Sold together as a matched PAIR, are these two watercolor paintings, paper laid on board, en grisaille (black/white/gray,no color), each 13 1/2" by 10" inside the mat, 20" by 16 1/4" as identically framed, both signed "S. LOEWE" or "J. LOEWE" and dated '94 (1894). At first glance, most people would think these are prints of some kind, but upon closer examination, incredibly, they turn out to be original watercolors, with amazing detail...

Oil on canvas winter landscape painting in an impressionist hand, a snow-covered road leading to a cluster of houses in the distance, 16" by 20", unframed, signed at lower right by listed American woman artist CHARLOTTE LIVINGSTON (1898-1991). The painting captures the quiet solitude in early winter after the first snow (a lot of autumn color remaining suggests the winter season is not all that far advanced)...

Etching titled "THE GREEN SHUTTER NEW ORLEANS", signed with initials in the plate and in pencil by the artist in margin, the sheet 9 7/8" by 7 3/4", framed as found in narrow black strip frame of the period. Buell was a noted woman etcher, active from the 1920's through the late 1950's. Born in Illinois, she received some art training at Oberlin College in Ohio, and further study at the Art Students League in New York and with famed etcher Martin Lewis...

A beautifully crafted oil on board painting of a barge and its brightly painted bow at a river dock in Europe, 13 3/4" by 17" (19 1/2" by 23" in inexpensive modern frame). signed at lower left by master Hungarian artist ERVIN KORMENDI-FRIM (1885-1939). A number of small figures, a bridge span, and distant buildings complete the richly-painted scene. The distinct structure at center right in the distance could provide a clue as to where in Europe this might be...

This is a print from the original woodblocks, of the work "Jongleur", 1938, from the series "Le Cirque de l'Etoile Filante (Circus of the Shooting Star) by the important French artist GEORGES ROUAULT (1871-1958). The print is quite small, 2 7/8" by 2 1/8" inside the mat (9 1/2" by 8 1/4" as framed). I believe that this is from the edition published at a later date by the Collectors' Guild of New York, as other examples I have seen are identically framed, and with their label on the reverse...

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed...

Pastel on paper work, the subject a wintry tree and split rail fence in a snowy landscape, a distant house with smoke from a chimney suggestive of a snug refuge from the cold. The work is signed at lower left "E Taylor". Most likely, the date of execution is within ten years of the turn of the century. Condition is excellent. Measurements are 12" by 17 3/4" inside the mat and 21 1/2"by 26" in silvery modern framing with gold tint (some wear noted especially at bottom)...

Watercolor on paper painting of redwood, sequoia or pine tree trunk in a forest, unframed, 9 1/4" by 7 3/4", signed at lower left "Mary Inez Tidwell". The work is possibly a fragment, as the top edge and right edge in particular seem to indicate that there might have been more painting at one time; however, there are pin holes in the upper corners and indications of round tacks having been there, so possibly the painting is as originally created...

TWO antique original (not reproduction) lithograph prints with delicate, subtle hand coloring,by noted English artist and nineteenth century Middle Eastern traveler DAVID ROBERTS (1796-1864). The prints both measures 8 3/4" by 12 1/2" (14 1/2" by 18 1/2" as framed). Roberts is best known for his lithographed images of sites in the classical Middle East, of which these are typical examples. I've not examined these out of the frames but they do appear to be in excellent, clean condition...

Oil on Upson board painting of zinnias in a table top vase, curtains vaguely defining the background, 20" by 16" and 2 1/4" wide old frame, signed at lower right "C. G. Force" (I believe CLARA GUNNISON FORCE 1852-1939). Force was born in Erie, Pennsylvania of Swedish heritage. She studied with Charles Webster Hawthorne, William Merritt Chase and Frank DuMond. Force did paint in Europe, Cape Cod, Provincetown, Woodstock, New York...

Oil on canvas luminous scene of coastal Greenland, with chunks of blue ice floating in the harbor as tiny structures on the rocks are overwhelmed by the grand landscape, a sole kayaker in the inlet at right center, 27 1/2" by 39 1/2" plus frame 2 1/2" wide on a side, signed at lower left by listed artist ALEXANDER WILLY DANNERFJORD (1904-1961). Dannerfjord was a talented artist who executed mostly landscapes of Denmark...

Oil on board painting of Crater Lake, Oregon, including Wizard Island at left, 11 1/2" by 13 3/4" as framed, unsigned. Compare the scene to online images of Crater Lake. The work is nicely executed and were it signed we would likely know that it was created by a listed artist. The date I would estimate as circa 1920 to 1940 or so. There is a two inch scratch at right center in the base of the trees. A cleaning and especially some varnish would really improve the appearance and would be well...

Oil on beveled heavy oak panel painting of a man and a woman talking through the iron bars of a large wall opening of a residence compound, providing a view into more greenery beyond, potted flowering plants and vines framing the central imagery, 14 1/4" by 8 1/2", unframed, signed in red at lower right "F. GOMEZ SOLANO" and dated there 1891. This is a charming little gem of a painting with fine detail and wonderful handling of the Mediterranean sunlight and shadow. Rather surprisingly I am un...

Contemporary pencil and watercolor drawing in simple metal gold framing, the subject two women apparently dancing in a late 19th century cafe, the drawing 8 1/2" by 5 1/4" inside the mat (the entire sheet significantly larger, at 11 3/4" by 8 1/4"), signed at lower right "Dan" or "Han" or similar. The scene reminds of George Grosz' 1920's drawings of Berlin cafe goers, or even Toulouse Lautrec's Parisian cafe's. The drawing is nicely crafted.

Painting on canvasboard, I believe in tempera or similar, (not oil), 16" by 20" (21" by 25" framed), titled on reverse "SWAYBACK", and signed at lower right "CHARLES TRUMBO HENRY" and dated there 1948. The artist was a student of Thomas Hart Benton, Boardman Robinson, and George Grosz. Little known today, he was an active exhibitor and major museums include his work in their collections. Henry was born in Niagara Falls, New York, and his remains are at Hollywood Forever Cemetery in Los Angele...

Vintage and early Hawaiian art is scarce to rare, and desirable. This is a 1932 etching, "Hawaii Hall", one of the principal buildings of the University of Hawaii at Manoa campus, on Oahu. It is pencil signed at lower right margin. An image of this print is included in the university's yearbook for 1932. The work is presently unframed, behind a mat, and it is simply taped at top edge. Fisher was an art instructor at the university certainly in the 1930's and, from what I can see after onlin...

Old Russian painting of a night winter landscape with figures, oil on canvas, 12 1/2" by 18" as framed, signed with Cyrillic letters "P O" or "L O" at lower right. To date I have been unable to match the letters to any particular artist (nor could the Christie's Russian art specialist, when she saw it). The painting is extremely soiled and the canvas very uneven (could be described as sunken in, and the ripples "hardened" over time). Cleaned up and restored to a flat surface, this would be qu...

The watercolor scene depicts a tent housekeeping camp on the shore of a body of water, with four figures, all African-American, in the composition, making it therefore quite unusual and scarce. The date of execution might be circa 1880 I feel, given the dress and the primitive camp set-up. The work is an historical record of African-American life in the 19th century. Size is 9 5/8" by 13 1/2" inside the mat, 18 1/4" by 22" in the narrow gold framing. I've looked in vain for a signature or hi...