Oil on canvas landscape of a busy scene I believe to be along the Potomac River in Alexandria, Virginia, 13" by 25" as framed in narrow blond ash, signed at lower right by Torpedo Art Center artist ANNE B. LANDRY. Some internet research enabled me to identify the artist. Landry is a New Orleans native and graduate of Newcomb Art School at Tulane there, who after some time in the corporate world in New York elected to move to the Washington, D.C...

**One of two works by the artist in my shop** Oil on canvas, titled on original label "Cold Drink Stand", measuring 12" by 16" on the stretchers, 20" by 23 1/4" as framed, signed at lower left by the well listed modernist California painter DAN LUTZ (1906-1978)...

Impressionist oil on wood panel painting of coastal islands and a religious shrine perched on a scenic rise, 13 3/4" by 16 3/4" as framed, signed in Greek at lower right. This work has some age, dating perhaps to mid-century. The surface is a bit soiled and the frame has some wear at top corners as seen. A Greek speaker has seen the signature and advises me it reads "Kaitatze" in English, or similar.

Oil on canvas painting of a forest in autumn or possibly winter, 13" by 20" (16" by 23" framed), not signed on front but inscribed on canvas reverse "Hommage reconnaissance a M. Fr. Tompkins/J. Caron/1909". A title also appears there, "Sous Bois en XXXXX" (unreadable). This is a highly impressionistic work by listed Belgian artist JOSEPH CARON (1866-1944). Caron appears to have painted primarily landscapes, almost always with an impressionist hand...

PAIR of English landscape oil on canvas landscape paintings, each including a cottage, a figure (one fishing off a small bridge, the other walking towards the cottage), and feathery trees, each 9" by 16" (18" by 25" framed), one inscribed in ink on the stretcher "Sketch in Kent C.J. Riley". If we assume that this be the artist, I am unable to find a listing for such a name. The style suggests a date of circa 1870's...

Oil on canvasboard painting of a greatly simplified vase with flowers, unframed, 16" by 12", signed at lower right "Dieter" and bearing on the reverse the title "Spring Bouquet" and "W. D. ZANDER/25 EAST END AVE/N.Y N.Y 10028". This is a work, possibly circa 1970's or 1980's, by a long-lived gentleman with an extraordinary life history, who happens also to have been a very talented artist. Zander was born in Germany in 1915, and educated in Neuchatel, Switzerland...

Oil on canvas painting of a peaceful eastern scene including distant pyramidal mountain peak, luminous sky, feathery trees and rock formation, the only sign of man an idle rowboat in center foreground, 12" by 20" and 2 1/2" wide period frame, signed with the conjoined initials of the artist at lower left (in red) and dated there 1882...

Here is a classic old painting on gray academy board, the subject roses in a vase, 20 1/2" by 14 1/4" as framed, signed at lower right "M Say" or similar. It likely dates to circa 1900, at a time when young ladies were expected to take up painting as a domestic skill, and still life of roses was always a most popular subject. Today these works are sought after by those decorating in the shabby chic style...

Oil on canvas painting of a woman in a verdant landscape, 30" by 24", unframed, titled on the stretcher "NUDE HOLDING FLOWERS", and also signed there, "by Greg Harris 1981 Feb.". This is a quite early work by an artist now firmly established in the contemporary impressionist art scene nationally, GREGORY FRANK HARRIS (1953-). Harris was born in Southern California to parents that included a painter mother...

Found in Phoenix, Arizona, this is a striking and unusual modern work by a talented but so far unidentified hand, 20" by 24" plus narrow simple wood frame, signed at lower right and dated there 1981. The scene is buildings, depicted in a semi-abstract, even cubist manner, all in various earth tones such as cream, tan, brown, and yellow. A pale blue sky and foreground makes for a cooling, interesting contrast. The Christian cross towering over it all adds a mysterious element...

Oil on canvas, 20" by 30", 27" by 37" as framed, apparently unsigned, the scene of (possibly) gypsies or other peasant folk in the splendid countryside, with their animals, wagons and household goods. In the far distance at left there is a view with another small wagon and house...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting...

Painting on panel of a young Egyptian youth, 15 3/4" by 12" and not especially complementary, modern day framing, signed at lower right, with reverse original label from Schwartz Freres, of Cairo and Alexandria. The painting is signed at lower right corner, the name appearing as "Thor......". To date I have been unable to decipher the full signature. The work certainly dates to the early years of the century, judging from the label. The painting has some condition issues typical of well-trav...

Oil on canvas painting of fruit, painted in a most attractive unusual style, the artist intentionally blanching the image through an intricate technique, 20" by 24" (26" by 30" as framed), signed at lower right "DORIS BLATE" and dated there 1956. Amazingly, considering the quality of the art, I am unable to find to date any information on the artist; an internet search does though find a Doris Blate (1907-1994) who lived in Queens, New York; possibly the artist considering the unusual name. Th...

Oil on canvas painting of a tabby cat, 7" by 5" (12" by 10" framed), circa 1970 to 1980 judging from the framing, signed lower right "Jody". The artist was certainly talented; the likeness of the cat to reality is well above average. Condition is excellent. Needs to be nailed more tightly into frame.

BARTON STONE HAYS (1826-1914) was born in Ohio, and he came to be associated with the Midwest throughout his life, becoming a leading portrait painter in Indianapolis, and finally, coming to be known for his still life works, based out of Minneapolis, after 1882. Early in his life he was a Daguerreotypist, diorama painter and portrait painter, and there are some rare and sought-after genre paintings, some even of African-American subject matter. Perhaps best known as a teacher of William Merri...

Oil on canvas painting of a fetching young red-headed girl with a doll, 24" by 18" (34" by 27 1/2" in old attractive frame), signed at lower left "P. Harwood", not dated but circa early 20th century. This is a really beautifully executed work, reminding of some of the vigorous portraits by masters like Robert Henri; but, efforts to identify the artist have not borne fruit. Since the work was purchased in the Berkshires of Massachusetts, I at first thought of Boston School artists, or perhaps...

Impressionist painting signed at lower right with conjoined initials "MP", unframed, 24" by 18", the subject three female black dancers, two wearing festive hats. There is considerable energy in the scene and the stylized figures are by a trained hand. The painting likely dates to the 1960's or possibly 1950's. There are some light abrasions at lower left, a flaked area near the extreme lower edge there and another small edge loss at top, and light overall soiling.

Oil on canvas landscape of a forested, peaked mountain rising into scudding clouds, unframed, signed at lower right and dated 1876 by the noted well listed American artist from Massachusetts, D. JEROME ELWELL (1847-1912). This work measures 14" by 24 1/2". Elwell was intent upon his art at an early age, when he was spotted on the Gloucester waterfront sketching the marine scene, by one Samuel E. Sawyer, a wealthy Gloucester ship owner and patron of famed artist Fitz Hugh Lane. Apparently Sawy...

Oil on canvas laid on masonite still life painting of pink grapes and a vase, 25" by 30" (31 1/2" by 36 1/2" as framed), signed at lower right by artist G. ANSON WHITE. Strangely, I can find only minimal references to an artist by this name, despite the amazingly skillful and sensitive rendering of the clusters of grapes. In such cases I am often left to wonder if perhaps the artist was actually someone well known who chose to sign the work with a pen name for one reason or another. There doe...

Oil on canvas landscape of a red-painted fishing shack or summer cottage on an idyllic lake, other cottages in the distance, 15" by 18 1/2" (20" by 22 1/2" as framed), signed at lower right "K. Andor". I thought this scene perhaps Swedish, but the name Andor is Hungarian. There are several listings for an Andor with first name beginning with "K", such as Karoly, Kern, Kantor; I am not certain if this painting might have been created by any of those so it is listed as just an attractive and dec...

Oil on canvas painting of a tabletop with flowers in vase and assorted decorative objects, 20" by 24" (26" by 20 1/2" framed), signed at lower left by artist HAZEL PETRA FETTERLEY BOEHME (1900-1941). On the reverse of the canvas the artist has written the title "Mid-Victorian", the date (May 1932), her name, Los Angeles, Cal., and original price of $75 or possibly $175 (appears she went over the numbers----maybe in difficult Depression times she had second thoughts on pricing). This is a fine ...

Oil on thin board painting of a canal with figures, boats and adjacent sun-drenched buildings, possibly Venice, unsigned, measuring 6 7/8" by 11 1/2" (13 1/2" by 18" in attractive old frame). Whether Venice, Italy, or another Mediterranean locale, this is nicely executed by a trained hand. It could well be by a listed artist but without a signature it will be difficult to place the hand. The work is slipping around loose under the gold mat and it needs to be framed with acid-free materials. ...

This is a really beautifully painted oil on a coarse, almost burlap canvas, the subject a sun-dappled yard of a house or other Spanish-California type structure populating old and established affluent communities such as Pasadena or Santa Barbara, tables and chairs in this little paradise awaiting the next social occasion. The work measures 16" by 20", UNFRAMED (the first image, with gold frame, is for display purposes only...again, the item will be sold UNFRAMED). The artist signed at lower ...

This is an extremely well painted **CONTEMPORARY** oil on canvas, 12" by 16" (18" by 22" nicely framed), executed in the style of notable late 19th century painters such as Jean Beraud (1849-1936) or James Tissot (1836-1902), the principal subject an elegantly dressed young mother with her equally elegantly attired daughter, the remainder of the scene filled with horse drawn carriages, and ladies and gentlemen going about their business in a leafy boulevard, perhaps in a grand park in Paris. Th...

Oil on canvas painting of a coastal village in England, 14" by 24" (20 1/2" by 30 1/2" as nicely framed in mid 20th century gold frame), signed at lower left "W. Thornbury". This work is by a prolific (over 1,000 works in the auction record), talented, well listed, English artist who was active in the second half of the nineteenth century, WILLIAM THORNLEY (approximate birth date 1830, death date circa 1898 though I have seen online that he was active through 1903). Thornley painted genre, mar...

Old early 20th century painting of a thin line of trees bordering a waterway, executed in a lovely impressionist palette with excellent handling of light, 17 1/2" by 21" as framed, signed in red at lower right corner "Chatterton". Though found in Ogunquit, Maine, in an art colony area where the well known American artist Clarence Chatterton was known to have painted, the signature does not resemble that of Chatterton, who was a student of Edward Hopper. I am unsure if this might be by a relati...

Oil on canvas, 19 1/2" by 25 1/2" (25 1/2" by 31 1/2" as framed)---(possibly an inner frame, the outer one long since separated), apparently unsigned, circa early 20th century, the subject the famous and unique twin Thatcher Island lighthouses (also known as Cape Ann Light Station), about one mile off the coast of Rockport, Massachusetts. The lighthouses were erected in 1861 as a pair, thereby aiding navigation by mariners. Each is 124 feet in height. This painting seems to have been created ...

Oil on canvas laid against board painting of historic ancient structures apparently on a coastline, 11 1/2" by 9" (19" by 16" framed), signed at lower left in Hebrew script. There is a second painting on the reverse signed "Hausner" and dated 1979. A reader of Hebrew has confirmed that the signature in that language also reads "Hausner". The scene of buildings is almost expressionistic as opposed to impressionistic. There is a brooding darkness to the sky and a vigor to the brushstrokes. A ...

Oil on canvasboard painting of a green coast, a stand of foreground trees in late autumn colors giving fine depth to the scene. The artist did not sign the work, which likely dates to the 1950's judging from frame and board. There is a small area of flaked paint in the trunk of the most prominent tree. Overall a nicely done work that would be improved with a gold frame. Measurements are 20" by 24" and 26" by 30" framed.

Early twentieth century impressionist painting of one of New Orleans' famous courtyard subjects, 9 1/4" by 7" as framed, signed at lower right corner "Don Juan". While an interesting name to be sure, I have not been able to find a listed artist corresponding to it. The work though is by an obviously trained and talented hand. The vintage frame makes all in all for a very satisfying little painting sure to please the New Orleans fan. The surface is soiled evenly, consistent with age. Likely...

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner. ...

Old, antique oil on fine weave canvas laid on board painting of trees, distant small structures and a wooden footbridge in the foreground crossing a stream, 17 3/4" by 23 3/4" (23" by 29" as framed), apparently unsigned, and likely executed at the end of the 19th century. The rather naïve painting is very mellow and easy to live with; a classic antique American old landscape. The surface is evenly soiled, consistent with age, giving the painting that old patina. I believe that some areas at cen...

Oil on canvas painting of a traditional German house or cottage in a forested landscape, 20" by 28" on the stretchers, 23" by 31" as framed, signed at lower right by artist "M. Lichtmann" and dated there 1920. The painting is beautifully executed, though there is very little information on the artist. There is stable craquelure, and a slight drip of foreign matter at center left, though the painting can be placed on the wall as-is.

Oil on canvasboard painting of the famous white Sacre Coeur church in Montmartre, 19" by 23" as framed, signed at lower left "M. Plagnier" or similar, created circa 1960's. At center bottom is "Paris, Sacre Coeur". This is a kitschy sort of painting that will grace your mid century interior. Condition is excellent.

Oil on canvas still life of red roses on a table with ceramic vessel, 17" by 39" as framed. The painting is executed in the Victorian style, but I think it probably dates to the final years of the 19th century or early years of the 20th. I cannot find a signature. There is a framer's stamp on the stretcher from Grand Rapids, Michigan, giving some hint as to its origin perhaps. Also the corner keys are of the post-1885 style. Considering its age, the work is clean, but there are several small...