 37 g.

In good keeping with the Koransha tradition, this vase demonstrates the imagination and creativity of the Fukagawa ceramists and is reminiscent of their design books. First thinking it might be a gourd form, it becomes apparent it must be a melon form - more consistent with the suggestion of Spring with the blue and white prunus and cracked ice background to the polychrome mountainous landscape with black pine and secluded retreats in green, yellow, aubergine, orange and gold enamel. The neck su...

A finely brushed image of a pheasant in the blossoming boughs of a cherry tree bearing a circular Rimpa School seal in the lower right. Pigment on paper with bokashi daubing of water on the tree trunk. Shadows dragged through the back appear to intimate bamboo. It is bordered in beige silk with a black lacquered wooden frame. The screen measures 71.5 x 68.5 inches (181 x 174 cm) and is in fine condition, dating from the early 20th century.

Russo-Japanese War triptych illustrating the surprise attack on Russia’s Far Eastern Fleet at Port Arthur that initiated the war. A large torpedo-boat is at the center. Two Russian ships at the upper left have been hit and are sinking. Three Japanese battleships are at the upper right. The title cartouche at the upper right describes the scene in both Japanese and English as “On the night of the 8th of February 1904, our brave fleet of torpedo-boats fired at the Russian squadron at Port ...

Chinese late Ming (16th/17th century) Zhangzhou (Swatow) porcelain deep charger decorated in iron-red, green, and black overglaze enamels on a cream-colored crackle glaze ground with a central roundel holding flowering peonies. A band containing four floral panels against a crossed line ground extends around the circumference of the rim. 13" diameter x 2 3/4" high. There is significant wear to the enamels and several very old rim chips (see enlargements 6 and 7). There is a fine quality restorat...

Japanese Yokohama woodblock print triptych illustrating the interior of an American steamship by Utagawa Yoshikazu (flourished 1850-1870) published by Maruya Jinpachi in 1861. In this design, the artist utilizes the traditional Japanese convention of “roofless architecture” which allows the contents of the ship to be visible. Inside, westerners are seated at a long table having a dinner party. The assembled size is 14 5/8"V x 29 1/4"H (each panel is about 14 5/8"V x 10"H). Good overall c...

A saintly recluse dozes restfully, his pole dipping to the waves below the rocky outcrop upon which he sits; a fine bronze figure dating to the Meiji period and signed on the reverse. The figure with the rock is 32 x 22 x 30.5 cm (11 x 9 x 12 inches) and is in fine condition.

A beautiful Meiji period basin of light weight metal gilded with genuine gold leaf with each individual petal rising to form the fluted rim. Much worn from handling, the bowl measures 25 cm (10 inches) diameter and is 12 cm (5 inches) tall.

Beautiful purse embroidered on both sides in counted stitch with bats in gold thread among blue clouds. Yellow colored drawstring,tassels and silk lining. Condition: fine. Little patina, yellow silk faded, the blue silk lining with stained area, one end of drawstring is loose. Dimension: 10.8 cm x 6.3 cm x 2 cm, weight: 42 g.

Japanese Limited edition etching with aquatint of a traditional Japanese farmhouse covered in snow titled “Tamba” by Brian Williams (b. 1950). The print is pencil-signed, titled, numbered 170/180, and dated ‘93 along the bottom margin. Paper size: 10 1/4"V x 14"H (image about 5”V x 8 ¼”H). Excellent condition. There are two pieces of archival tape at the top edge verso. Born in Peru, Brian Williams has been living and working in Japan since 1972. A Japanese frame with archival mat ...

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (b. 1927) titled “Rainbow Butterflies” featuring Nakayama’s daughter’s face in profile with butterflies in flight around her. This image is pencil-signed “T. Nakayama,” numbered 34/95, and dated 1983 in the bottom margin. The bottom margin edge also contains the. The red Nakayama seal is verso. A color illustration of this image can be found on plate 205 of “T. Nakayama” published in 1989. According to this...