Sold - sorry. A masterpiece tea bowl by Iga master Tanimoto Kosei, accompanied by his signed and sealed original storage box.

Kosei was born in 1916 in Iga city, Mie Prefecure. He made his National Debut as an oil painter artist, his interest in traditional Iga-yaki ceramics started in 1945, and he becomes an Iga potter in 1947, enjoying a long apprenticeship under master potter Komori Shinobu and Sakuzo Hineno at the Institute of Nanagu Ceramics in Ueno, Mie Prefecture...

Rich rivulets of stunning green crystallize on the surface of this tokkuri sake-bottle by important Mino artist Hayashi Kotaro enclosed in the original signed wooden box. The bottle is roughly 6 inches (15.5 cm) tall and in excellent condition.
Kotaro was born in Gifu prefecture, and graduated the prefectural ceramic facility...

Most noted for his works of Shino, this attractive Oribe piece by Kato Takeshi is distinctive and eye-catching.

Born the son of a potter in 1947, Takeshi studied under Kobayashi Bunichi, Ohashi Momonosuke and later in Kyoto under Uchida Kunio, opening his own kiln in 1973 (Genkuro-gama)...

Flame shapes fan up on the sides of this trumpeting bottle by Funaki Kenji enclosed in the original signed wooden box. It is 6-1/2 x 7-1/2 x 9-1/2 inches (16.5 x 19 x 24 cm) and is in fine condition. Funaki Kenji (b. 1927) was born the son of potter Funaki Michitada (1900-1963) in Matsue, Shimane Prefecture. Michitada had been a follower of the Mingei movement closely associated with its founders Kanjiro, Shoji and Leach...

An eight sided Shino Yunomi Cup by Suzuki Osamu (Kura) enclosed in the original signed wooden box decorated with triangles in red. A striking work, it is 3 inches wide, the same height (7.5 cm) and is in excellent condition. Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. That same year he was awarded at the 6th Dento Kogeiten Traditional Crafts Exhibition...

Fantastic and perfectly shaped Bizen chawan by great contemporary artist Hiroshi Toyofuku. It has a stunning glaze with a fine abstract 'landscape' of colors on it. It fits smooth in the palm of the hands and gives you a real warm feeling.

The chawan has his sign and comes with the original woodbox. Please note, his art connects perfectly past and present and is hard to get on the market.

Toyofuku Hiroshi was born in Saitama in 1973...

Labeled as yu-Shino on the box or “evening†Shino, this recent composition by Ryouji Hayashi III displays wonderful textures and hues resembling the blazing sky at sunset. The front of the bowl is decorated with radiating fissures— boldly contrasting with the background while the kodai or foot of the bowl is unglazed showing the light-colored clay beneath.

Ryouji Hayashi (1940 - ) is the third generation potter of the Shozan kiln in Mino...

The light-grey glazed interior of this piece makes an inviting backdrop for a smooth cup of saké. The exterior by contrast is matte with a slightly coarse texture making it easy to hold in the hand. Overall it has a decidedly modern feel to it however the techniques used to produce this attractive guinomi go back many generations...

A small dish from the 1960s by Fujihira Shin enclosed in the original signed wooden box. It is 8 inches (20 cm) diameter and in fine condition.
Fujihira Shin (b. 1922-2012) was born into the family of a ceramics dealer in Kyoto, raised among the pots, and attended the Art University, however, in his second year would lose four years of his life to battling illness. This life and death struggle would make him a strong character, coming forth from then on in his works...

Rare Buncheong Vessel by Shin Sang Ho from 1993, during his buncheong period, with the original signed box. A piece that is both beautiful and important in the history of Korean contemporary ceramics...

A relatively new term, “Oni Tamba” is used to describe works of Tamba-ware fired using carbon trap and ash glazing techniques modeled after those pioneered by Tsukigata Nahiko in the 1950’s. This piece in particular displays a bold and innovative ceramic landscape that seems quite impressive for such a young artist as Onishi...

This elegant and mature work of Karatsu pottery has an unglazed foot and beautiful crackled glazing that displays hues ranging from ivory to almond.

Toya Inoue (1942 - ) is a native of the world-renowned pottery center of Karatsu in Saga prefecture. From a young age he was interested in tea and tea-ware and studied tea ceremony under Tansai. Later in his 20’s he was involved in a project to restore ancient kilns. From this experience he decided to make pottery his life’s work an...

A set of five concentric back glazed sake-cups enclosed in the original signed wooden box by Yagi Akira. They vary in size from 2-1/2 inches to 4 inches diameter (6.5 to 10 cm) and in excellent condition. For a similar (admittedly larger) set see “Contemporary Clay, Japanese Ceramics for the New Century “(2005) by Joe Earle.
This name is a must have in any collection of modern Japanese Pottery. Akira was born in Kyoto in 1955, son of avant garde Yagi Kazuo (1918-1979) one of the fo...

At nearly a foot tall and in perpetual motion, this modern spiral vase was made by the late kato Yasukage XIV circa 2008. Tall and imposing the spiraled surface is glazed in a rich Shino glaze that shows off a wide array of textures and color variations from pure white, blushed pink hues and rich iron red circling the base of the pot. The textured flutes draw one in and around the pot and create a vivid canvas for this creative master gone way to early.

Kato Yasukage XIV was from a long l...

A large Tsubo by important Hagi artist Yamato Yasuo enclosed in the original signed wooden box titled Oni Hagi Enpaku O-Tsubo. This large vessel is Similar to the works published in the first major anthology on Japanese contemporary pottery Gendai Nihon No Togei (volume 8, published 1984) and dates circa that era. It is 14 inches (35 cm) diameter 15 inches (38 cm) tall and in fine condition. Due to size the cost of shipping will be accrued separately.
It is likely no collector of Hagi wi...

White blossoms decorate a scattering of branches on the surface of this footed sweets dish by Kondo Yutaka enclosed in the original signed wooden box titled FunKa Daizara. It is 8 inches (21 cm) diameter, 3 inches (8 cm) tall and is in excellent condition. The deeply impressed white patterns are striking against black.
Kondo Yutaka (1932-1983) was born into a traditional pottery family in Kyoto. He studied under Living National Treasures Kondo Yuzo and Tomimoto Kenkichi at the Kyoto Mu...

The creator of this extraordinary work, Shibuya Deishi, is best known for his works of “Oni-hagi”—typically made with rough clay and heavy dripping glazes. This piece by contrast seems delicately crafted and has a very soft and warm quality to it. The outside is covered with overlapping molded flower petals done in an almond glaze with ivory accents at the tips of each petal.

Winner of many local and international awards (including the 18th Modern Applied Fine Arts Exhibition...

A museum worthy masterpiece by important Tamba artist Ogami Noboru enclosed in the original signed wooden box. It is certainly eye-catching at 25 inches (63 cm) diameter and is in fine condition, dating from 1989, the same year he was awarded by Hyogo for his efforts to revive Tamba-yaki and protect its heritage. Due to size the cost of shipping will be accrued separately.
Ogami Noboru (1929-2002) graduated the Kansai Gakuin University in 1951, and began his career in the Okuma Seitosho ...