Coastal seascape painting on pebbly surface old gray art board, likely the California coast but possibly Maine, circa early twentieth century, unsigned, measuring 7" by 17" (14 1/2" by 25" in its interesting blackish with reddish design frame). The work and framing is very presentable as-is, with just very slight wear to the frame...

Small decorative oil on canvas of a scene in Thailand with small boats, a figure paddling one of them, two ducks, and a house on a shore, 6" by 9" (9 1/2" by 12 1/4"), signed at lower right "Sak" or "Yak". Probably tourist art, this is nicely framed and the mat is clean, making for a decorative and inexpensive Asian accent for the home.

Oil on canvas, 16" by 20", unframed, signed at lower right in red "SOON" and with artist's device, signed there "86", the subject a thatched roof village fronting low mountains, clothes hanging to dry in the breeze. This appear to be most likely Korean art, perhaps by a Korean-American, considering the American size stretcher. The name is common in Korea but I don't believe the artist is well known. The work is highly impressionistic and with a frame this will look even better...

In the style of Philippe Noyer, or possibly Charles Levier or Bernard Buffet, is this unsigned circa 1960's oil on canvas painting, 20" by 16" (28" by 24" framed), the subject a girl, lost in thought, seated on a chair in one of those intimate Parisian attic bedrooms with skylight, the walls covered with a decorative wallpaper, a vase, mirror, and toiletries on the dressing table completing the scene...

(**One of two works by the artist in my shop**). Unlike most commonly seen works by this artist, which are actually serigraph prints, this is an original oil on canvas painting, measuring 34" by 18" (unframed). The scene, which could be described as a floral fantasy, incorporating at least two human heads floating within the composition, is rather typical of the work of the artist, HERMANN DIETRICH (1916-2003). Dietrich's online profile has only in recent years become more developed...

Oil on canvas portrait of a middle aged man seen in profile, not signed on the front, possibly signed on the reverse, 20" by 16", unframed. The man appears to be a clerk in his work clothes, circa 1910 to mid 1930 perhaps. On the reverse written faintly on the canvas is "WM. HODES FRANKLIN" or similar--. Below that is what appears to be "BRACKMAN"...

Oil on canvas still life painting, 16" by 20" and 22 1/2" by 26" framed, the subject several ceramic objects, including an oriental figure, an elephant, and a lustrous plate. The painting is signed at lower right "Elsie Crosam" or "Crosom", "Creson", or similar. The piece would be an excellent practice work for a budding restorer as there is a major rip in the center, as shown; or you might buff up the frame a bit and use it with another painting. There is light wear on it.

Signed at lower left "Albert L. Fischer", this is an unframed, sizable oil on canvas (46" by 27"), the scene almost mural-like: an apparently Italian lake (see the gondolier at right), framed by blooming wisteria dripping off a trellis at top and climbing a lattice at bottom, several boats plying the calm lake waters. I don't see a listing for the artist...

This is a most unusual and appealing pop art painting (unframed, 27" by 35") by a mid-coast California artist, Tom Shultz (1943-2017). Works by the artist, who passed away in his mid seventies, have been exhibited at a number of galleries, particularly in the Paso Robles area of central California. The piece is entirely hand painted (not silkscreened, which I at first thought a possibility) on a spongy, soft pulpboard, which the artist has also painted on the reverse (an abstract)...

Oil on canvas painting of a forest, 18" by 18", in its original oak frame 22" by 22", signed at lower right in red "MOORE" and dated there 1927 or 1924. The painting is a beautiful example of American impressionism of the early 20th century, with some really lovely colors hiding under the grime of nearly 90 years. The artist was obviously a talent to be reckoned with, though with the common last name it is difficult to attribute this to any particular Moore...

Vintage oil of white, yellow and pink roses on a table top, circa Victorian late 19th century to the early years of the new century, apparently unsigned, in pleasing old wood and gilt frame, the entire work as framed measuring 11" by 13 1/4". The canvas is laid against the backing but is not glued down to it so there is some rippling. Other than a few minor surface abrasions the overall impression is quite beautiful. A fine acquisition for the still life collector or shabby chic decorator.

Oil on canvas, 20" by 24", 23 1/2" by 29" as framed, the subject a vase of orange flowers in a complex still life setting, an old timer wood dresser against the wall, other elements including books, smoker's pipe, ashtray, picture frame, tobacco can completing the scene. The painting is signed at lower left apparently "DAILEY" and is dated there "42". Also on the stretcher, faintly in white chalk, are the words " Still Dailey" (partly unreadable)...

An impressive oil on canvas scene of a central Parisian square in the late 19th century, complete with fountains, horse drawn carriages, and figures, on a rainy day, 24" by 36" (31" by 43" framed), signed at lower left by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's famous scenes of Paris, or perhaps of a number of other impressionist artists who favored the always popular subject matter...

Oil on canvas landscape, 10 1/2" by 18", unframed, signed at lower right and dated there 1894 by well listed American artist CHARLES HENRY MILLER (1842-1922). Miller became known for his impressionistic paintings of Queens and points all over Long Island, including East Marion, near the end of the North Fork (Orient Point area). He traveled to Europe in the 1860's and, inspired by the sights and culture, decided to abandon the medical career for which he was preparing, in favor of art...

‏Oil on canvas laid on board painting of snowy high mountain framed by a lake and trees, 12" by 16" (15 1/2" by 19 1/2" framed). Although unsigned (and Detreville's output frequently WAS unsigned), the handling, subject matter and color palette strongly suggest the hand of the noted California painter...

Oil on canvas impressionist painting of flowers in a vase on a tabletop with porcelain tea set, a window at left providing a view to a more distant landscape beyond, 24 1/2" by 20 1/2" in narrow wood frame. The painting is signed at lower right and dated 4/80 (April 1980) by Southern California artist JAMES DE LOYE (1949-). A website describes the artist and his background and provides images of a number of reproductions of his work. De Loye, presently living near Whittier, California, demons...

Oil on canvas laid on masonite, 20" by 30", unframed, signed at lower right by Italian artist R. J. Bertini, and dated 1902 (possibly 1912). The scene is an interior with a large hearth in the background, four men appearing as cavaliers or musketeers around a table, engaged in an animated conversation with an old woman, as a young shy woman looks on from the left corner. The painting is charming and classical, executed by a trained hand who quite surprisingly does not appear to be a listed art...

Oil on masonite portrait of a classic man of Bavaria with his traditional hat and shirt, 15 1/2" by 14" (23 1/2" by 21 1/2" framed), signed at upper left corner and dated 47 by the well listed German artist ANDREAS MITTERFELLER (1912-1972). The artist created traditional horizontal format landscape works which appear frequently at auction in Germany, but I see only a very few portraits or genre works in the records. On the reverse appears a lot of information: the name of the artist again, da...