Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

Tavik Frantisek Simon, Czechoslovakian, 1877-1942, "Boulevard Saint Martin in Winter". A wintry day on a busy tree-lined street in Paris is the subject of this color aquatint etching by T. F. Simon. Published in 1914 in an edition of 200 it measures 12 1/4 x 14 1/2 inches. Pencil signed on the l.r. with a watermark on the l.l.

Arthur J. T. Briscoe, British, 1873-1943, "Furling the Foresail". This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat...

Sir Frank Brangwyn, British, 1867-1956, "Scaffolding, No. 1 (L`Échafaudage)," etching, plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

Anders Zorn 1860-1920 Sweden This is a fine portrait etching by European artist Anders Zorn. This pencil signed etching titled Guill II was created and printed in 1918. The image measures 7 3/4X5 3/4 . This pencil signed impression is lightly evenly toned and archivally framed. This image appears in the zorn catalog as image number 165.

This is an elegant etching in grays and black on heavy white paper (or possibly could be considered an aquatint with etching I believe), the sheet measuring 29 1/2 " by 21 1/2", in a narrow modern simple frame, crisply pencil signed by the artist, with a Chinese symbol resembling a traditional artist's stamp at lower right (possibly for the word "Ping") and numbered 41/110 at lower left, and titled "Life" in English and presumably Chinese, at lower left center...

Etching or aquatint in colors, 18 1/2" by 23" (28" by 31 1/2" as framed), titled at lower left margin "Les Vieux (???)" and signed at lower right margin by the noted French artist PAUL EMAIL LECOMTE (1877-1950). Lecomte was born to an artist father and an art-nourishing environment. After attending the Ecole des Beaux-Arts and study under Fernande Cormon, he went to work for the government...

Albert Besnard, French, 1849-1934, "Portrait de Petit Garcon, Marcel Bing". This is a very richly inked original etching by French artist Albert Besnard. The image size is 11 3/8 x 7 5/8 inches, published in 1887 in an edition of fewer than 100 impressions, cat: Coppier- 63, pencil signed...

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher...

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.

William Lee Hankey, European, 1869-1952, "Marie of the Fields", Drypoint etching, image size: 7 7/8 x 4 7/8 inches, ed 100, 1919, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest work.

Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.

Original etching Gothic Interior Suffolk England by Valerie Thornton, British 1931-1991. Signed lower right. Thornton a painter and printmaker. In the1960s she lived in New York working at Pratt Graphics Art Center. Member Royal Society of Painters-Etchers and Engravers. Her work is in the collections of the Royal Academy, Victoria and Albert Museum, British Museum, Tate Gallery, Fitzwilliam Museum, Metropolitan Museum of Art, Museum of Modern Art, New York Public Library. Image 26"L x 16.5"W...

For the collector of Ashcan School/The Eight, or early 20th century American art, here is a special work: a pencil signed print by JOHN SLOAN (1871-1951), titled "Man Monkey", and inscribed "100 proofs". This special piece, which dates to the year 1905, came from the personal collection of Peter Morse, who wrote the catalog raisonne of Sloan's graphic work. There is a charming typed letter in a sleeve on the reverse side, on the letterhead of Morse in Washington, D.C., dated Christmas 1966...

Etching (5 5/8" by 7 1/2", 13 1/2" by 15" in pleasing old gold framing), titled on reverse label "Fishermen's Houses Saint Tropez", (French Riviera), pencil signed in the margin by listed California artist REGINALD WILMER VAUGHAN (1870-1958). The etching likely dates to about the 1930's or 1940's, I believe. Vaughan was born in Boston of blue blood stock (relatives were with George Washington at Valley Forge)...

John Taylor Arms, American, 1887-1953, Etching, "St. Paul Alpes Maritimes", 1927, ed.250, 7 1/2" x 11 5/8", pencil signed

Original etching with aquatint by Luigi Kasimir (Austria, 1881-1962) of the Fulton Fish Market in New York, circa 1936. Pencil signed by the artist (not an estate etching created and signed by the family) and numbered 25/100. In excellent framed condition.

An antique original etching of a standing cow in profile, a village seen at left distance, by Dutch Old Master artist MARCUS DE BIE (sometimes DE BYE), with birth death dates of approximately 1639-1688. The print is heavily trimmed, apparently (3 3/4" by 5 1/4", unframed). Extreme left corners are either dog-eared or missing, and there is a light horizontal crease that likely would not be noticeable at normal viewing distance when framed. De Bye was a pupil of Jacob van de Does...

Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall. This in a way a...

A fine example of one of the 58 images from the famous "Miserere" series of prints by famous French artist GEORGES ROUAULT (1871-1958), this being plate number 3, "Toujours Flagelle" ("Forever Scourged"), dated 1922, printed in 1927 in an edition of 425, and finally actually published after the war in 1948. The series is described by many, in many ways; most mention that Rouault was one of the most important religious artists of the 20th century, and that this landmark series of prints, created...

Dendy Sadler Etching Battle of Trafalgar Veterans or Nelson’s Crew is a work done for the centennial of the October 1805 battle of Trafalgar. This work is double signed by Sadler in pencil and in the plate. Complete with a cartoon of the ship HMS VICTORY in pencil on the margin. Furthermore signed by the printer, Z Muller. Measuring 21x16 inches

Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

By the well-listed American artist JOSEPH MARGULIES (1896-1984) is this etching and aquatint print officially titled "Forever at Study", featuring two orthodox Jewish men studying the Holy Books. The work measures 10" by 12 1/4" inside the present mat opening and 15 1/4" by 19 1/4" as framed. Margulies was active in the New York City area and on Cape Ann in Massachusetts (Gloucester area). His common subject matter included scenes of New York City, portraits, landscapes, seascapes, genre sce...

Walter Tittle 1883-1966 American This is another fine hand signed drypoint etching by American artist Walter Tittle. It is titled: St. Bartholomews, New York, created and printed circa 1930. The image measures 10X13 3/4 inches. Nicely framed with archaval materials. A wonderfully rich impression of this rare etching.

Charles Mielatz, American, 1864-1919, Etching, "Pond with Rowboat", 1889, image size: 7 1/4 x 12 5/8 inches, pencil signed

Etching on paper, 16 1/4" by 14 1/4", with narrow metal framing, pencil signed at lower right by artist, who, if I read correctly the Russian on the reverse, is one VLADIMIR KOSTROMIN. An old original label on reverse has a 1978 date, so I would imagine the print dates to the late 1970's. The ink is a greenish black. Moisture has compromised the margins and mold stained and rippled them; reframing would help exclude that. Some photos show reflections and overstate some slight discolorations ...

For the alum of the University of California at Berkeley, a fine etching of the year 1947, titled "Campanile, U.C." at lower left margin and pencil signed at lower right by listed California artist ALEXANDER (ALEC) STERN (1904-1994), the subject the iconic Campanile bell tower on the campus of the University of California at Berkeley. The view takes in the tower, the East Bay hills beyond, a campus building, and in the foreground, likely the famous Sather Gate. This is an unusually fine impres...

M Morett etching By Wenceslaus Hollar c 1647 etching mounted to a larger page good condition.size approximately 4 by 6" Harvard museum has one in their collection. Wenceslaus Hollar, (Prague 1607 - 1677 London) After Hans Holbein the Younger, German (Augsburg, Germany 1497/98 - 1543 London, England)

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Arthur Heintzelman, American, 1891-1965, drypoint etching, "Convalescence", image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Rare signed original etching with aquatint by Kathe Kollwitz (German, 1867-1945). Published by Emil Richter Dresden Verlag. Inscribed in pencil "Ausst. Exemplar" (exhibition print) under the signature.

Jacques Reich, American, 1852-1923, "Portrait of Whistler," Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

Rare oversize original etching by Frank Brangwyn (England-Wales, born in Belgium, 1867-1956) of Notre Dame De Paris. Signed in pencil by the artist lower right. This work is #231 in the Catalogue Raisonne, and dates from 1914. 22" by 29" etching alone, 35" by 42" in its period frame. Brangwyn is an important artist of the Arts and Crafts period.

Pencil signed at lower right and bearing "Artist's Proof" at lower left is this etching, 10 3/4" by 8 1/2" inside the mat, 18 3/4" by 15 3/4" as framed, by the noted late American artist JACK LEVINE (1915-2010). Levine, deceased in 2010 at the age of 95, will be remembered as an artist who bucked the modernism trends to pursue his own trail in social satire, caricature, and "Hebraism". He was born in Boston and was exposed to the grittier aspects of street life. These experiences ultimately c...