Rozome style covered jar with the repeated resist designs of the character, Mu. Mu means "nothingness" in Zen Buddhism, think of the possibilities for such a jar! The green overglaze is very reminiscent of Japanese Fujina style glazes and is very rich in person

Stoneware, slips and glazes

9" X 7.5"

Functional, decorative and food safe!

Tall cap jar decorated with repeated hiragana design in the rozome technique

Stoneware, slips, glazes

12" X 6.6"

Richly glazed cap jar with rozome ideogram style designs around the jar and on the lid. This glaze is very reminiscent of Old English or Fujina lead glazes without any lead!

Stoneware, slips and glazes

8" X 7"

Lidded storage jar with ameyu, amber glaze and a copper luster rain pattern

Stoneware and glazes

11" X 8"

Functional, decorative and food safe

Medieval influenced cap jar with a rich galena style glaze over a medallion repeat design. Though galena influenced, this is a lead free glaze!

Stoneware and glazes

8.5" X 6.5"

Functional, decorative and food safe

Large hakeme (hakame) decorated covered jar with a medieval green splash on the front, back and lid

Stoneware, slip and glazes

13.5" X 7.25"

Functional, decorative and food safe

Large and broad pillar form covered jar with hakeme decoration under a clear glaze and zen inspired splashes of rich Ao blue glaze

Stoneware, slip and glazes

12" X 8.5"

Functional, decorative and food safe

Ao glazed cap jar with "Orbis", rings design

Stoneware, slips and glazes

8.25" X 8.5"

Functional, decorative and food safe

Robust stamped capjar with an overall keyfret style design under an Ao glaze and the lid and foot in clear glaze accents

Stoneware and glazes

10.5" X 6.25"

Functional, decorative and food safe

Medieval green glazed hakeme slipware covered jar, or mizusashi with kamon diamonds at four points around the piece

Stoneware, slips and glazes

8.8" X 6.25"

Functional, decorative and food safe

Volumous temmoku covered jar with three rings around the circumference of the piece with impressed stamp decoration. Picture #5 shows the actual color and quality of the glaze very well

Stoneware and glaze

10.5" X 8.5"

Functional, decorative and food safe

Temmoku glazed covered cap jar with repeated impressed designs around the body of the full jar

Stoneware and glaze

10" X 7.5"

Functional, decorative and food safe

Robust covered cap jar in a deep temmoku glaze with a band of my medieval green over a kushime combed slip decoration

Stoneware, slip and glazes

11.25" X 7"

Functional, decorative and food safe

Lg. tsubo, jar with wide flared lip glazed in medieval green and temmoku glazes over a tataki, paddled grid design around the shoulder

Stoneware and glazes

10.25" X 8.25"

Large, ovoid tsubo, jar with kushime combing under haiyu and temmoku glazes. It is larger than the dimensions imply.

Stoneware, slip and glazes

12.25" X 8.5"

Temmoku glazed cap jar with haiyu accents in the stamped decorations. There are two small areas on the foot ring where the glaze ran just a bit, see pictures

Stoneware and glazes

11.5" x 6.75

Medieval green glazed cap jar with impressed stamp designs around the lobed body

Stoneware and glazes

7.75" X 6.25"

Functional, decorative and food safe

Ao glazed albarello influenced cap jar with vertical kushime combing decoration

Stoneware, slip and glazes

10.25" X 6.5"

Functional, decorative and food safe

Saffron hakeme yellow iron glazed wasp-waisted covered jar with subtle raked slip under the glaze

Stoneware, slip and glazes

12.25" x 7"

Functional, decorative and food safe

Wood-fired Jar, tsubo, by George Gledhill; Payette, ID. Ash glaze. H.8"(20cm) x Dia.8"(20cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Wood-fire jar, tsubo, by George Gledhill; Payette, ID. Ash Glaze. H.9.5"(24cm) x Dia.9.5"(24cm.) Lug handles on shoulders in style of "chatsubo," tea leaf storage jar. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Interesting and decorative porcelain tsubo with underglaze blue, sometsuke and overglaze red yuriko decoration and gold accents.

This tsubo is in fine condition and does not have a box and the potter has not been identified. The piece measures 7.25" x 6.5".

Generous Oribe style covered jar with impressed decoration around the body of the pot. Please note, the lid was fired on a wad that was later ground off resulting in the area you see on the bottom of the lid, it is not sharp and smooth to the touch.

Stoneware and glazes

9.25" x 7.5"

Large Oribe style covered jar with kushime slip decoration and ring knob lid.

Stoneware, slip and glazes

13" x 7"

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood & gas fired with Ash Glaze interior. H. 5.75"(14.5cm) x Dia. 7.5"(19cm.) Mouth opening 4.875"(12.5cm.) Volume = 64oz (2,000cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Large Oribe glazed tsubo with hakeme slip decoration and a broad, flared lip.

Stoneware, slip and glazes

11.5" x 8.5"

Fissured Jar, Wood-Fired, by George Gledhill; Payette, ID. Natural Clay, & Natural Ash Glazing caused by 3 days of Wood-firing in the fire box of George's Anagama Kiln in 2005. A large fissure had occurred in firing which turned out to be a serendipitous accident. H. 15"(38cm) x Dia. 11.5"(29cm.) The beauty of this piece is dynamic in depicting the force of the kiln fire, yet still quiet in its naturalness. It is truly a one-of-kind piece that demonstrates the spirit of Zen...

Three tier medieval green and temmoku glazed Pisa jar with stamped decoration around the form and alternating panels of glaze.

Stoneware and glazes

11.6" x 5"

Tall covered jar with thick combed slip decoration under an Oribe style glaze with iron flows about the surface.

Stoneware, slip and glazes

13" x 6" max.

Tall covered jar with thick combed slip decoration under my gosu style Ao+glaze.

Stoneware, slip and glazes

13" x 5.6"

Wonderful porcelain tsubo with exquisitely painted sparrow and foliage across the surface with vivid watercolor like effects calling to mind a scene right out of early autumn. The detail of the painting is rather intricate and obviously owes its inspiration to many of the Meiji era painters of which Watanabe Seitei (1851-1918) immediately springs to mind...

Robust Oribe style covered jar with kushime slip decoration and angular knob. Though not necessarily intended as a mizusashi, it sits well next to a Shigaraki chawan in photo #6. ***I should also mention there is a fine crack where the knob meets the lid that is not sharp and does not effect the use and function of this piece.

Stoneware, slip and glaze

7.65 x 6.8"

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is created with chosen-karatsu (black&white)x marked as jar for tea ceremony. It's a very refined piece a...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft...

MOON JAR S

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 17 x H 17cm (6.69 x 6.69in)...

MOON JAR M

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 20.5 x H 18.5cm (8.07 x 7.28in)...

This piece was fired in "Anagama" small kiln with red pine fire woods for 10 days and 2 times. Ancient Shigaraki works was made of clay that was consisted weathered granite, it has very high fire resistance, 1300 Celsius degrees. Ashes of red pine tree turned to green glass ,it is called "bi-doro" at high temperature, and fierce fire made spectacle scene on the surface...

Jug for holding fresh water for the tea ceremony, called mizusashi. Wheel thrown, thin stoneware of slightly irregular beaker shape (slightly bulging belly towards the bottom and straight sides going up). The mouth is slightly oval. Black-brown iridescent glaze. Custom made black lacquered fitted wooden cover. Seto ware, or black Oribe.

Impressed potter seal Sakusuke inside gourd, and engraved smiley-shaped kao.

H 5.75 (with cover) x W 6.25 in.

Japan, ca 1970s

Undamaged ...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Try describing this incredible Mizusashi covered in glassy Oribe green glaze by important artist Hayashi Shotaro enclosed in the original signed wooden box. Spectacular is all that comes to mind. It is entirely sculptural, with a refinement of glaze only this artist can create. The piece is 7 inches (18 cm) tall, 9 inches (23 cm) diameter and in perfect condition. Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. He first began with a 7 year apprenticeship under hi...

Saturn rings inspired covered jar with amber ameyu glaze and rich gosu cobalt blue decoration.

Stoneware

7.5" X 7.75"

Functional, decorative and food safe!

Hand carved terra cotta covered jar with "grasses" pattern on the body and lid

Terra Cotta, slip and glaze

7.75" X 7"

Functional, decorative and food safe

Ame and copper glaze stacked stones style covered jar, mizusashi with a rain pattern decorated around the jar's waist and moss green accents at the foot and top

Stoneware and glazes

7.5" X 7"

Functional, decorative and food safe

Hakeme (hakame) decorated cap jar with rich Ao glaze. This form was inspired by a Japanese chambara film with a silhouetted "ronin" in rain hat and cape with folded arms standing as a solitary figure in the rain.

Stoneware, slip and glazes

10.5" X 6.25"

Rozome style covered jar with the repeated resist "harmony" design. The green overglaze is very reminiscent of Japanese Fujina, as well as medieval galena glazes style glazes and is very rich in person and lead free.

This covered jar comes with two different styled lids, each one presenting an entirely unique view and perspective of the piece

Stoneware, slips and glazes

9.75" X 7.5"

Functional, decorative and food safe!

Gourd form covered jar with hakeme slip decoration and my handprints in clear glaze with the Ao glaze overall

Stoneware, slip and glazes

10.75" X 6.5"

Functional, decorative and food safe

Wood-fired Mizusashi, Lidded Fresh Water Container used in Chado (Tea Ceremony, Cha no yu) by George Gledhill; Payette, ID. H.4.875"(12.5cm) X Dia(body)6.75"(17cm.) Mouth Opening Dia.4.00"(10cm.) Volume 1600cc (51oz/6.375cups.)There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who comp...

Elegant cap jar glazed in my temmoku with a runny iron tetsu partridge feather glaze. This cap jar resembles some Tamba and karatsu works and has a rich variety of iron, green and grey-black tones to the runny overglaze.

Stoneware and glazes

10.5" x 6.5"

Functional, decorative and food safe

Large covered jar with attached lugs and a ring style knob glazed in a rich temmoku and runny tetsu-yu glaze which accentuates the form.

Stoneware and glazes

13" x 8"

Functional, decorative and foodsafe

Wood-fired Mizusashi by George Gledhill; Payette, ID. Ash glaze. H.5.875"(14.5cm) x Dia.7.375"(18.75cm.) Mouth opening 3.75"(9.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the ...

Wood-fired Mizusashi, Water container, by George Gledhil; Payette, ID. E-Shino (picture Shino) glaze. H.5.625"(14.25cm) x Dia.6.785"(17.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction t...

Temmoku and haiyu glazed tea caddy, chaire with ceramic lid. There is flowing glaze all around the upper portion of the wasp waisted form with a beautiful green steak present on the face of the pot.

Stoneware and glazes

4.2" x 3.25"

Functional, decorative and food safe

Encrusted in blue glass, this Iga Tokkuri by Furutani Kazuya is a pleasure to see and hold. It is 5 inches (12. Cm) tall, 3 inches (8.5 cm) diameter and in perfect condition, enclosed in the original signed wooden box.
Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki. His Father’s sudden...

Lush wasp jar with my Ao glaze over hakeme slip with stinger style lid knob

Stoneware, slip and glazes

8.8" X 6.2"

Functional, decorative and food safe

Large, saffron, iron yellow covered jar with pierced ring knob with a banded, kushime decoration of slip under the glaze.

Stoneware, slips and glazes

13" x 9"

Functional, decorative and food safe

Mizusashi, Fresh Water Jar for Tea Ceremony. Also, Lidded jar for any storage use. Bamboo Ash Glaze. Lid Knob in shape or Orchid Flower. By Sachiko Furuya; Honolulu, HI. H. 4.875"(12cm) x Dia. 5.75"(14.5cm.) Volume = 1,000ml, approx 32 oz. Earlier piece of Furuya's, ca. 2005, when she was still in the Seattle, WA area. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Te...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze, ca. 2009. H. 5.75"(14.5cm) x Dia. 8"(20.25cm.) Mouth opening 4.125"(10.5cm.) Volume = 88oz (2,750cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work a...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze interior. H. 4.875"(12.5cm) x Dia. 7.5"(19cm.) Mouth opening 4.5"(11.5cm.) Volume = 64oz (2,000cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and ...