This is a work with a real WPA 1930's feeling to it, but it is dated 1965. The artist was IDA HANSGEN, or possibly, HANSGREN. (There's a little writing on the frame on reverse that suggests there might have been an "r" in her name). Very surprisingly, I cannot find a listing or any information on her...

This is a nicely executed watercolor showing one of northern New Mexico's picturesque historic adobe churches in winter, signed at lower left by contemporary artist JOHN S. McFEDRIES. I do not see a listing for the artist but some other works by him can be viewed on the net. The painting measures 10 1/4" by 16 1/4" inside the multiple mats (21 1/2" by 28" in its bleached wood framing)...

If you're looking for an Asian accent piece for your interior, consider this oil on canvasboard, 23 5/8" by 17 5/8" (a little over 31" by 25" as framed), signed at lower right "Bill Parrish" (or Perrish, or Porrish), not dated but likely mid century from late 1940's to early 1960's, the subject a young Chinese woman in traditional colorful costume, with what I believe is an important Chinese character for something important like "life", "luck", etc. at upper right background...

Oil on canvas, 15" by 19" (22" by 25 1/2" as framed), the subject the famous Taos Pueblo of northern New Mexico, an iconic scene of the Great Southwest, the painting signed at lower right "Stowell". Included in this picture is a stormy dark sky, the pueblo itself bathed in a ray of sun, and no less than eight figures and one saddled horse. I have researched the signature and cannot definitively tie this to any particular artist, listed or otherwise...

Original watercolor of a typical scene in the sub-tropical island of Bermuda, 9" by 13 1/2" (18 1/2" by 22" in its gold frame), apparently unsigned, probably executed in the early 20th century. The painting's subject is a pink-walled home at left with two palm trees growing in the yard, a view to the water at right center. The painting is laid down on a board, and the gold overmat is glued down on top of it, so, were there a signature/date, it is hidden by the mat...

Oil on canvas painting of many pink asters of various shades in a ceramic vase on a tabletop against a greenish curtained background, 18" by 22", 22 1/2" by 26 1/2" as framed, signed at lower right with the distinctive conjoined signature of HARRY HAMBRO HOWE (1886-1966). Howe was a prolific New England artist known for his coastal and White Mountain (New Hampshire) scenes, though he was known to have created still life works as well. He was the son of sea captain T...

Aquatint and etching on paper, 13 1/4" by 18" (20" by 24 1/4" as framed), signed at lower right and numbered "283" at lower left, the subject the world famous Notre Dame de Paris cathedral in central Paris at twilight, seen in the classic southeast view from the banks of the adjacent Seine River, by the French artist MANUEL ROBBE (1872-1936). I believe the title of this work is indeed "Notre Dame at Twilight", or, just "Notre Dame de Paris"; it dates to the year 1925...

Ink on stiff paper drawing, 11 3/4" by 9 5/8", signed at lower right "O. R. Shattuck --1917--" and in the lower right margin "LIVE OAK, FLA. FEB. 1917". The artist is OLIVER R. SHATTUCK (1887-1953). The subject is a boy or young man, possibly a black man, in a small canoe-like boat, deep in the heart of a classic southern cypress swamp, the Spanish Moss hanging form the trees and brush...

Oil on linen laid on board, 16 1/4" by 23 1/4", the simple modern frame about 1 1/4" wide, signed at lower right by listed California woman artist M.E. HODGDON, not dated but likely before 1920. The painting recently came out of Maine, where it had possibly resided for decades, perhaps brought east by an early day traveler wanting a souvenir. The artist, MARY E. HODGDON, is said by Hughes in his dictionary of California artists to have been a resident of Los Angeles between 1912 and 1922...

This is a skillfully executed painting on canvas, 9 1/2" by 13" (14 1/2" by 18" in its distressed style white/gold frame), the subject several large ripening pears and apples, a pair of plums in the foreground. At lower left is written "A Mr. Caubert/Souvenir Amical/H. Camus". I believe that's what the names appear to be; more research might reveal the full identity of the artist. To date I cannot match this to a listed name...

Oil on an old board, the subject a snowy high mountain peak at left framed by a forested ridge in the middle ground. 9 1/2" by 13 1/2", the frame 2 3/4" wide on a side, signed at extreme right by the noted Hungarian impressionist painter LASZLO NEOGRADY (1896-1962). Neogrady's later works, such as forested mountains under heavy snow, being much more impressionistic in style, are more familiar to the art buying public. This work likely dates to the 1920's to 1940's period, judging from the b...

Watercolor and ink on paper, and possibly a little gum arabic in spots, for highlight shine, no glass, 7 1/4" by 9 1/4", (15 1/4" by 17 1/2 " in its simple wood frame), the subject a boat harbor no doubt on the central coast of California, signed at lower right center by California watercolor artist RITCHIE ALLEN BENSON (1941-1996). This is a nicely executed work and it is in excellent, fresh condition with no foxing nor water staining, despite having traveled without protective glass. Benson ...

Oil on masonite painting of many Haitian traditional dancers in a street scene, not dated but likely 1960s or 1970s, unframed, measuring 24" by 32", signed at lower right "G. E. DUCASSE" and inscribed at lower center "Les Droguistes y les Drogues/BANDE MASCARON ZIZIPAN". This is a colorful work by a significant artist from Haiti. According to online biographies, he was born in Port-au-Prince and despite natural talent for art, worked for the government for many years, in agriculture. By 1948 ...

DALE NICHOLS (1904-1995) is an American artist best known for his lyrical paintings of Midwest Heartland homesteads and farms in deep winter. These coveted paintings sell for mid to upper five figures at major New York auctions. Nichols was a traveler and later in life he spent considerable time in Guatemala, where he painted a number of works showing the landscape and inhabitants. See the askart listing on him. The present work is from that later period. Measuring 18 1/2" by 13 1/2" (28" b...

If you collect early art of the Pacific Northwest, this vintage work might be of interest to you. Apparently unsigned, this multi-sided work measures 11" by 19" (14" by 22" as framed). It is executed on old paper, laid on gray board. The charming scene is packed with detail of horse-drawn carriages, dogs like setters or spaniels, trees, houses, and of course the famous snowy cone of Mt. Hood. There is a folk art element in this painting, springing from the details. I believe you could look ...

By the Danish-American sculptor and painter who between the late 1920's and his death created the famous portraits of the presidents on a South Dakota mountain, is this impressionist seascape painting on board, in a delightful range of blues and whites, 20 1/2" by 28 3/4" (28 1/4" by 37 1/4" in the old frame in which I acquired this), signed at lower right by GUTZON BORGLUM (JOHN GUTZON BORGLUM, 1867-1941). This is a work possibly painted from a California memory of the artist, at a later date...

PAIR of framed Paris scenes on board, one showing Notre Dame and the Seine, the other a street scene with a 1930's car and figures, each signed "Montal" at lower right. I would guess these are tourist pieces in the Montmartre painters tradition, probably dating to the 1950's or so. At 13 1/2" by 7 1/2" framed they are identical in size, and they are framed identically as well, though there is wear to each frame, showing as gold areas against a darker background. These are quite decorative and...

Oil on canvas, 20" by 14 3/4" (29" by 24" as framed) signed at lower left with the signature of well listed Danish artist NILS H. CHRISTIANSEN (1850-1922), the subject a setting sun behind trees in a thinning forest. The artist seems to have been very interested in depicting the effects of light on landscapes, as many paintings seem to include his trademark round sun or moon somewhere in the sky. The painting has a certain Hudson River school look, what with the trees and luminosity, but this ...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California. The only possible hint is an Oakland, California art supply stamp on t...

Oil on canvas, 13" by 16" (17" by 20" as framed), the subject a glass compote filled with purple plums, the base surrounded by clusters of white and red currants, signed at lower left with a signature that appears to be "Bielard", "Bichard", or "Beclard" or possibly "Bulard". I don't see a listing for any such name but the artist was talented. I'd guess the age as circa 1920 to 1930's or so, judging from the technique, materials etc. The painting is in good condition, with just a pinpoint los...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos. I say apparently because the painting is signed with what looks like Mabel "Lemus" and it is clearly dated 1948, yet the Hughes biography and online information shows her ...

This is a rather large oil on canvas work, 30" by 39" (43" by 34" as framed), signed at lower right "DeShazo", the subject a landscape with houses, church, and lonely leaning telephone pole. The work is not titled and the artist is not apparently listed. I originally thought this might be an early or atypical work by the noted painter William DeShazo, but the wife of the artist has stated that this is absolutely not by his hand, so, I am offering it as a decorative work, The painting probabl...

The work is executed in charcoal with a little white gouache, on paper, the unframed sheet 12" by 10", signed at lower right in the artist's typical manner. Gladys Emerson Cook (1899-1976) was known for her sensitive and accurate depictions of dogs, cats and other animals. She was a painter, illustrator, and graphic artist. Today a number of museums include her works. She exhibited at the National Academy of Design and other major venues. This sheet is moderately browned from age, has a "ro...

Measuring 16 1/4" by 21 1/4" (23 1/2" by 28 1/2" in its attractive and clean modern gold frame with liner), this is a beautiful impressionistic painting in oil by the noted orientalist French painter LOUIS MICHEL BERNARD (1885-1962). The subject could be a sunwashed port in the mountainous south of France, or, possibly, in Algeria or elsewhere in coastal North Africa, where Bernard spent much time. The artist was a student of Cauvy at the Ecole des Beaux Arts in Algiers. He exhibited at the Sa...

Watercolor on paper, 8 1/2" by 17 1/2" inside the mat (13 1/2" by 22 1/2" in its very nice circa 1920 vintage frame), signed at lower right and inscribed there "Munich" by the well listed American artist CHARLES PAUL GRUPPE (1860-1940). The subject is a creek or small lake or pond at sunset. Born in Ontario, Canada, Gruppe was in Europe by age 20, where he explored France, Germany and Holland. I imagine that this work would date to that early 1880's period when he would have been in Germany....

Pencil drawing on paper by the important Russian-American artist DAVID BURLIUK (1882-1967), purchased out of a Berkshires estate in Massachusetts. The drawing measures 14 1/2" by 8 3/4" (21" by 14" framed), the lady in soft pencil and the ear study at right in blue colored pencil. It's signed and dated at lower right 27 April 1946, and is evidently after a work (perhaps an etching) by the famous German artist of the 16th century, Albrecht Durer, as Burliuk wrote "(Durer)" between the signatur...

Oil on wood panel still life painting of wilting yellow roses in a bluish-green vase on a brown vaguely defined table top, signed at lower right by artist M. Verberckmoes and dated there 1902. There does not appear to be a listing for this particular artist but the name is Belgian in origin. The work, 12" by 16 1/2" (19" by 24" in frame) could use a light cleaning, as there is surface dirt throughout, and there are some surface abrasions that show as white areas in the photos. In addition the...

Australian "bark" painting, the painting itself (not including the panel to which it is mounted) measuring 25 1/2" by 11 1/2", bearing reverse label showing this to be a work of the well-known artist and respected tribal elder ENGLAND BANGALA (1925-2001). The handwritten label shows his age as 42, so this would have been created in 1967 or thereabouts. The label gives Bangala's tribe and tells the story of what we see: "The families have been hunting & caught a bream & 2 snakes . So...

Watercolor on paper, 10 1/8" by 13 1/4" (15" by 18 1/4" as framed), signed at lower left with the distinctive signature of California Scene artist JAKE LEE. This is an image of a white fountain framed by a balustrade and mature trees. Jake Lee's works are increasingly sought after by collectors in the wake of his relatively recent passing. This is a clean example in excellent condition. See the net for more images of his paintings, which include California landscapes, as well as overseas ex...

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski. Although there is not much known about either, I recall ...

Oil on canvas painting, the subject a ranchette of the Southwest, likely Arizona or New Mexico, 16" by 20" (24" by 28" framed), signed at lower right corner in the paint by the noted, well-listed American impressionist plein air painter (and National Academician) PAUL STRISIK (1918-1998). The artist was born in Brooklyn and received art training at the Art Students League with Frank Vincent DuMond in the late 1940's. By 1955 he had settled in Rockport, Massachusetts, becoming a fixture in the ...

Charcoal on paper, 7 7/8" by 11 3/8" (14 1/4" by 17 7/8" as framed), not signed above the mat (not opened up), but bearing a 1968 label on the reverse from ACA American Master Gallery of La Cienega Blvd. in Los Angeles, providing the name of the artist, with the words below stating "From the estate by K Moskowitz". This is a rather typical subject for the artist, EUGENE HIGGINS (1874-1958), who is today grouped with the Ash Can school of American art of the first half of the twentieth century. ...

Pastel on paper, unframed, 14 1/2" by 12 1/4", signed at lower right with the initials "DP". This is a drawing of the distinctive 10,000+ ft. mountain of the Cascades Range in Washington state, Mt. Baker. The artist was obviously skilled in the use of pastel, but I am not able to say who the artist might have been. I thought it could possibly be Dewitt Parshall, California artist, but don't know if he worked in the Northwest. So, this work, oddly, found in central Massachusetts, is offered ...

Oil on canvas, unframed, 30" by 40", the subject large boulders and rocks surrounding a small pool of water, executed in a photo-realist style in muted colors, signed at lower left with the artist's name, copyright symbol, and date 1985, and titled "Slow Water" and signed again on the reverse. This is a relatively early work by the noted Twentynine Palms, California contemporary artist and muralist CHUCK CAPLINGER. Caplinger's website details his rise in art circles from NASA illustrator, comm...

This is a restrike of the large folio, popular and well-known lithograph "Winter in the Country---The Old Grist Mill" by Currier and Ives. Measurements inside the mat are 18" by 26 1/4", and the piece as framed is 26 1/2" by 33 1/2". The original 19th century lithograph is in the "Best 50" list, and it inspired many paintings after its publication. This image was originally painted by important artist George Henry Durrie, who was known for his charming classic scenes of mid 19th century New ...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery. The artist painte...

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state. This example is in good condition if you are seeking a pleasing print to frame, but it is not in pristine con...

Watercolor on paper, measuring approximately 12" by 16 1/2" (19" by 23" as framed), the subject El Capitan peak, also called Agathla by the Navajo people, a sharp, distinct isolated mountain south of Monument Valley, Arizona, over 1500 feet (457 meters) high. The drawing is titled "El Capitan" at lower left and signed with what appears to be "Turla" at lower right; I don't see a listing for that artist name. Nevertheless the work is nicely done and should appeal to the collector of art of the ...

Hudson River School style watercolor on paper, 13 1/2" by 19" inside the mat, 24" by 30" as framed, signed at lower right "Byron Albee". This is a subtle, delicate, beautifully executed watercolor of trees and a line of stones next to a pond. Because it IS so subtle, it does not photograph impressively; but in person it is appealing. The work has survived the years in excellent condition with only a bit of well balanced overall browning of the paper. The painting is not dated and I do not se...

**PAIR** of watercolors on paper of African American musicians in the famous New Orleans French Quarter jazz spot known as Preservation Hall. Each painting is on a sheet of heavy watercolor paper measuring 15" by 11" (21 1/2" by 16 1/2" as framed), both signed but I am unable to decipher the signature----looks something like "Tortelli" but that is a wild guess. These are possibly paintings for the tourist trade but there is a monumentality to the work that goes beyond tourist art. I would wel...

This is a decorative, peaceful scene of late autumn by a pond or small lake, signed at lower left "Sydney Cooper". Even though the spelling differs ("Sidney"), this could be by or after the well-known English 19th century artist THOMAS SIDNEY COOPER (1803-1902), who was known for his landscapes with farm animals. The painting is unframed and measures 22" by 15 1/2". Condition is good, with even light overall oxidation (browning) of the fairly heavy paper, and some very light water stains at t...

Oil on canvas, somewhat spontaneous and sketchy image of a formally dressed couple at a social event, circa "fin de siecle", 14" by 10 3/4" (20" by 17" as framed), signed at lower right with the distinctive signature of French early to mid century artist YVES DIEY (1892-1984). Diey is well known in France particularly, where his pastels and oil paintings of nude, or semi-clothed attractive women, sometimes in exotic settings, make frequent appearances at public auction. Diey was part of the mo...

Original woodblock print in black and light red, 11 5/8" by 8 1/2" (18 1/2" by 15 5/8" as framed), inscribed at lower left in pencil "artist proof" and "Serisawa", and stamped just below that with the circular red seal of the artist, and "To Wally" written at right. This is an example of the graphic work of the American-Japanese artist SUEO SERISAWA (1910-2004). Serisawa is considered to be one of the principal figures in California modernism. Born in Yokohama, Japan, the son of an artist, he...

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

This is an unusually fresh vintage watercolor, 10 3/4" by 20 1/2" (18" by 28" as framed), dating to the late 19th or early 20th century, by the noted American artist DAVID JOHN GUE (1836-1917). The colors are bright and there is no foxing nor moisture damage. ALL PHOTOS ARE TAKEN THROUGH NON GLARE GLASS so actual painting is sharper and more attractive than it appears through the blurry glass. The subject matter is likely an east coast beach. Gue was born in New York and found himself in the...

“Central Park” Oil on canvas 30“ x 24“ Xue Jian Xin was Born in NanJing, China on October 17, 1954. Xue had years of fine arts training at the highest level. He became Chairman of the SuZhou Oil Painting Research Association and Lecturer in the Fine Arts Department of SuZhou College. In 1988, he came to the United States as a student at Bard College, New York, where he received his M.F.A. in 1991. He began displaying his art at a famed SoHo New York Gallery in 1996 where he was an imme...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

Pastel on paper, 10 1/2" by 23 1/2" and 2" inch wide very attractive and complementary oak Arts and Crafts appearance wood frame, unsigned, the subject bananas, peaches, and a basket, circa 1920. This is a typical example of the early 20th century American pastel school. Reaching back to artists who created pastels late in the 19th century, pastel artists like William Joseph Chandler, Glatthaar, and others created works for homes that would exhibit more quality than mere reproductions. Excell...

"Soho" Oil on Canvas, 24"x18", 31"x25" framed Born in Shanghai China, Christopher has been painting since he is 6 years old. He went on to formal studies and graduated with a B.F.A from East China University, and went on to earn an M.F.A at Rhode Island College. This extraordinary artist is one of very few artists who are honored as both a Master signature artist with Oil Painters of America as well as a Copley Master at the The Copley Society of Art Boston, MA. He is also an artist member of t...

Watercolor on paper, 12 1/2" by 18 1/4" inside the present mat, 19 1/2" by 26" as framed, signed "TOWNLEY" at lower right corner and dated there "Oct. 68". I do not see a listing that would match up with this name but the artist was obviously a talented individual. This appears to be a mountain landscape in one of the western states. The trees and the animals are beautifully executed, and there is a superb little ink drawing of a fox near the signature. Condition is excellent, though it appe...

This is a drawing of traditional subject matter in a contemporary style, evidently by a youngster who lived at the Taos Pueblo in northern New Mexico. Measuring 7 3/8" by 11 1/2" inside the present mat (12 5/8" by 17 1/2" as framed), the image is of a bison with a stylized sun at upper left, and scattered stylized trees, with a multi story adobe at lower right serving as the Pueblo itself. On the reverse is written "Age 13/Taos Day School/New,Mexico 87511/Taos Pueblo/U.S.A.". Medium seems to ...

Lithograph on paper by American artist STOW WENGENROTH (1905-1978), with blind stamp at lower left, pencil signed at lower right by the artist, bearing "Ed. 65" at lower left, and titled below near the bottom edge of the sheet "SEA GULLS". This is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a few images of New York City which are especially sought after. The artist studied ...

Watercolor on paper painting, 15 1/4" by 19 1/4" (30" by 34" in its quality vintage framing), the subject reef fish of tropic seas, swimming in the deep. The artist, ELIOT O'HARA (1890-1969) signed his name in bold capitals at lower right and dated the work there 1951. O'Hara was born in Massachusetts near Boston, the son of the founder of the Waltham Dial (Watch) Company. Early on O'Hara broke with the traditional life track that could have been his, heading into a life in the arts. A world...

Oil on canvas Italian scene of the famous Bay of Naples with smoking Vesuvius volcano, unsigned, circa 1880 to 1900, measuring 18" by 28" (23 1/2" by 33 1/2" as framed). This is a charming scene, painted many times since the 17th century, of fishing boats in the bay, the backdrop being an ornate tower at left, distant houses on hillsides, and at right the curling smoke plume of simmering Mount Vesuvius. The painting is somewhat primitive, not painted by a listed artist, most likely, but he o...

Watercolor on paper, 4" by 10 3/4" (8 1/4" by 15" as framed), signed at lower left with what appears as "Stribens" or "Stirbens"......I do not see a listing for such a name. I could be misreading it. In any event this is a decorative old vintage watercolor landscape by a talented artist, still in its original frame. There's no glass currently, but the work has survived the passage of time in excellent fresh condition, with only a tiny handful of foxing spots. On the reverse of the frame is a...

Vintage charming pastel on old paper, 12" by 8", the scene a quiet city street or lane with 19th century buildings, signed at lower right by the artist, E. R. VAN DEMAN, and dated 1901. Rather little information on the artist appears on the net, but a member of the board of the Delaware County Historical Society in Ohio contacted me to say that the organization has seven of her pastels in their collection, the subjects local places circa 1900. The artist was from a prominent Delaware, Ohio fa...

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time. Her works of that time are distinctive for this k...

This is a photolithograph, 21 1/2" by 17" inside the mat window, 28 1/2" by 24 1/4" framed, pencil signed at lower left and with blindstamp there, titled possibly "The Sacred Horse", published by Frost and Reed in England in about the year 1950. The artist, HOVSEP PUSHMAN (1877-1966) is considered a major artist, best known for his still life works incorporating oriental props like ceramic pieces, and his paintings command well into four figures at major New York auctions, with a handful exceedi...

A pretty scene of rapids and a wild river running through a wide gorge, trees bordering, signed at lower left with initials that appear to be MKB and dated there 1934. The watercolor on paper work measures 14 1/2" by 11 1/2" (25 1/2" by 21 1/2" in interesting frame, with drawn lines mat). The landscape could be Canadian as well but without more information on the artist it is difficult to determine authorship. Found in the mountain states of the west. Condition is outstanding, considering th...