A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Haku Maki was a Japanese print master of the late 20th century. His prints at the time this one was published were strong on the use of kanji and abstract designs, as shown here. In this case; the design is abstract, it shows archaic images which we are trying to understand. The print is large, well designed and carried off. The seller Ashley Brasca of Winnipeg Canada wrote to me about this print: “It is special because of the texture and physical quality achieved on the surface...

A Very Rare/Fine Japanese Woodblock Print by Tadashi Nakayama (1927 -): Japan, dated 1961, with original frame. Ptinted with metallic embellishments, of red and silver squares with black top (?), signed in pencil T. Nakayama, edition numbered 16/50, on the bottom margin, with a professional/original frame. This is a very unusual print by this artist. It’s in very good condition with color and impression, without any noticeable defects but not examined its back...

Temple scene, issued ca. 1960s

Heavy black ink on thick paper, slight embossing effect, minor soiling, slight creasing to corners, not backed

Overall size: 10 x 14 ¼ in.

A Very Rare Korean Young Lady Woodblock Print by Sul-Chon-Korean/Japanese: Korea, Korean calender dated 4287 (1954), Oban, tate-e, 37.5cm x 28cm. Title: series #4: a Portrai of Choson’s young lady. Artist: Sul-Chon. Signature: Sul-Chon in black seal and incense burner shapped real seal. Printed and publushed: 1954 Condition: an excellent condition with bright color, full margins and cleans without any stains, crease or any damages at all...

Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.

Poem S B. This small and unpretentious print was a sleeper. Whoever sold it knew not what he had. Indeed neither did I until well after it came here to Beijing. It is a very rare 1968 Maki print. Not 1967 and not 1969. It has the kanji for Rope in the center and that is placed on a subtle but firmly done kanji for STONE - but the kanji is in there ass backwards. The correct rendering is in image 5. Mysteries abound.I have never seen the sub-title SB in a Maki print...

An Extra Large/Rare Kappa-ban by Yoshitoshi Mori(1898-1992): Japan, 27” x 19 3/4” or 68.5cm x 50.2cm...

A Fine/Large Serigraph Print by Tetsuro Sawada (1935-1999): Japan, 70cm x 55cm all margins included, 50cm x 40 cm image only Dated 1991, Title; Glow wave (II), Signed Sawada and Title and Edition # 89/100 and dated 1991 in pencil by the artist Medium; Serigraph, Condition; it is in very good, very brilliant color and full margins. Please note; I highly recommend keeping this frame with its print since it was custom crafted to enhance the print’s detail...

A Fine Japanese Woodbocl Print by Paul Jacoulet (1902-1960): Japan, Dai oban Yoko-e, 18 3/4” x 14” incl...

Bakufu Ono, oban tate-e, one of the ¡°Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu)¡±, dated 1951, published by Kyoto, Hanga-in, slightly toned, fine impression and color.

Village scene with green mountain, issued ca. 1950s, non-limited edition.

Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.

Overall size: 11 ¼ x 17 in., image size: 9 ¾ x 14 ¼ in.

¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet's feelings toward the North Koreans...

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

Ca. 1950s

Original Japanese black lacquer and brocade frame. Postcard size print with borders likely trimmed. Print in good condition, but not examined outside frame.

Print: 3 ¾ in. x 5 ½ in., Frame: 9 in. x 7 ¼ in.

¡°The two adversaries (left)¡± and ¡°The two adversaries (right)¡± were published 5 December,1950. The carver was Maeda; the printers were Honda, Uchikawa and Onodera. Both have Paul Jacoulet¡¯s pencil signature and red Arrow seal on the lower corner. They are in excellent condition. ¡°This simple but highly symbolic pair reveals Jacoulet¡¯s feelings toward the North Koreans...

A Very Fine Woodblock Print Korean Bride by Paul Jacoulet (1902-1960): Japan, Dai Oban tate-e, 15 3/8” x 11 3/4” print only, (approximately 18” x 13 7/8 marigins), Title; La Mariee “Bride, Seoul, Coree” Signed Paul Jacoulet in pencil with owl seal in red on lower left Limited edition # 54/350 in red on verso. Engraved by Maeda Kentaro, printed by Fujii Shunosuke It is in very good condition with good impression and color with full margins without any stain or mat burned marks,...

Still life Woodblock print of Vase by Tomimoto Kenkichi (1886-1963.) Artist's Seal: "Tomi." Date: 1955...