¡°This print was prepared in the mid-thirties, a few rare proofs exist¡­¡­This imposing portrait is the equivalent in technical complexity of Les Perles and L¡¯Etoile de Gobi¡­¡­The Mandarin¡¯s sleeve is printed in three shades of gray with urushi stripes, and silver metallics. Note the mica of the lenses, made by using crushed pink pearls¡­¡­¡± Richard Miles, The Prints of Paul Jacoulet. P.113, Robert G. Sawers Publishing, 1982...

Print by Helen Hyde titled "Daikon and the Baby", dated 1903, woodblock print on very thin, fine paper, size of printed area: 6" high x 3" wide.

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition

Oban tate-e: 10 x 14 ¾ in.

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Album leaf with sleeve illustration for kimono, produced ca. 1930

Very good impression and color, thick paper, very minor soiling on margins, remains of backing tape

Overall size: 10 x 14 in.

Farm scene, issued ca. 1960s

Printed from a single block on thick paper. The block is inked in different colors with shading effects to imitate a stencil print.

Overall size: 9 x 12 in.

Sake Shop, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Kyoto Storefront, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Village scene, possibly Nara, issued ca. 1950s, non-limited edition.

Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.

Overall size: 11 ½ x 17 in., image size: 10 ½ x 15 1/8 in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.L., very good impression and color, two light marks on lower left, light ripple in upper right corner, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.

TWO JAPANESE WOODBLOCK PRINTS COMMEMORATING FREDERICK STARR & NOSATSU.

Frederick Starr was a professor of anthropology at Chicago University who first visited Japan in 1904 and made many subsequent visits. He wrote many papers on Japanese subjects but is probably best known in Japan for his interest in pilgrimage, he dressed in traditional pilgrim’s clothing and performed the Shikoku pilgrimage in 1917 and 1921...

Original Japanese woodblock print by Utagawa Hiroshige (Hiroshige II), from his series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", circa 1860. This vertical oban is signed Hiroshige ga. Published by Uoya Eikishi. Beautiful color and condition. Never framed. A rare print from a series partially based on Hiroshige I's series (Famous Views of the 60-odd Provinces). This particular view by his protege is not based on a Hiroshige I work.

Original Japanese woodblock triptych by Utagawa Kunisada (Toyokuni III) of a Kabuki subject, circa 1852. This work is signed Toyokuni ga and depicts the actors Iwai Kumesaburo III, Ichikawa Saruzo I, and Ichikawa Danjuro VIII in the play: Jiraiya Goketsu Monogatari. 3 oban panels, in beautiful color and condition, never framed.

Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some Ox images before James Michener did his now wellknown book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed...

These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.

Original Japanese woodblock print by 20th century master Jun'Ichiro Sekino (1914-1988) circa 1950s. Unusual column format (roughly 28" by 10" paper, 21" by 5" image), extremely unusual subject, signed "J. Sekino" in pencil lower right and numbered 67/100 lower left. In its original frame, not examined out of the frame but apparently in excellent condition. Sekino's woodblocks are found in the collections of most important art museums, including MOMA and the Art Institute of Chicago.

Leonard Baskin, American, 1922-2000, "Portrait of a Man," Wood engraving, image size 20 x 13 1/2 inches, c. 1950s. This is a very rare unsigned proof, which does not appear in the Fern & O'Sullivan catalog. We believe this portrait to be of 17th century French artist Jacques Callot, whom Baskin greatly admired and included in his series of etchings, "Portraits of Ten Artists" in 1964.

Torii Kiyonaga, Japanese, 1752-1815, "Two Women with Young Servant". This woodblock print by Torii Kiyonaga measures 9 1/2 x 7 inches. It is signed, sealed and titled within the image. Kiyonaga was one of the great masters of the full-color print depicting courtesans, beautiful women and Kabuki actors. Head of the Torii school, he excelled with "bijin-ga" (beautiful women) prints and these were considered to be his best works.

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

Utagawa Yoshitsuya, Japanese, 1822-1866, "Wakazaka Shinnai at Shizugadake". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...

Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...

Black and White wood block print "Celestial Destiny" by T Le Tigre 2007 india ink on heavy rag paper 221/4" by 15"

Albert Abramovitz, Latvian/American, 1879-1963, "The Hold Up". A dramatic original linocut by Albert Abramovitz, image size 6 3/4 x 5 3/8 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris...

Albert Abramovitz, Latvian/American, 1879-1963, "Worker's Head". Albert Abramovitz $595.00 1879-1963, Latvian/American Worker's Head This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia...

Albert Abramovitz, Latvian/American, 1879-1963, "Construction Work, Moscow". A remarkable original linocut, image size 8 3/4 x 11 1/2 inches, c. 1930s, pencil signed and titled. Albert Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris...

Discay lenke "in the garden " limited edition wood cut print # 1/50 mid century modern style imagery the paper has a mat board line from old matting in a beautiful wood frame c 1950s size h 23" w 17.5 " frame

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

A fine 20th C. print variously titled Red Fuji; Fine Wind; Clear Weather, and Gaifû kaisei, originally create by Japanese wood block artist Katsushika Hokusai, c. 1830 as part of the monumental 36 Views of Mount Fuji. Although this print has not been examined outside of its frame, it appears to be in superb condition with bright vivid color...

A wood block print based upon the watercolors produced by Salvador Dali for the critically acclaimed illustration of Dante's Divine Comedy...

Large extremely rare oversize woodcut by Wendell H. Black (American, 1919-1972). This is a rare proof printed and signed by the artist himself. It is illustrated in "The Lost Prints of Wendell H. Black" by Henry Sayre, Figure 9. Laid down, presumably by the artist, to safeguard its integrity. This work measures 46" by 22". It is titled in pencil by the artist's hand lower left, and is signed and dated lower right. Black only printed a few examples, and did not complete an edition in his lif...

Albert Abramovitz, Latvian/American, 1879-1963, "The Family," etching, 10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

Original oversized woodcut by Wendell H. Black (USA, 1919-1972). Titled "Artist and Model-Spring II" 7/25. Signed and Dated l.r. "Wendell Black 58 by Elaine". First original edition created posthumously by Berkley Chappell and Elaine Black. cf. The Lost Prints of Wendell H. Black. Roughly 24" by 38" image alone.

Original woodcut (white pine) by Wendell H. Black (USA, 1919-1972). Titled and numbered 7/25 l.l. Signed and dated "Wendell Black 58 by Elaine" l.r. From the first edition of 25, posthumously printed by Berkley Chappell and signed by Black's widow Elaine. No lifetime edition exists. 11 1/2" by 18". cf. The Lost Works of Wendell H. Black. This woodcut is illustrated plate 11 in this volume.