Oil on canvas painting of classic red highland cattle in an extensive landscape, signed at lower left "Louis B. Hurt" and titled in pencil on stretcher "on the cliffs as Malaige" (Mallaig) (on the southwestern coast of Scotland near Skye). The work measures 20" by 30" on the stretchers and 28" by 38" in heavy attractive late 20th century framing. On the stretcher is written in chalk "April 4 - 30"...

Oil on canvas painting of a young woman accompanied by a knight in a secluded landscape including a wall at left, 15" by 10" (arched top), 21 1/2" by 16 1/2" in modern day dark tasteful framing, signed at lower left center "TFaed". This could be an image of "Highland Mary" Campbell, to whom Scottish poet Robert Burns had a romantic attachment in the 1780's...

Oil on canvas landscape of country cottages and feathery trees on the banks of a small pond or marsh, 9" by 12" (13" by 21" in its modern frame), signed at lower right "S. Clark", the subject given on the framing label as "On the Arun--Sussex". This is a painting by SAMUEL JOSEPH CLARK (1841-1928), a noted 19th century painter of rural landscapes and genre. Sometimes he is listed as Samuel JAMES Clark--there appears to be some confusion in the auction record...

Oil on canvas, 18" by 30" (20" by 32 1/2" framed), the subject a very English one----a peaceful summery millpond or riverside scene of low, forested hills and their feathery trees, a small peaceful settlement, and a total of six figures, three out in a rowboat for an outing, and three tiny people gathered in the village of thatch roofed buildings, engaged in conversation, beneath a pretty sky...

Oil on rough weave canvas scene of figures in a hazy landscape, 15" by 30" (20" by 35" framed), signed at lower right by English-born artist who later came to be more closely associated with Ireland, ANTHONY "TONY" KLITZ (1917-2000). This work, dating to 1975 as we see from a reverse copyright stamp of the artist, is rather typical of the artist's style...

English circa 1850 landscape oil painting of a castle (the shape suggesting often-painted Windsor Castle) topping a low mountain, two tiny figures in the foreground. The work, 16 1/2" by 22" (19 1/2" by 25" in frame that appears "married" to it, and not that successfully, at that) is very, very grimy. This is a restoration project----to remove the dirt of 150 years, repair several small tears, and varnish the dry surface. There is no signature visible...

Oil on canvas scene of two white swans in a small lake or pond in a rural area, 24" by 16" (29" by 21" in wide newer frame), signed in red "W W Caffyn" at lower right and dated there "96". This is a work by the noted British artist WALTER WALLOR CAFFYN (1845-1898), who exhibited at the Royal Academy. His paintings tend to be rural scenes of Sussex, Kent and Yorkshire. Caffyn's (mostly large) major works have exceeded $20,000 at auction in London...

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski...

Oil on panel painting of a mother and wrapped infant in an urban scene of roof tops and power transformers, signature incised in the wet paint at lower right by the noted modern English artist JACK SIMCOCK (1929-2012). Also, on the reverse of the panel is written "Simcock/Mother & Child on a Hill". "The work measures 15" by 30 1/2", (19 1/4" by 35" as framed). The artist, born in Biddulph Moor, lived in Mow Cop most of his life...

Oil on canvas or board behind glass (not examined out of frame), 15 1/2" by 21 1/2" (25" by 31" as framed), signed at lower left, and inscribed there "Bettys-y-Coed" (not dated). This is a well known and picturesque part of Wales, an area that attracted many artists in the 19th and early 20th century. The artist may possibly be the listed EDWARD or EDWIN Masters. The works of those artists have sold at Christie's South Kensington auctions in London...

A charming small painting of a cold winter day in the country, a lone woman braving the elements with her cane, in front of a modest cottage doing its best against the harsh elements. Some smoke comes from the chimney as a hint of warmth in an otherwise bleak scene. Measurements as framed are 9" by 13 1/2"...

By the famous and prolific English 19th century dog artist EDWARD ARMFIELD (1817-1896), this is a classic painting of no less than three terriers chasing a rodent down a hole, and, apparently, finally cornering him there. The work, signed at lower left, is titled on the reverse overlap in the hand of the artist (also signed again nearby by the artist on the overlap) "Caught At Last" (great title!!). The oil on canvas measures 12" by 16" (17" by 21 1/4" framed). The painting is in very original...

Oil on canvas river scene with fishermen, 12" by 24" (was 18" by 30" as framed---however I have misplaced frame and consider the work currently unframed), signed at lower left in red "Boddington" (EDWIN H. BODDINGTON JR, 1836-1905). This is a typical subject of this nineteenth century British artist, who is listed in most dictionaries of English painters of the Victorian era. The painting has condition issues: some losses, an overpainted area at top left which appears to be of a somewhat diff...

Oil on canvas painting of a traditional English cottage home adjacent to a pond where several ducks swim happily at right, signed at lower left by artist G. W. Andrews and dated there 1915. The work measures 16" by 12" and 19 1/2" by 15 1/2" framed. A figure stands on the small stone bridge overlooking the water. The painting is executed in a primitive hand but is very quaint and peaceful. Condition is excellent and stable, with no tears. On the reverse on the stretcher there is some writin...

Circa 1880, oil on canvas of 3 Shire horses in English countryside signed G. Melville. Melville was a 19th c artist and painter of English rustic scenes. Both the fame and painting are in excellent antique condition, measuring site size 29" x 35.5", framed 36" x 42.5".

While we have yet to identify the artist or the subject, we would contend that the work is first rate considering the mood captured by the painter. The man exudes a somewhat austere aristocratic brood, yet exudes the strengths of youth and ambition, a man ready to make his place in the world. We believe the work to be of the British school painted c. 1850 or earlier as suggested by the early Victorian shape of the seat rail. The clothing hearkens more to the earlier half of the century, as do...

Henry Maidment signing as R. Fenson (British, fl. 1889-1914)

Stepping Stones

Oil on canvas, signed

Painting size: 9” x 12”
Frame size: 13.5” x 16.5”

Maidment was a painter in oil of rural scenes and landscapes. He is variously catalogued as Robin or Robert Fenson but usually just signed “R. Fenson” in red, often with a date. This was a pseudonym for Henry Maidment who also was known to have signed “A. Wynn”. Dated example...

Henry Maidment (British, fl. 1889-1914)

Farm by a Pond

Oil on canvas, signed lower right

Painting: 24" x 30"
Frame: 30" x 42"

Maidment was a painter in oil of rural scenes and landscapes. He also used the pseudonyms of "R. Fenson" and “A. Wynn”. Dated examples of his work have been seen spanning from 1898 until 1914. The high quality of the painting and decorative subject matter have fueled an ever growing demand for Maidment’s work.

Source:
...

From our European Collection, a fine 18th century oil on canvas "Painting of a Gentleman," bust length in a brown coat, appears to be in the original period frame. Attributed to Thomas Hudson or Circle of Thomas Hudson (1701-1779).

Size and Condition: Framed dimensions approximately 40 inches tall by 35 inches wide, unframed image size is 30.5 x 25.5 inches. There is obvious and fairly extensive flaking to the gilded wood and gesso frame, notably along the bottom and right edge as seen...

19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses. He was also tutored by his father’s friend, the engraver Th...

Harriette F A Sutcliffe (British, fl.1881 - 1922)

Beauty and the Beast

Oil on canvas, signed with monogram and titled on the reverse

Exhibited: The Royal Academy, 1899

Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.

Source:

Christopher Wood, The Dictionary of Victorian Painters

Painting Size: 16" x 20" Frame Size: 24" x 28"

Richard Redgrave (British, 1804-1888)

Resting Deer in a Forest Landscape

Oil on canvas

Provenance: Thomas McLean Gallery, London (retaining the original label on the back).

Painting: 20.75" x 36"
Frame: 30" x 45"

Redgrave was a genre and landscape painter. For a time he worked with his father who was an engraver before entering the Royal Academy in 1825. He began by painting historical genre in 18th century costume but in the 1840s he was among the fir...

From our European Collection, a large and very finely painted 19th century oil on canvas, English School, depicting Mary Queen of Scots bidding farewell to her followers on her way to the gallows in 1587.

Courtesy of Wikipedia: Mary, Queen of Scots (7 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 to 24 July 1567 and Queen consort of France from 10 July 1559 to 5 December 1560.

Mary, the only surviving ...

From our European Collection, a very fine oil on canvas by British painter William Robert Symonds, signed and dated 1875. Symonds, who lived from 1851-1934, was a genre painter known for touching scenes of people and animals, and most often of small children in random snapshots of everyday life, where he captured well their innocence and curious musings. His works are carried by several UK- based institutions, most notably the Colchester and Ipswich museums, and in his day, he was often exhibit...

John Henry Smith (British, fl.1852-1893)

An Artist at Work

Oil-on-canvas, signed lower left and dated “1863”

Painting Size: 22.25” x 18”
Frame Size: 31.25 ” x 27.25”

This charming portrait of a young woman artist at work is a wonderful depiction of the painter and her tools. Her subject of a vase of flowers with fruit sits on a table to her right. The sturdy adjustable easel has a shelf where she has laid out her tubes of pigments. She is using a...

John Syer, (British, 1815-1885)

Two Views of the West of England

A pair of oils on canvas, retaining Frost and Reed Gallery labels.

Sight Size: 10.25" x 13"
Canvas Size: 12" x 14 1/2"
Frame Size: 17.5" x 20"

Born at Atherstone, Warwickshire, England on May 17th, 1815, Syer studied with J. Fisher, a miniaturist, and settled in Bristol. Syer was one of the prime favorites of the Victorian era. He painted ...

From our European Collection, a wonderful signed and dated (1860) oil on canvas entitled "The Offering" by British genre painting master John Bagnold Burgess (1830-1897). Burgess was a well -accomplished painter of the mid-late 19th century, regarded as highly in his own time, as he is nowadays. He was nominated to membership of the Royal Academy in 1889, where he had over 70 paintings displayed from about 1850 all the way through to his death in 1897. His works have been displayed at over 40 m...

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

John White (English, 1851-1933)

Woodland Fall Landscape

Oil on panel, signed in lower left corner, “JN White, R.I.”

Painting size: 6.75” x 10”
Frame size: 10.5” x 13.5”

Known for his rustic genre paintings and landscapes, White attended the Royal Scottish Academy. By 1877, he moved to Devon and exhibited regularly at the Royal Academy, the Society of British Artists, Suffolk Street and the New Watercolor Society.

On this landscape, Whit...

A beautifully executed oil on canvas painting by George Harland, a noted British artist. The scene depicts a man returning in a rowboat at dusk. It combines elements of luminism and impressionism, and was done when both of those styles were in fashion. Harland was a highly thought of painter and was exhibited at the Royal Academy in London in 1907.

The painting is in excellent condition, with no impainting or restoration. The superb, elaborate yet elegant, frame, which has some very minor rest...

James Heron Scottish Seascape with Rocky Coast. Scottish Painter; died 1919, birth year unknown. Signed Lower Left: "J Heron 1876" Dimensions; 17" x 29"; framed 23" x 35". Excellent condition.

William Stewart (1823-1906); Scottish Artist. Digging for Bait; Oil on Board, Signed lower right "WS". Title and Signature (William Stewart) on back (Title and Name on Plaque, as well). Dimensions; 17" x 11"; framed, 23" x 17". Excellent condition. Exhibited at the Stirling Fine Art Exhibition, and at the Smith Institute in Stirling, Scotland.

Wonderful Victorian Oil on Canvas Portrait of a Little Girl in a White Dress. Original Oak Frame with Framers Label on Verso. Name of Child or Artist also on Verso. Circa 1890. Dimensions; 9.5" x 7.5"; framaed 14.5" x 12.5". Excellent condition.

From our European Collection, a fine 19th century original oil on panel by British painter and listed artist William Anslow Thornley (1857-1898), entitled "Moonlight on the Thames." Signed "Thornley" lower left.

Size and condition: 13 inches x 11 inches framed dimensions, approximately 10 inches x 8 inches unframed image size. This painting has been taken care of well, there is only some very minor age-related soiling and minor scuffing to the frame.

An evocative and well-painted framed 22-1/4" x 14-1/2" (sight size) English oil on canvas by Charles Cattermole (R.I., R.B.A., R.O.I. 1832–1900). Entitled "The Patrol's Return" on a mounted plaque on the 31-1/2" x 24" wood and plaster frame, this painting is signed CHAS CATTERMOLE on the lower right. The back has a Toronto gallery label from 1949 and the canvas is numbered 908 on the back. The image is clean with full colours and a glossy surface (and was most likely cleaned and revarnished...