A blue & white large dish, decorated to the center with a deer and bird in landscape, found only on this Swatow family, the sides decorated with a diaper border in Jiajing style. Exterior with floral pattern, adhere to the foot rim with sand grit as known as typically of Zhangzhou ware products, Ming dynasty late 16th to early 17th century. Condition is two hairlines, no any crack and free from restoration. Diameter: 27.5cm.

A Southern Song Jizhou black glaze covered with slightly thick dark brown - black glaze unglazed base. Song Dynasty ( 12th - 13th centuries , Jizhou central Jiangxi province. Bowl is in good condition with 2 fritting on the rim and 1 hairline. Size: 12 cm diameter, 8 cm height.

A Tang dynasty yue yao jar with four lugs, rounded side with globular body and unglazed base. Jar is in good condition with glazed degradation, no chips, cracks, hairlines and free from restoration. Size: 8 cm diameter, 8.5 cm height.

Miniature Porcelain jar covered its body with a Qingbai ( Yingqing ) glaze and reddish unglazed base. H : 4 cm. D : 4 cm. Jingdezhen or Fujian. Yuan Dynasty, fourteenth century. Condition : invisible hairline, no chips, cracks and free from restorations.

7 1/4 inch sterling silver and handcarved rosewood cheese or pate knife designed (1949-50) by Taxco Mexcio artist William Spratling (1900-67). Fully hallmarked. Beautiful vintage condition. Nice heavy weight. Pictured on Phyllis Goddards website www.spratlingsilver.com.

6 1/2 inch long hand carved rosewood and sterling silver cheese or pate knife designed (c.1940)by Taxco, Mexico artist William Spratling (1900-67). Pictured on www.spratlingsilver.com and in the 1946 Warner Bros. film "THE MAN FROM NEW ORLEANS", about Spratling and his Taxco silver workshop. Nice weight and in beautiful vintage condition. Fully hallmarked as shown.

Description:
An archaic bronze seal was in a fine look.
By an arc loop as the knob, the seal was cast in a square shape with slanting surface on four sides.
On the printing side, four Chinese archaic(Xiao Zhuan) characters were finely cast.
It reads as JIN DU YIN XIN-the Seal of Jin Du. Jin du is also called Louyang, the capital of Song Dynasty. So it was probably an official seal...

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

An early 18th Century plate decorated in underglaze blue depicting a lady and a boy in a river landscape. This item was made in Jingdezhen, Jiangxi province, southern China for export to Europe (circa 1730 - 1750) during the reign of either the Yongzheng or the Qianlong emperor. Condition - Excellent. 23cm (9 inches) diameter...

A large, heavy, bronze censer decorated in Chinese late Ming dynasty style with a large Wanli (1573-1619) type dragon. This item was made in Japan, probably for export, during the Meiji period (1868-1911). The base mark reads - "Great Japan Tokyo Murakami Zo". Condition - very good - just minor losses to back of dragon ( see enlargement no.2)...

Description: A wood stand was made in rectangular shape.
Supported by four horse-hoof feet, the stand was designed in elegant form by beautiful curves.
It was tenoned perfectly by excellent craftsmanship.
Being preserved with brownish patina, the stand can be in well use for your wonderful collections.

Date: Late Qing periods, late 19th century.

Length: 39.3cm, Width: 27.5cm, Height: 10.6cm.

Material: Honmu, Rose Wood.

Draum (Dream) by Ida Teichmann (German, b. 1875 - ), original lithograph on rice paper, circa 1910, artist signed in lower right margin. Condition: two very minor spots of foxing (not affecting the figures) and some mat burn outside of the image area. Newly matted and framed. Ida Teichmann was a female German artist known for her drawings and lithograph portrayals of adolescent girls and young children. Teichmann was born in Frankfurt am Main and was largely self-taught as an artist...

West Rutland Valley, Vermont by James Hope (American, 1818-1892). Oil on canvas, 30” x 40”, signed and dated 1860 lower left. James Hope was a noted portrait, landscape and historical genre painter who was active in Rutland County, Vermont and later in Watkins Glen, New York. His work shows the strong influences of his friend and fellow painter, Frederick Church...

Luigi Lucioni (Italian/American, 1900-1988) - September Ascension, an early landscape painting of a panoramic view of the Green Mountains in the environs of Manchester, VT, with scattered rain showers mixing with patches of sunshine in the distance. Oil on artist board, 5" x 8", signed and dated 1944 in lower right...

Luigi Lucioni (Italian/American, 1900-1988) landscape painting of a barn with attached red silo beneath the dramatic silhouette of Mount Equinox, near Manchester, Vermont. Oil on artist board, 6" x 9". Signed and dated 1943 in lower right. This small work exhibits the detail typical of Lucioni's oeuvre. Excellent condition, with a recent professional cleaning & minor touch up; offered in a period weathered wood frame. Lucioni was a noted painter and engraver...

Unique circa 1950s sterling silver necklace by important mid-century silversmith Rebajes. The hand wrought pendant is constructed of silver, a green stone that appears to be agate or jade, and a glowing genuine (cultured?) pearl. The large pendant measures approx. 2.5" in length (including the bale) and 2" in width. It has a small silver plaque on the rear bearing the old "Rebajes, Sterling" mark with a sideways "S"...

Theodora Aulmann (American, 1882-1960)

View of a City through the Trees

Oil on canvas, signed.

Painting size: 26” x 35.5”
Frame size: 31” x 40”

Born in Alton, Illinois, Aulmann studied at the Cumming School of Art in Des Moines. Later, she moved to Los Angeles where she would remain until her death. She was a member of the California Art Club and Women Painters of the West. She exhibited at the Pasadena Art Institute in 1928 and 1930...

Offered is an exquisite pair of 1890's, cobalt blue, label-under-glass, poison, apothecary bottles. Measuring 5 inches high, these beauties are in fine condition with some faint and unobtrusive manufacturing flaws.

The lighter blue bottle is embossed "W.T. & CO." on the base. The dark blue bottle has a faint, double stamped mark. Together they make a wonderful pair waiting for a place in your collection.