Roe Kyung Jo (born 1951) is one of the most well-known of Korean contemporary ceramic artists, renowned for his mastery of the thousand-year-old yeollimun technique of marbleized ceramics. This beautiful bottle is a fine example. Studies on Roe's works have been published in a variety of international scholarly publications...

A Beautiful hanging wall vase decorated in white , green and yellow glazes, enclosed in the original signed wooden box titled Sansai Kakehanaire (three colour Hanging Vase), the technique that brought him eventual Living National Treasure.
Size, D 11.6 cm H 14.4 cm
Condition, Excellent
Kato Takuo (1917-2005) was trained in ceramics by both his father, Kato Kohei, and at the Kyoto School of ceramics...

Important original watercolor by Risaburo Kimura. While his prints are fairly common, his watercolors are not. This piece pre-dates City series started in 1967 that consisted of over 400 different renderings of imaginary city scenes. He grew up close to Yokohama and Tokyo, and later moved to New York City where he was fascinated with elements of the city, including the decay of a city, and how a great city can be rearranged into geometric elements...

Lg. energetic black & white slipware bowl with a raised slip "Verses" pattern. This bowl is made to hang on the wall if so desired

Terra cotta, slip and glaze

12" X 4.25"

Functional, decorative and food safe

Viscuous charred feldspar clouded with stormy color adorns this superb cascading bowl by Kumano Kuroemon enclosed in the original highly decorated signed wooden box titled Kuma Shino Chawan. Like the potter himself, this bowl is large and stable, seemingly welded to the floor by its own weight and presence. Despite that the kodai foot is small and delicate, adding creating tension between form and the space around it. A sublime example of this popular artist’s work...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. This piece has reduced oribe glaze, it also could be used as a vase. Size: 11.4cm(B) 10.3cm (L) 16.1cm(H) Accessary: wooden box signed by potter

Wood-fired Yunomi, Tea Cup, by George Gledhill; Payette, ID. Ash Glaze. H.2.875"(7.25cm) x Dia.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...

Closely resembling a historically important tea bowl made by one of the forebears of the art of tea and Raku pottery, Chojiro, this piece gives one a sense of the deep origins of tea culture.

Fired in the kilns of one of Kyoto’s best known Raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto...

A huge Yakishime vessel by modern ceramicist Mihara Ken (b. 1958) enclosed in the original signed wooden box. This piece has an almost haunting presence, the hada sandy and rough, you would think it could crumble in your hands, yet is fired so hot it rings like a bell when tapped. The dark grays and raw earth tones add to that sense of mystery, like something ancient discovered in a dark cave. The vase is 14-3/4 inches (37.5 cm) tall and 11-1/4 (28.5 cm) diameter and in perfect condition...

Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. One of the most common implements that first made its way to Japanese shores was the tenmoku style tea bowl that has been adopted and carried on through countless generations of Japanese artisans. Here we have an excellent example of this style of tea bowl—in perfect condition and featuring a custom fit silk pouch...

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware...

Tea Cup, Yunomi, by Tagami Isamu of Hinata Kiln, Mashiko, Tochigi Prefecture. Kaki-yu ("persimmon" glaze) Rou-nuki (wax resist.) A repeated pattern of "8"s on this cup are a reference to the kanji character for 8 which is two lines that open wide slightly horizontally, an image that is open and receptive to good luck and symbolizes a bright future. H.3.375"(8.5cm) x Dia.3.375"(8.5cm.) Tagami Isamu was born in in 1947 in Mooka, a village neighboring to Mashiko...

Wood Fired Matcha Chawan, Tea Bowl, by George Gledhill; Payette, ID. Ash Glaze. H. 3.375"(8.5cm) x Dia. 4.25"(11cm.) This bowl was wood fired twice, than fired a final time in a gas kiln...

Solemn and noble vase Hakusetsu Shino vase by Shino and Oribe specialist; Higashida Shigemasa (b. 1955). Glazed in his signature Hakusetsu Shino this vase shows his unique Shino styling which blend the traditional with the contemporary, attributes which have gained him a worldwide following. Measuring 9.5" x 3.85" this cylindrical vase has a serene surface punctuated by the cut lip and spatula swipes up opposing sides and the textured surface is truly reminiscent of pure snow light by the moonli...

A wonderful faceted wall vase by master craftsman Kato Yasukage XIV enclosed in the original wooden box titled Shino Kake-hanaire and signed by the 14th Generation Yasukage followed by his seal.
Size, D 12.1 cm H 18.2 cm
Condition, Excellent
Kato Shoji (1964-2012) was born into the Yasukage family, one of the original unbroken lines of Mino potters, in 1964. His father died while he was still young, and the boy was sent to Bizen to study with Living National Trea...

Guinomi, Sake Cup, by George Gledhill; Payette, ID. Wood and Gas Fired. H. 2.25"(5.75cm) x Dia. 3.5"(9cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Te...

Golden Camellia blossom all bout theoutside of this lovely wan-gata Chawan by the famous female artist Ono Hakuko enclosed in the original signed wooden box titled Kinrande Chawan.  The pattern is created by applying gold foil to the surface before firing.  Here she has cut the gold foil into patterns of camellia blossoms, and applied them over red glaze to great effect. The design is both feminine and powerful. 
Size, D 12.6 cm ( 5.0 inches)  H 7.4  cm ( 3.0 inches) 
Conditi...

Brilliant colors are blended into the layeres of clay forming this fabulous vessel by Matsui Koyo enclosed in the original signed wooden box titled Ryohai-yu Neriage Saihamon Tsubo. It is roughly 29 cm (just less than 12 inches) diameter and in excellent condition.
Matsui Koyo was born in the pottery village of Kasama, son of future Living National Treasure Matsui Kosei, in 1962. He graduated in sculpture from the University of Tsukuba in 1985, then began potting under his father at his ...