Description: A typical Taiwanese Daoist tiger deity was made of brick mud. In cute facial composition, The molded animal was applied with white paint before brushed with black pigment and sketched with detailed lines.Tiger deity was usually seen in Taiwanese shrine for comforting the uneasy babies. Date: Qing Dynasty, Height: 6.0cm

Description: A wood carving of a tiger was a typical Taiwanese religious deity. Instead of scaring people, the cute tiger was for comforting uneasy babies for worshipers. Date: Qing dynasty, Height: 14.5cm

Louis Philippe period Sevres porcelain scenic cabinet plate decorated with a gilded pink border surrounding a central hand painted view of the Chateau de Veauce. Circa 1840s. Titled on the reverse and bearing the Chateau des Tuileries red back stamp and Sevres factory Louis Philippe period blue monogram stamp. Made for J.E. Caldwell & Co., Philadelphia. Size: 9.5 inches diameter...

Description: One exquisite Jun stand with subtle purple splashes and elegant five-foliate rim was preserved in perfect condition. Reserved with obvious burial deposits and incursions which causing some pinhead holes on the surface, the stand's surface was over all in retrospective glaze luster. Naturally rendered bubbles were yielded under the glaze...

Description: A black Jianyang Temmoko tea bowl of Song Dynasty was intriguingly transformed into a whitish tint by natural burial's incursion. In typical black body of Jianyang kiln, the tea bowl was applied with shear black glaze before being affected by the incursion. In a still slippery feel on the surface, the rare bowl showed itself a charming piece. A similar piece was in a loan exhibition from MOA Japan at The Museum of Fujiang Province. It can be as referent in the last two pictures...

Finely crackled which glaze covers this late Meiji Chinese inspired form clearly stamped inside the footring Tozan Ito Tozan. There is an incredible sense of mastery in the concise lines and perfectly sculpted form. It is 13 inches (33 cm) tall, 10 inches (26 cm) diameter and in excellent condition, enclosed in an older custom made wooden box.

This antique Chinese necklace has an ornately detailed large Kylin as the central medallion. The medallion is 3.5 inches across and there are are five decorative chains hanging from it. Each of these chains ends with a fruit. The low grade silver used for the necklace is typical of the Chinese silver used in old China. The Kylin is a Chinese mythical animal.

This lock necklace can comfortably be worn by a adult even though it was originally intended for a child...

Voluptuous floral and bead and bar design sterling bracelet by Valentin Vidaurreta who established his first workshop in Mexico City in 1936, then moved to Taxco in 1941 where he designed principally for Hector Aguilar until 1952 and also had a small workshop of his own. He may have also designed for William Spratling and Fred Davis. This bracelet measures 6 1/2" around in the inside and is 1 1/4" at the widest points and narrows to 3/4" at the back clasp...

This is a lovely sterling and center amethyst straight line bracelet by Felipe Martinez who called his workshop Piedra Y Plata. His workshop was recognized by his peers as one of the best silver shops in Taxco. He had a great appreciation for stones and made beautiful designs combining color, movement and line. This bracelet measures 7" around in the inside and is 3/8" wide. Excellent original condition and signed as shown. This bracelet is a testament to his artistry.

This Chinese winter court officials hat has an elaborate gold acorn finial, silk velvet brim, and red silk tassels. The black chin strap cord is tied with a double adjusting slip knot. The hat is in good condition.

A beautiful sterling and cabachon amethyst necklace by Carmen Beckmann. One of the few women Mexican silversmiths, her work is hard to find and always interesting and beautiful.Beckmann had a shop in San Miguel deAllende and was active in the 1960's and 1970's. This necklace measures 15" end to end and is 5/8" wide. It is in fine original condition and signed as shown. GORGEOUS!

The Manchu woman did not practice foot binding or wear Lotus Shoes. However, the women did wear various styles of thick soled and platform soled shoes. The sole on this pair of Manchu shoes is 1.5 inches thick. The vamp is canvas with wonderful large eyed fish embroidered with silk thread towards the back of the shoes. The front fish are made of velvet fabric with chain stitched embroidered details...

This baluster form vase is quite large by Japanese standards at 14 inches (35 cm) tall and in perfect condition. Chrysanthemums decorate the sides in rich, dark blue. There is a slight yellow tinge to the white glaze. It is signed on the base Makuzu Kozan Sei. The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo...

MASSIVE and ENORMOUS Antonio Pineda 970 silver cuff with shadow box figures and matching screwback earrings. We are talking BIG! The cuff is 2 3/4" wide, 5 1/4" around in the inside with a 1 1/4" opening and weighs 202 grams. The matching earrings are 2 1/4" long and 5/8" wide. I have never seen this bracelet or earrings in such large scale before. It is in fine original condition and both pieces are fully hallmarked as shown...

Gilded Bronze Shakyamuni, Late 18th Century or Early 19th Century

It is 6.5 inches (16.5 cm) tall by 4.6 inches (11.5 cm) wide.

It is in good condition with dents, cracks, or chips, except old repair at the inside (as seen in the photos).

Large format photos available upon request.

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Tang official's bronze seal of the 2nd rank. Size: 2.3 x 2cm. H. 1cm. Condition: No repairs. Nice patina.

A very unusual pale yellow-green (kiji) porcelain vase in the shape of a Chinese Gu by Seiji Celadon master Suwa Sozan enclosed in the original signed wooden box. Fretwork and a roiling dragon body have been softly engraved into the sides; the slightest variation in tone the only hint to the subtle design-work...

Emile Albert Gruppe (American, 1896-1978), oil on canvas board, signed lower right. Titled and dated in Gruppe's hand on the verso,"Mount Mansfield, Vermont, 1947." A vibrant spring scene with traces of lingering winter snow. Excellent condition. Size: 12 inches x 16 inches.