Modern temmoku and ash glazed chawan, teabowl with stamped decoration inspired by the English and Japanese traditions

White Stoneware

5.25" X 4"

Functional, decorative and food safe!

Classical Iga vase by noted master Japanese potter; Kishimoto Kennin (b.1934). This vase, based on Momoyama and early Edo Iga archetypes, has varying hues of natural green ash about the top portion of the vase which also cascades down the side and forms wonderful bidoro rings around the mouth and shoulder. Though a thoroughly Iga pot, the clay body is actually wonderful Shigaraki clay with a healthy amount of feldspar inclusions...

Rectangular Sushi Plate, Shino Glaze with Iron Brushwork Decoration. John Miller; Portland, OR. H. 0.75"(2cm) x W. 6.125"(15.5cm) x L. 11.5"(28.5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

A large Serving dish covered entirely in a volatile landscape of scholars and winding mountain paths populated by towering temples and bridges spanning precipitous gaps by Shigemori Yoko enclosed in a wooden box titled Sansui E-zara. Performed with blue over a cream colored glaze, it is 33 x 35 x 3.5 cm (roughly 13 x 14 x 1-1/4 inches) and is in excellent condition, directly from the artist’s family, with a wooden box signed by her brother Naoki...

Porcelain neriage chawan in a Jovian Storms style pattern with an "eye" design

Porcelain and glaze

4.75" X 4.5"

Functional, decorative and food safe

Brilliant green "Oribe glaze" sake cup. YouTube movie: https://www.youtube.com/watch?v=0OfaOxZKfkw Size: 7.0cm(D) 5.0cm(H) Accessary: wooden box signed by artist

Try describing this incredible Vase is not difficult: Spectacular is all that comes to mind. This large vase is covered in glassy Oribe green glaze by the important Mino Ware master potter Tsukamoto Haruhiko, born in Mino in 1959

His work, reflects a certain, more modern departure from the established tradition, without compromising the quality of its craft and design.

Tsukamoto Haruhiko studying with Nonaka Shunsei and Asai Reiji...

Wonderful Kuro Raku Chawan by one of the best Raku artists of the 20th century, Choko Heian. This tea bowl was made 40 years ago and it is in mint condition.

The seal of the potter is stamped on the bottom. The original wooden box with the signature of the potter is also included.

Size: 9 cm height x 12,2 cm in diameter.

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Looking something akin to dragon skin with gilded beads glistening between the scales, this recent creation by young artist Hiramatsu Ryoma demonstrates his creative imagination and challenges the traditional boundaries of what defines a guinomi (Saké cup)...

There is no doubt about the superlative nature of the deep celadon glazes used by Living National Treasure Nakajima Hiroshi, and this vessel is no let down. A creamy green crackling glaze covers this artful form which comes enclosed in the original signed wooden box titled simply Seiji Tsubo. The surface is darkly crackledf like a block of shattered ice the color of a carribean lagoon...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Ash glaze that fired brown, and charcoal black in areas. H. 3.375(9.5cm) x Dia. 2.375"(7cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...

By the important bi-coastal art pottery makers and teachers VIVIKA and OTTO HEINO, a large ceramic pot, 11 3/4" diameter by 10 3/4", signed in the wet clay underneath VIVIKA + OTTO, and dated there with what appears to be "70" or "90". The beautiful pot is of a beautiful gentle color, and blaze glaze design makes for a simple and elegant work indeed. Unfortunately the pot was damaged somewhat before it came into my possession---there is a chip at the top on the black lip...

This piece is covered natural ash glaze, made by Junri Hamada who is well known as an expert potter in Mino pottery area where many traditional potteries has been made from 15th century. Size: 6.3cm(D)/5.0cm(H) Accessary: wooden box signed by artist

Fantastic vase by the legendary Miyashita Zenji 宮下善爾 (1939-2012), one of the greatest contemporary Kyoto potters. This was made using the colored clay technique that he was best known for— such pieces are exceedingly rare, most being found in numerous museums world-wide, and a shrinking number of private collections...

Lavender clouds, rain on a foggy morning, snowy mountain landscapes, this is what comes to your mind when you look on this superb pale kurinuki Hagi tea bowl, made by Master and potter legend Kaneta Masanao, enclosed in the original signed wooden box.

Kurinuki is a technique carving and scooping out forms from a solid block of clay to produce boldly-cut forms, an approach the artist is famous for. Kaneta Masanao is an 8th generation Hagi potter...

A highly original work by Iga potter Nakata Atsushi. The description on the box reads “Mentori Chawan” in this case “men” meaning side, or edge, and “tori” meaning to shear off, or to remove. The name describes how various surfaces of the tea bowl have been shaved off at angles to create this compelling form...

Wow I need that! is all I could say the first time I saw this piece by Furutani Taketoshi while visiting the Churokuen Kiln early this year. The tendrils of natural ash glaze wrap around the simplified form like the roots of some ancient Shinboku (God Tree). It is unpretentious, but stands out clearly as a masterpiece by this very talented young potter...

A museum quality Chawan by Kondo Takahiro enclosed in the original wooden box titled Gin-teki Wan. This is from his Silver Mist Tea Bowls series (2014-2016), undoubtedly one of his most popular motifs.
Size, D 15.9 cm H 8.6 cm
Condition, Excellent
Kondo Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo. However he graduated Hosei University not with a degree in sculpture or crafts, but in Literature. From there he studied at the Kyoto Pref...

The lower half of a blackened enso dips from the rim on a backdrop of gray crackled glazing interspersed with auburn highlights. Rising up from below into the enso, frothy waves crash on rocks giving the impression of movement, power, and the indomitable forces of nature.

Born in Gifu Prefecture in the region known for Mino pottery, Wakao is the quintessential example of a self-taught potter who cultivated a unique style and achieved wide recognition despite no formal training. Afte...

An exquisite chawan tea bowl by Uraguchi Masayuki enclosed in the original signed wooden box titled Seiji Hyosai Chawan (Shattered Ice Celadon Tea Bowl). It is 13 cm (5 inches) diameter, 8.5 cm (3-1/2 inches) tall and in perfect condition.
Uraguchi Masayuki (b. 1964) discovered pottery while attending the Tokyo National University of Fine Art and Music and his world turned when he was introduced to a Song Dynasty Seiji Vase" at the Tokyo National Museum designated a National Treasure dur...

Blue yohen spot on grey and black surface of this natural formed tea bowl by Inayoshi Osamu enclosed in the original signed wooden box titled Kurinuki Hikidashi-Kuro Chawan. The style is Kurinuki, not formed on a wheel but cut and worked from a block of clay . This is an excellent example of this artist work.
Size, D 12.7 cm H 10.4 cm
Condition, Excellent
Inayoshi Osamu was born in Aichi prefecture, the heart of Mino country, in 1976. He completed his initial training in the...

A large and rare work by Sueoka Nobuhiko enclosed in the original signed wooden box. It is decorated with huge magnolia flowers (in Japanese mokuren,the tree lotus) growing up one side, and hanging down the other like the traditional opposing dragons. The piece is 16 inches (40 cm) tall and in excellent condition
Nobuhiko was born in Fukuoka on Japans Main Sothern Island in 1948, and apprenticed under future Living National Treasure Fujimoto Yoshimichi in 1973. He stayed working with Yo...

Furutani Michio Shigaraki mizusashi with original signed box and cloth and exhibition sticker on the bottom of the box.

21cm tall by 20cm wide

In perfect condition

A spectacular work by Nakamura Kohei enclosed in the original signed wooden box titled Aka Raku Chawan. This is a wonderful piece for showing this master-potter control of glazing and firing technique. He is a potter who embraces both traditional characteristics of Raku while asserting his own unique character.
Size, D 12.3 cm H 10.8 cm
Condition, Excellent
Nakamura Kohei was born the first son of the legendary Kanazawa artist Nakamura Baizan II in 1948 , and his ...

Lavender clouds like rain threatening on a foggy landscape form on the surface of this cool Sake set by Kaneta Masanao enclosed in the original signed wooden boxes titled Hagi Haku-yu Yohen Kurinuki Chuki and Hagi Kurinuki Guinomi. The white glazing has altered to soft lavender in the firing process, creating a feeling of opulence over the organic vessel. Kurinuki is the style of digging the work out of the clay rather than forming the clay on a wheel and has been a signature of this artists wor...

Wood-fired Tea Cup, Shino & Ash glaze, by George Gledhill; Payette, ID. H.2.75"(7cm) x Dia.3.375"(8.5cm.)

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze interior. H. 4.875"(12.5cm) x Dia. 7.5"(19cm.) Mouth opening 4.5"(11.5cm.) Volume = 64oz (2,000cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and ...

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Gold gleams in subtle wisps on the rim, and silver shimmers through tarnished metal glaze on this dark vessel by by Sakata Jinnai enclosed in the original signed wood box titled Saishoku Mizusashi. An intriguing combination of glazes over a modernist form, enigmatic patterns like fletching cascade down the dark sides, and iridescent clouds glimmer subtly on the surface with tinges of blue showing through about the shoulder. Amazing when moving in the light, it is very difficult to capture this ...

Bold porcelain wan-gata teabowl with etched Hi-Tsuchi-Mizu (Fire, Earth, Water) kanji rondels and netting design under my temmoku and haiyu glazes rendering a Karatsu style appearance. The kanji represent the essential elements of pottery making.

Porcelain and glazes

5.25" x 4.25"

Functional, decorative and food safe

An incredible work by Furutani Hirofumi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Hen Hanaire. Crystaline green glass pools on one side, reaching down a hand to grasp the blackened shell impressions near the base surrounded in raw sunburnt clay. Opposite red discs surround shell marks where it was stacked in the kiln, beads of green forming like dew drops defying gravity on the rim. In between the earth is scorched and blackened, rivulets of olive running between. ...

Ao glazed, thrown and altered vase form with panels of Shono rain pattern

Stoneware, slip and glazes

8.25" X 7.5" at it's widest

Resist design chawan with "harmony" pattern with brushed slip interior. In the right light, a lustre can be seen on the surface of the glaze.

Stoneware, slips and glaze

4.75" X 4.5"

Functional, decorative and food safe

Brilliant firing affects decorate this deep tapering cup of raw clay by Tsuji Seimei enclosed in the original signed wooden box. A classic work relying truly on Tsuchi-no-aji, or the taste of the clay. There is no attempt at overt decoration of sculpture, just a perfectly formed cup with a slightly wider base blasted in the furnace with black charring, thin rivulets of molten ash and lots of Hi-iro. It is 12.5 cm (5 inches) tall and in excellent condition.
Tsuji Seimei (1927-2008) was...

Authentic Black raku piece is fired in charcoal for long hours, it's very difficult to make with quiet and simple taste. He has made it to make chawan and also now makes sake cup. YouTube movie: https://www.youtube.com/watch?v=VjzNKb33E7E Accessary: wooden box signed by artist. Size: 8.0cm(D) 6.0cm(H)

Three tier medieval green and temmoku glazed Pisa jar with stamped decoration around the form and alternating panels of glaze.

Stoneware and glazes

11.6" x 5"