Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute...

Clifford Addams, American, 1876-1942, "Dreamer by the Thames". This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe...

This is an etching by the important American artist JOHN SLOAN (1871-1951), titled "Dupont's Ride", on wove paper, in an edition of apparently 1,000 examples, published in Boston in 1902 by the Frederick Quinby Company. It is part of a series issued to illustrate the writings of French novelist Charles Paul deKock. Artist William Glackens did the primary work and then talented artists including Sloan, George Luks, Maurice Sterne and others were brought in to turn the images to etching...

John Taylor Arms, American, 1887-1953, etching, "Old Rouen," image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed.

Martin Peterson, American, 1866-1956, Etching, "Shortening the Sail", image size: 8 x 9 3/4", pencil signed

Mario Avati framed mezzotint in cubist style

1960

France

Image 10" x 13"

Frame - 18" x 22"

Pencil signed and numbered #4 out of a small edition of only 15

Excellent condition

Avati - Mario Avati, printmaker and book illustrator, was born in Monaco on May 27, 1921.

The artist studied at the École des Arts Decoratifs in Nice and the École nationale supérieure des Beaux-Arts in Paris.

He created etchings...

Joseph Pennell, American, 1857-1926, etching, "The Bridges, from Brooklyn," image size 9 7/8 x 6 7/8 inches, 1921, cat. Wuerth 782 and the cover, pencil signed.

Arthur J. T. Briscoe, British, 1873-1943, "Hauling the Net Aboard". This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images...

Armand Mathey, French, 19th - 20th Century, engraving after Van Dyck, "Charles I", image size: 21 x 16 5/16 inches, published by Georges Petit, Paris

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated '70 l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Contemporary Japanese limited edition etching titled “Secretary” by Ryoko Hirone depicting a secretary seated before a glass window in an office building observing lively scenes in adjacent offices. Pencil-signed, titled, and numbered 3/30 in the lower margin. Paper size 13 3/4" x 9 3/4" (image: 9 1/2" x 7 5/8"). Very good overall condition with some very faint foxing spots evident within the large margins. The tip of one corner is wrinkled...

Original color etching, engraving, and mixed media by Pierre Courtin (French, born 1921). This rare work is signed l.r. It is also titled "Reims", dated "21 octobre 1959", and numbered 4/4. The plate measures 17 1/4" by 7 1/2 " (44cm by 19cm). The framed dimensions are 26" by 15". Appears to be in excellent condition. Pierre Courtin in one of the most important master engravers of the 20th century.

An elegantly understated print featuring somewhat Hopperesque houses framed by trees, the imagery generally appearing as monochromatic and grayish, with some light green and pinkish color, signed in pencil at lower right corner and numbered 76/90 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction...

A beautiful Early Nineteenth Century Etching of a Landscape, Framed 12” x 14” Hirsh Collection

Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 by 23 3/8 image alone. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '52 by Elaine" l.r. Plate 15 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Anton Schutz etching

New York City skyline view from Weehawken

1927

Image size - 13 11/16" x 10 1/8"

Signed in pencil [LR]

Framed

Very good condition

This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944. This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe. Isac Friedlander (1890-1968) was born in Mitau, Latvia...

Joseph Pennell, American, 1857-1926, etching, "St. Paul's, New York",image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right

Stephen Parrish, American, 1846-1938, etching, "Sunset, Gloucester Harbor", image size: 4 7/8 x 8 3/4 inches, 1880, cat. Schneider 40, SP number 40, first state of two, pencil signed. A beautiful, rich impression, Parrish makes excellent use of plate tone to imbue the scene with atmosphere. The second state, which has much less ink in the sky and sea, was later published in American Etchings.

Etching of a Florida river landscape, titled at lower left margin "Peace on the Anclote", (actually misspelled on the reverse side official label as "Amelote"), and pencil signed at lower right and dated '37 by listed artist WALTER RONALD LOCKE (1883-1949). The Anclote river is just north of the Tarpon Springs area on Florida's Gulf coast. Locke was born near Boston and passed away in the Tampa Bay area of Florida...

Original etching, salt ground, drypoint, and engraving on copper by Wendell H. Black (USA, 1919-1972. Rare original posthumous edition, printed by Berkley Chappell and signed by Black's wife Elaine. For more information see "The Lost Prints of Wendell H. Black".7/25 and in excellent condition. This work is plate 5 in The Lost Prints...

Peter Moran, American, 1842-1914, "Noonday". A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S...

A rare opportunity to own something once handled by one of America's most famous artists, THOMAS MORAN (1837-1926). Some years ago, one of his oils brought over $17 million at auction. His paintings of the American West and Long Island are highly sought after and he is considered an iconic American artist. Much more affordable yet relatively scarce are his handful of etching images, and chromolithographs after his work. This is the print "A Tower of Cortes" (sometimes spelled "Cortez") of th...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6 1/4" by 8 1/8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From the Fairmount" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking east towards the Bay Bridge and Ferry Building, from the top of Nob Hill, on which sits the opulent Fairmount Hotel. Roudebush was born in Portland, Orego...

Louis Icart 1888-1950 French THis is a fine color aquatint etching by French artist Louis Icart. The title is: La robe de chine,( The Silk Robe) created and printed in 1926, published by Les Graveurs Modernes, 194 rue de Rivoli, Paris. The image measures 15X18 1/4 inches. Hand signed in pencil lower right also with the windmill blindstamp and copyright information in the upper left corner. Very rich color remains, nice condition..This image appears in the Holland catalog as number 276.

A very well done etching by (William Nugent) measures 11x9 inch. The artist was working in the style of Pablo Picasso..this work of the classic mother and child is a beautiful example more info coming soon

Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied. All in all a very nice print of traditional subject...

This is an etching on paper, 7" by 6" (12" by 9 1/4" framed) by Tennessee born artist JAMES CARL HANCOCK (1898-1966), titled "THE GATE OF THE LIONS NEW ORLEANS LA." at lower right and signed in pencil below and dated there 1939. This is a view of old French Quarter New Orleans by a talented etcher. Hancock was self taught and in 1938 a book of his etchings, drypoints and sketches was published. Known works today include scenes of Memphis, New Orleans, and Arkansas. This example is apparently...

Charles F. Daubigny, French, 1817-1878, "The Large Sheepfold," Etching, image size 7 1/4 x 13 5/8 inches, 1860, cat: Melot- D.95, framed. Provenance: Frederick Keppel & Co.

David Muirhead Bone, Scottish, 1876-1953, "The Piazza- Glasgow Exhibition," Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

John Taylor Arms 1887-1953 American This is an artists proof etching by American artist John Taylor Arms. The title is Limoges, part of his French Church Series created and printed in 1932. This etching is hand signed in pencil with an image size of 10 1/16X13 5/8. This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A." Inscribed also as artist proof number III. Printed on a J. Whatman watermarked laid type paper. A beautiful impression.

A color etching of houses in mid winter in Hungary, signed below the image at right by Hungarian listed artist ISTVAN ELESDY (1912-1987). The artist, trained at the Academy of Fine Arts in Budapest, is known for watercolors and his graphic art. This print is laid down (affixed permanently) to a soft cardboard. There is some water staining at the edges and foxing/discoloration in the very wide margins but that can be easily matted out. The image portion itself is clean and in excellent condit...

John Winkler, American, 1894-1979, "Standard Fisheries". This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.

Jerome Myers, 1867-1940, American, Figures in a Park at Night, etching, image size 6 3/4 x 9 3/4 inches, numbered 5/50, pencil signed.

Hand colored botanical print, 8 3/8" by 4 3/8" inside the mat (the actual print as trimmed just a bit larger), 16" by 11 3/4" as framed, the words "Pub. by Wm. Curtis St. Geo: Crescent Aug. 1. 1798. S. Edwards del. ESansom sculp" below and "No. 417" at upper right corner. This is a decorative work with fresh colors, in the tradition of 18th century botanical engravings and etchings, by a noted artist. The work has browned and there is foxing at lower center, but at over 200 years old, the pie...